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Dalhousie University Archives North America
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Safe-sex ephemera ; AIDS Nova Scotia pamphlet ; Bid for life auction program

File contains 11 cardstock covers for condoms handed out at AIDS-related events, printed with information regarding condom use and safe sex. File also contains information cards regarding AIDS-related causes and organizations, one AIDS Nova Scotia pamphlet, and one program for the Bid For Life dinner auction fundraiser for AIDS NS held February 12, 2004.

Saint Cecilia concert series : Elijah

File contains a program for the 1995-1996 Saint Cecilia concert series, which included a performance of Mendelssohn's Elijah by the Halifax Camerata Singers, Cantabile Singers of Truro, Cape Breton Chorale, and Kings Chorale, conducted by Jeff Joudrey, with Symphony Nova Scotia at the Rebecca Cohn Auditorium in Halifax, Nova Scotia. The file also includes a copy of the Nova Scotia Choral Federation's magazine Chorus, and newspaper clippings advertising the concert.

Saint Cecilia concert series : fifth anniversary gala concert

File contains a program for a concert featuring the Halifax Camerata Singers, Linda Verbier, David Murray, Pamela MacDonald, the Niagara Brass Ensemble, George Maxmann, Scott MacMillan, and Olga Milosevich. The concert included the world premiere of "The Three that Seek My Heart" by Scott MacMillan. The file also includes an account of tickets sold by the Halifax Camerata Singers for the concert and two newspaper clippings. The concert celebrated the fifth anniversary of the Saint Cecilia concert series in Halifax, Nova Scotia.

Saint Cecilia concert series : the best of Bach

File contains a program for a concert by the Halifax Camerata Singers, performed in collaboration with the Cantabile Singers of Truro, members of Symphony Nova Scotia and guest soloists (Lorraine Thompson, Susan MacKay, Nancy Chisling, Douglas Rose, Ray Grant, Sue Doran, Christopher Francis, David Loughead and Gordon Murray). The file also includes a pamphlet for the Saint Cecelia 1992-1993 concert series and a newspaper clipping of a review of the concert.

Saint Cecilia concert series presents Halifax Camerata Singers

File contains two copies of a poster, newspaper clippings, and a program for a concert by the Halifax Camerata Singers as part of the Saint Cecilia concert series. The file also includes a pamphlet for the 1994-1995 concert series and a copy of "Camerata News" (Volume 3, no. 1), the Singers newsletter.
Scene 1 : The Weaver's Ecstasy

Scene 1 : The Weaver's Ecstasy

Item is an oil pastel sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 1, "The Weaver's Ecstasy at the Discovery of a New Colour." The sketch shows three male figures and two female figures standing in a tent made of colourful materials. One male figure appears to be wearing a military uniform with his face covered by a scarf, and one of the female figures is wearing a veil over her face while putting her arms around the other three figures.
Scene 10 : Not Him

Scene 10 : Not Him

Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 10, "Not Him." The sketch shows two female figures and one male figure. The male figure is holding a bag of severed heads.
Scene 10 : Not Him

Scene 10 : Not Him

Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 10, "...Not Him." The sketch shows one male figure in an elaborate uniform standing beside two female figures wearing robes and veils over their faces.
Scene 2 : Kiss My Hands

Scene 2 : Kiss My Hands

Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 2, "Kiss my Hands." The sketch shows six figures, three of whom are wearing military uniforms and holding weapons. The other three figures are wearing pajamas and appear to be a mother, father, and son. The father's hands are bound and he is being led away by one of the military people.
Scene 3 : Necessity

Scene 3 : Necessity

Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 3, "Necessity for Prost. in Advanced Societies." The sketch shows one male figure and three female figures standing together.
Scene 4 : Reasons for the Fall of Emperors

Scene 4 : Reasons for the Fall of Emperors

Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 4, "Reasons for the Fall of Emperors." The sketch shows three male figures in different military uniforms. The figures are standing together with a desert and a tent in the background.
Scene 6 : The Dumb Woman's Ecstasy

