Item consists of a copy of the mid-1970s Dartmouth Citizens' Transit Committee/Ecology Action Centre transportation handbook "Seen any buses lately? : a Dartmouth handbook on public transit"
File contains original and annotated copies of set and light plot designs for Neptune Theatre's studio production of "Seduced," directed by B. MacDonald and designed by Brock Lumsden (set and lights).
Item is a presentation drawing created by Drew Sperry of a section perspective for a proposed YMCA for Halifax, which was Sperry's terminal design project for his Bachelor of Architecture degree at the Nova Scotia Technical College.
Item is a presentation board created by Drew Sperry showing a section perspective of a proposed YMCA for Halifax, which was Sperry's terminal design project for his Bachelor of Architecture degree at the Nova Scotia Technical College.
Item is an unsigned drawing labelled "Dal Arts / 282" showing a cross section of staircases and including measurements for treads, and ceiling heights. It's part of a series of drawings made by Andrew Cobb for an arts building at Dalhousie that was planned but never built.
Item is an audio recording of the second rehearsal for "La Boheme" in the Rebecca Cohn Auditorium at the Dalhousie Arts Centre made by Sheila Piercey on February 11, 1981. Full title as appears on audio cassette label is "1) Mimi's aria 2) 3 wedding solos - Sullivan 5/1/81" The recording is on side B of audio cassette.
Item is a 1932 presentation drawing by architect Andrew Cobb of the second floor plan for an arts building at Dalhousie that was planned but never built. This version includes seven lecture rooms, a dean's office and five studies.
Item is a 1932 presentation drawing by architect Andrew Cobb of the second floor plan for an arts building at Dalhousie that was planned but never built. This version includes a general office, business office, offices for the registrar, president and secretary, a vault, three lecture rooms, and five studies.
Item is a presentation drawing created by Drew Sperry of the second floor plan of a proposed YMCA for Halifax, which was Sperry's terminal design project for his Bachelor of Architecture degree at the Nova Scotia Technical College.
File contains set designs for Neptune Theatre's production of "Sea Horse," directed by Tom Kerr and designed by Ted Roberts. File contains original drawings and annotated copies.
Item may have been a page in one of Thomas Head Raddall's photograph albums. The photographs are either duplicates of or related to materials found in Thomas Head Raddall's photograph album, 1917-1927. The top left and right photographs are duplicates, and were taken in North Sydney in January 1920. The top middle photograph is a duplicate, and was taken aboard the MMB in March 1920. The bottom right photograph is a duplicate, and was taken in Pictou in March 1920. The bottom centre and left photographs are not identified, though both likely feature Raddall.
Item may have been a page in one of Thomas Head Raddall's photograph albums. The photographs are either duplicates of or related to material in Thomas Head Raddall's photograph album, 1917-1927. T.H. Raddall, Sr. can be found holding the telescope in the middle of the front row in the portrait of the rifle division. On the reverse side of the scrapbook page, the photographs on the left and right of Thomas Head Raddall are duplicates from the aforementioned album. The photograph on the left was taken in North Sydney in 1920, and the photograph on the right was taken in Point Pleasant Park in 1921. The photograph in the bottom middle may have been taken at Sable Island.
Item consists of a document containing phased scheduling for the installation of computer systems by Bryan McLennon at the Dalhousie Arts Centre in 1987, as well as related invoices.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 9, "The Philosophical Lieutenant and the Three Village Women." The sketch shows one male figure sitting in a chair with three women in black around him. One of the woman is threatening him with a knife behind him. There is also another male figure in the distance.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 8, "The Unforeseen Consequences of a Patriotic Act." The sketch shows two figures in red-brown robes and one female figure in a white and gold robe with a parasol.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 7, "She Sees the Argument - But..." The sketch shows three female figures in grey work uniforms standing together.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 6, "The Dumb Woman's Ecstasy." The sketch shows one female figure and two male figures standing together and wearing costumes. One of the male figures is holding a bag that says "La Coutlier de la Torture."
