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Archival Description
North America With digital objects
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Correspondence with Adolf Meyer

File contains correspondence with Adolf Meyer. Also includes summaries of recording instruments, synopses of psychiatric cases, a transcript of "Mental health film," and transcripts of conferences and conversations.

Correspondence with Fritz H. Landshoff

File contains correspondence with Landshoff of Harry N. Abrams, Inc., Kodansha Publishers Ltd, Encyclopedia Britannica, Aurelio Peccei (The Club of Rome), and La Nouvelle Agence. Most of the correspondence surrounds Mann Borgese's "The Drama of the Oceans," and securing the rights of various photographs for publication in that work. File also includes a mock-up of a brochure for the International Ocean Institute (IOI) and friends of the IOI ("What Can You Do to Save the Oceans?") as well as a newspaper clipping. See also MS-2-744, Box 95, Folder 2 and MS-2-744, Box 83, Folder 23 for more correspondence with Landshoff.

Correspondence with "Impact" magazine.

File contains correspondence with Carmel Psaila, and with Impact (Public Relations) Limited. Much of the correspondence relates to an overview of the International Ocean Institute (IOI) written by Mann Borgese, see MS-2-744, Box 42, Folder 27 for a copy of that article.

Correspondence with Shigeru Oda

FIle contains correspondence with International Court Judge Shigeru Oda, discussing "The Common Heritage" by Arvid Pado, and publishing a new edition. Also discusses several Pacem in Maribus (PIM) conferences.

Correspondence, Red Cap Snow Shoe Club

File contains correspondence from Samuel Balcom and Hylton Olthouse to members of the Red Cap Snow Shoe Club, about honorary memberships, reminders of upcoming meetings and committee obligations, and potential donations of books (in lieu of flowers) as requested by deceased members, to All Saints Cathedral, and the Nova Scotia Home for Colored Children.

Costume desgin for Mr. and Mrs. Beetle

Item is a coloured pencil sketch of a costume design for Dalhousie Theatre's production of The Insect Comedy. The costumes are for characters named Mr. and Mrs. Beetle. The sketch shows a male figure and a female figure wearing the costumes.

Costume design : an Apothecary

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1987 production of Romeo and Juliet. The sketch shows an unidentified person who is wearing a cloak and holding a bright light. The sketch's caption says "An Apothecary!" The sketch is mounted on a dark red matboard.

Costume design for 2 and 4 "Muscovites"

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for two Muscovites and the sketch shows two figures wearing the costumes. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for a husband

Item is a pencil sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The costume is for a husband and the sketch shows one male figure wearing the costume and smoking.

Costume design for a maid

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1982 production of The Rivals. The costume is for a maid. The sketch shows one female figure wearing the costume. There are fabric swatches attached to the sketch.

Costume design for a merchant

Item is a pencil sketch of a costume design for Dalhousie Theatre's 1981 production of The Government Inspector. The costume is for a character who is a merchant. The sketch shows a male figure wearing the costume. There are fabric swatches pinned to the sketch.

Costume design for a Page to January

Item is a watercolour and gouache sketch of a costume design for Dalhousie Theatre's 1982 production of the Canterbury Tales. The costume is for a page to January from "The Merchant's Tale." The sketch shows one male figure wearing the costume.

Costume design for a policeman

Item is a pencil sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The costume is for a policeman and the sketch shows one male figure wearing the costume.

Costume design for a priest

Item is a pencil sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The costume is for a priest and the sketch shows one male figure wearing the costume.

Costume design for a scholar

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for a scholar and the sketch shows one figure wearing the costume.

Costume design for a waiter

Item is a watercolour of a costume design for Dalhousie Theatre's 1981 production of The Government Inspector. The costume is for a character who is a waiter, played by Andrew Boutilier. The sketch shows a male figure wearing the costume. There are fabric swatches pinned to the sketch.