Scene 6 : The Dumb Woman's Ecstasy

Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 6, "The Dumb Woman's Ecstasy." The sketch shows one female figure and two male figures standing together and wearing costumes. One of the male figures is holding a bag that says "La Coutlier de la Torture."
Scene 7 : She Sees the Argument, But

Scene 7 : She Sees the Argument, But

Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 7, "She Sees the Argument - But..." The sketch shows three female figures in grey work uniforms standing together.
Scene 8 : The Unforseen Consequences

Scene 8 : The Unforseen Consequences

Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 8, "The Unforeseen Consequences of a Patriotic Act." The sketch shows two figures in red-brown robes and one female figure in a white and gold robe with a parasol.
Scene 9 : The Philosophical Lieutenant

Scene 9 : The Philosophical Lieutenant

Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 9, "The Philosophical Lieutenant and the Three Village Women." The sketch shows one male figure sitting in a chair with three women in black around him. One of the woman is threatening him with a knife behind him. There is also another male figure in the distance.
Set design for The Taming of the Shrew

Set design for The Taming of the Shrew

Item is a watercolour set design for Dalhousie Theatre's production of the Taming of the Shrew. The sketch shows on large illustration of the stage surrounded by four smaller illustrations of the stage, each with a different set.

Sheila Piercey fonds

  • MS-5-20
  • Fonds
  • 1950-2010
Fonds consists of records of Sheila Piercey's opera performance activities and music teaching. Record types include primarily sound recordings of recitals, concerts, auditions, practices, rehearsals, radio broadcasts and textual records, including teaching records and various programs from the Dalhousie Glee and Dramatic Society, Dalhousie Tigers, graduation recitals, noon-hour recitals, festivals, opera workshops, and other performances produced by the Dalhousie Department of Music and a small number of documents Sheila collected when she was a student at Dalhousie University.

Piercey, Sheila Kathleen

Sketch of cafeteria : Act I, scene II

Sketch of cafeteria : Act I, scene II

Item is a pencil sketch of a set design for Dalhousie Theatre's 1984 production of Grease. The design is for the cafeteria in act I, scene II. The sketch shows a table with chairs around it. There are notes about the design on the front and back of the sketch.

Sketch of four men masturbating

Item is a coloured pencil sketch of a costume design for Dalhousie Theatre's production of The Insect Comedy. The sketch shows four men standing together and masturbating. File also contains a black and white photocopy of the sketch.
Sketch of Jan's basement

Sketch of Jan's basement

Item is a pencil sketch of a set design for Dalhousie Theatre's 1984 production of Grease. The design is for Jan's basement in act II, scene IV. The sketch shows a large poster of a rock star with several seats and cushions in front of it. There are notes about the design on the front and back of the sketch.
Sketch of large Rydell High sign

Sketch of large Rydell High sign

Item is a marker sketch of a set design for Dalhousie Theatre's 1984 production of Grease. The design is for the Rydell High gym decor in Act I scene I. The sketch shows a large sign that says "Rydell High Welcomes Class of '59."
Sketch of outside the gym at Rydell High

Sketch of outside the gym at Rydell High

Item is a pencil sketch of a set design for Dalhousie Theatre's 1984 production of Grease. The design is for outside the gym at Rydell High in act I, scene II. The sketch shows a large door with steps in front of it and a sign that says "GYM." There are notes about the design on the front and back of the sketch.
Sketch of Rydell High sign

Sketch of Rydell High sign

Item is a set design sketch for Dalhousie Theatre's 1984 production of Grease. The design is for the Rydell High sign. The sign reads "Rydell High Welcomes Class of '59." The lettering on the sign is printed while the rest of the design is executed with pen and markers.
Sketch of Sandy's bedroom : Act I, scene IV

Sketch of Sandy's bedroom : Act I, scene IV

Item is a pencil sketch of a set design for Dalhousie Theatre's 1984 production of Grease. The design is for Sandy's bedroom in act I, scene IV. The sketch shows a bed with a heart-shaped headboard and a canopy. There are additional sketches and notes on the back of the sketch.