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 4, "Reasons for the Fall of Emperors." The sketch shows three male figures in different military uniforms. The figures are standing together with a desert and a tent in the background.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 3, "Necessity for Prost. in Advanced Societies." The sketch shows one male figure and three female figures standing together.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 2, "Kiss my Hands." The sketch shows six figures, three of whom are wearing military uniforms and holding weapons. The other three figures are wearing pajamas and appear to be a mother, father, and son. The father's hands are bound and he is being led away by one of the military people.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 10, "Not Him." The sketch shows two female figures and one male figure. The male figure is holding a bag of severed heads.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 10, "...Not Him." The sketch shows one male figure in an elaborate uniform standing beside two female figures wearing robes and veils over their faces.
Item is an oil pastel sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 1, "The Weaver's Ecstasy at the Discovery of a New Colour." The sketch shows three male figures and two female figures standing in a tent made of colourful materials. One male figure appears to be wearing a military uniform with his face covered by a scarf, and one of the female figures is wearing a veil over her face while putting her arms around the other three figures.
File contains one digital recording of the raw source audio used to create the Rock Meets Bone episode titled "Rescued Voices" with Sarah Denny, which aired on October 20, 1989.
Item consists of a facsimile of an "original communication" submitted to the August 1899 issue of the Maritime Medical News (Vol. XI, No. 8), by Dr. A.P. Reid, titled "Sanitary Progress".
Item is a single sheet of paper, folded to form four pages, excerpted from a diary or journal. The excerpt is a sample of shorthand notes taken by Thomas McCulloch relating to sermons. Language on the page is most likely Latin, except for the dates that McCulloch was recording.
Item consists of a program created by Dalhousie Theatre Productions for the 1990-91 season production of Michel Tremblay's Sainte-Carmen of the Main. The production was directed by Tom Diamond and features a cast and crew of Dalhousie University students. The program contains cast and crew biographies, information on the theatre programs offered at Dalhousie University, and advertisements for local businesses.
Item is a poster advertising a concert at Saint Mary's University Art Gallery sponsored by Canada Council Explorations Program and Nova Scotia Department of Tourism and Culture, featuring Paul Cram, saxophone; Sandy Moore, Irish harp and synthesizer; Bob Bauer, guitar; Steve Tittle, trumpet and flugel horn; Tom Roach, percussion; Don Palmer, saxophone and flute; Steven Naylor, keyboards; and Jeff Reilly, clarinet and bass clarinet.
File contains set designs and original light plot drawings for Neptune Theatre's production of "Safe Haven," directed by Linda Moore and designed by Stephen Osler (set) and Bonnie Beecher (lights).
File contains outgoing correspondence to Dieter Thomas (San Marino), on the role of small or mini-States in the United Nations, and a letter to West German Chancellor Helmut Schmidt.
File contains correspondence with Stephen Salter (of the University of Edinburgh), Jürgen Sünder [?] Obren Stankovic, and A.D. Buzzalini of the Skelly Oil company.
File contains correspondence with Bhagwat Singh; Krista Singleton-Cambage; Neroni Slade; Gillian Sorensen; Fergus Watt; and Michael Zammit Cutajar. File also includes brochure for the "International Year of the Ocean Asia-Pacific Conference," held in Brisbane Australia on September 26, 1998, and an NGO/DPI ballot.
File contains correspondence with Japanese Member of Parliament Yuzuru Shimazaki (on the implementation of Part XI of the United Nations Convention of the Law on the Law of the Sea), Keith Suter, Danielle de St. Jorre (on problems with the Secretary-General's Consultations on the Law of the Sea), Margaret Wood of the International Ocean Institute (IOI), and Layachi Yaker (the letter to Yaker is missing a page).