Costume design for Abdullin the shopkeeper

Item is a pencil sketch of a costume design for Dalhousie Theatre's 1981 production of The Government Inspector. The costume is for a character named Abdullin the shopkeeper. The sketch shows a male figure wearing the costume. There are fabric swatches stapled to the sketch.

Costume design for Abram

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1987 production of Romeo and Juliet. The costume is for Abram, a servant to Montague. The sketch shows a male figure wearing the costume. The sketch is mounted on a dark red matboard.

Costume design for Albertine and Charlotte

Item is a pencil sketch of a costume design for Dalhousie Theatre's 1986 production of Bonjour, La, Bonjour. The costumes are for two characters named Albertine and Charlotte. The sketch shows two female figures wearing the costumes and looking at each other.

Costume design for Allison

Item is a watercolour and gouache sketch of a costume design for Dalhousie Theatre's 1982 production of the Canterbury Tales. The costume is for Allison from "The Miller's Tale." The sketch shows one female figure wearing the costume.

Costume design for Althybiades

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1992 production of The Trojan Women. The costume is for Althybiades and the sketch shows one male figure wearing the costume and holding a scroll.

Costume design for Andromache and son

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1992 production of The Trojan Women. The costumes are for Andromache and her son and the sketch shows one female figure and one young male figure wearing the costumes.

Costume design for Angelica

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1989 production of Love for Love. The costume is for a character named Angelica. The sketch shows one female figure wearing the costume. The sketch is cut out and mounted on a dark orange matboard. The sketch is also covered by a clear plastic sheet which is taped on.

Costume design for Anna : Act I, scene I

Item is a pencil sketch of a costume design for Dalhousie Theatre's 1981 production of The Government Inspector. The costume is for a character named Anna in Act I, scene I, played by Paulina Sillis. The sketch shows a female figure wearing the costume. There are fabric swatches pinned to the sketch.

Costume design for Anna : Act II, scene II

Item is a pencil sketch of a costume design for Dalhousie Theatre's 1981 production of The Government Inspector. The costume is for a character named Anna in Act II, scene II, played by Paulina Sillis. The sketch shows a female figure wearing the costume. There are fabric swatches pinned to the sketch.

Costume design for Anne

Item is a pencil sketch of a costume design for Dalhousie Theatre's production of Mary Stuart. The costume is for Anne and the sketch shows one female figure wearing the costume. The sketch has been torn from a spiral bound notebook.

Costume design for Antonio

Item is a pastel and pencil sketch of a costume design for Dalhousie Theatre's 1991 production of The Tempest. The costume is for Antonio and the sketch shows one male figure wearing the costume. The sketch is drawn on dark blue heavyweight paper.

Costume design for Antonio

Item is a watercolour sketch of a costume design for Dalhousie Theatre's production of Twelfth Night. The costume is for a character named Antonio. The sketch shows a figure wearing the costume.

Costume design for Ariel

Item is a pastel and pencil sketch of a costume design for Dalhousie Theatre's 1991 production of The Tempest. The costume is for Ariel and the sketch shows one figure wearing the costume and swimming. The sketch is drawn on dark blue heavyweight paper.

Costume design for Arkadina

Item is a sketch of a costume design for Dalhousie Theatre's 1979 production of The Sea Gull. The sketch is executed in watercolour and gouache. The costume is for a character named Arkadina. The sketch shows a female figure wearing the costume.

Costume design for Arkadina : Act II

Item is a sketch of a costume design for Dalhousie Theatre's 1979 production of The Sea Gull. The sketch is executed in watercolour and gouache. The costume is for a character named Arkadina to wear in the second act. The sketch shows a female figure wearing the costume.

Costume design for Armande : second costume

Item is a watercolour and gouache sketch of a costume design for Dalhousie Theatre's production of Moliere. The costume is the second costume for a character named Armande. The sketch shows a female figure wearing the costume.

Costume design for Audrey

Item is a pencil sketch of a costume design from Dalhousie Theatre's 1990 production of Shakespeare's Women. The costume is for Audrey from As You Like It. The sketch shows one figure wearing the costume.
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