Souvenir program from the Arlington Theatre

File contains a program from a production of the comic opera "Robin Hood" by Harry B. Smith and Reginald de Koven, presented by the Boston Opera Company at the Arlington Theatre in Boston, Massachusetts.

Speech for Short Story Award at the Writers' Federation of Nova Scotia Gala

File contains Budge Wilson's presenting speech for the Short Story Award at the 1999 Writers' Federation of Nova Scotia Gala (WFNS). The file includes her handwritten draft and final typed copy of the speech and a copy of the program for the event. The Short Story Award was won by André Narbonne with Leigh Anne Williams (second), Eve Mills Nash (third), and Lindsay Preston and Karen Leah Whalen (honourable mentions). Wilson's speech briefly discusses each individual and their short story submission.
Stage design

Stage design

Item is a watercolour sketch of a set design for Dalhousie Theatre's 1989 production of little Mary Sunshine. The sketch shows the entire stage design, with a teepee, a cabin, several pine trees, and a sign reading "Colorado Inn."

Stars on the hill

File contains newspaper clippings, maps, schedules, and a program for Stars on the Hill, an event celebrating 5 years of public broadcasting in the Maritimes for the Canadian Broadcasting Corporation. The events included a performance of an excerpt from Scott Macmillan's "Celtic Mass for the Sea" performed by the Halifax Camerata Singers with Jeff Joudrey conducting. The file also includes Bertrum MacDonald's name tag from the performance and a copy of the sheet music for "Open Your Heart".

Stephen Pedersen fonds

  • MS-5-23
  • Fonds
  • 1964 - 2000
Fonds contains records related to Stephen Pedersen's music teaching, composing and performance activities. Record types include manuscript music scores, sound recordings, posters and programs, contracts and correspondence.

Pedersen, Stephen Alan

Symphony Nova Scotia fonds

  • MS-5-14
  • Fonds
  • 1981-2006

Fonds consists of records created by Symphony Nova Scotia in the course of its regular business activities. The majority of the records were created during the process of concert-planning, including special concerts, annual concerts, tours, and concert series. These records include artist contracts, marketing and development documents, internal memos, and correspondence with artists and sponsors.

Records also consist of internal management records, including personnel records, office management files, and the files of the Board of Directors, Executive Director, and Chief Executive Officer. The financial administration of the Symphony is documented though budgets, statements, ledgers, and tickets sales data.

The fonds also contains concert programs and promotional material such as posters, advertisements, flyers, newsletters, and other publications. The final section of the fonds consists of audiovisual and graphic material. There are audio recordings of performances and interviews of Symphony personnel as well as video recordings of advertisements and performances. The graphic material includes promotional photographs and photographs of the orchestra.

Symphony Nova Scotia

Textual records

Series contains records accumulated and created by Sheila Piercey when she was a student at Dalhousie University and while teaching voice in the Dalhousie Department of Music. Materials include teaching records and various programs from the Dalhousie Glee and Dramatic Society, Dalhousie Tigers, graduation recitals, noon-hour recitals, festivals, opera workshops, and other performances produced by the Dalhousie Department of Music.

Thank you letter from Genevieve Mullally, Workplace Education Program, Queen Elizabeth II Health Science Centre, to Budge Wilson

File consists of a thank you letter from Genevieve Mullally, Workplace Education Program, Queen Elizabeth II Health Science Centre, to Budge Wilson regarding talk Budge gave to a class of the Workplace Education Program. Includes a graduation program with a hand-written note to Budge Wilson. Also includes the report from the Workplace Education Program for 1998-99 with a review and photographs of the visit by Budge Wilson.
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