File contains correspondence with organizations and publications. Correspondents include Sea Technology magazine (and attached is a letter to the editor by Mann Borgese); University of Hawaii at Manoa (regarding the "Staus of Freedom for the Seas" manuscript); W.W. Norton and Company; World Scientific Publishing Company; and the Yolla Bolly Press (regarding "Chairworm and Supershark").
File contains correspondence with CIDA, Fisheries and Oceans, the Canadian Embassy, and Supply and Services Canada. Correspondents include Jean-Guy Saint-Martin; Paula Scott; Madame Nicole Senecal; Michael Shenstone; Thea Smith (report attached); E.R. Solmon; Danielle de St. Jorre; Zosia Szpakowska (report attached); Paul M. Tellier; Deborah Turnbull (CV attached).
Item is a scrapbook assembled by Ruth Marilyn (Goodman) Pink while she was a student at Dalhousie University. The scrapbook contains dance cards with attached pencils; schedules and memorabilia from freshman initiation; dinner napkins, place cards and menus; ticket stubs and programs from Dalhousie Glee Club and other events; small metal charms and other ephemera; and envelopes containing remnants of dried flowers. There are also photographs of Goodman's university friends; her room in Shirreff Hall; Dalhousie campus; and vacations.
File contains a scrapbook assembled by Ruth Marilyn (Goodman) Pink commemorating events from her graduation from Dalhousie University and a few years after. The scrapbook contains programs from Dalhousie Glee Club and other musical performances; a 1936 Dalhousie convocation program; congratulatory telegrams and greeting cards sent to Goodman; remnants of dried flowers; dance cards; place cards with attached pencils; menus; a Valentine card and other greeting cards. There are also photographs of Ruth Goodman; Rose Goodman; Jeanette Goodman; members of the Class of 1936; unidentified family and friends; White Point Beach; the Annapolis Valley; Pictou Lodge; and Sydney. A copy of Alice Simensky's obituary (1918-2015) is tucked into the back of the scrapbook.
File also contains a brochure for the 1991 Women's Health Education Network (WHEN) conference and an information sheet for the ninth annual Wild Womyn's Weekend (1991).
File contains Ronald St. John Macdonald's notes and reference materials compiled related to working with Ting Wang on completing their thesis. Includes correspondence, bibliographies, and work programs.
File contains handwritten and typed correspondence between Ronald St John Macdonald and Wang Tieya, between 1991 and 1994, around preparation for a series of interviews between the two, around the publication of a festschrift in honour of Professor Wang's career, and a conference at the Institute of International Law.
Includes handwritten and typed correspondence largely between Ronald St. John Macdonald and Wang Tieya, ranging from 1982-1989, related to the visit of Visit of Wang Tieya, Liu Hunghui, and Chen An to Dalhousie. Also includes correspondence to Innis Christie, W.H. Charles, Dick Evans, and others.
File contains correspondence with Wang Fu Sun of the Ministry of Education of the People's Republic of China regarding Chinese students at Dalhousie University.
![Sanitary progress : [facsimile]](/uploads/r/dalhousie-university-archives/d/5/3/d53f62cb77830b2aee587192f8d5be811b274920560a75d047fc30d706341938/1490e1d0-23e2-4b83-a755-e959d675c56a-MS-13-33_SF63_3_11_142.jpg)
![Sainte-Carmen of the main : [program]](/uploads/r/dalhousie-university-archives/4/4/0/440d96a874f86ef66bd8c0d08190cc37e8c38d2dfff8689e4b94b5e0bbacb10a/2f6cb277-3709-4f29-b877-30f64422b22e-UA-11_2005-026_10_17_3_142.jpg)
![Saint Mary's University Arts Gallery presents : Upstream : [poster]](/uploads/r/dalhousie-university-archives/1/c/3/1c3ad5629a1b058d8ac277431fbc991347ec3ba944d086f6c16e167c00acf7d0/a64ee64e-f522-4b0d-9860-3b5afb0a7e78-MS-5-16_OS25_019_142.jpg)
