Exhibitions

Taxonomy

Code

Scope note(s)

  • Use for records related to the organization and display of a selection of items, often artworks, in a cultural or educational setting such as a museum, art gallery or library. For records related to commercial displays such as those in a store window, use [Show windows].

Source note(s)

  • LCSH

Display note(s)

Hierarchical terms

Exhibitions

Equivalent terms

Exhibitions

  • UF Exhibits
  • UF Displays
  • UF Expositions

Associated terms

Exhibitions

584 Archival Description results for Exhibitions

584 results directly related Exclude narrower terms

Tactile Eskimo art

File consists of records related to the exhibition of Inuit carvings, presented at Dalhousie Art Gallery from June 12 - 23, 1974.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Are Gallery) and L. Legge (Principal, Halifax School for the Blind) and between Anne Nurse-Richardson and Keith Garwood, a letter from Keith Garwood with an accompanying background note, a letter to L. Legge (Principal, Halifax School for the Blind) from G. Abrahamson (Chief, Social Development Division), and shipping receipt.

The art of writing exhibition

File consists of records related to 'The Art of Writing', an exhibition organized and prepared by UNESCO and presented at the Dalhousie Art Gallery in March 1966.

Records consist of contractual documents between Dalhousie Art Gallery and the National Gallery of Canada, correspondence of Evelyn Holmes, a packing list and mounting instructions, and a condition report.

The Bill Lynch Shops carnival ride records

Series contains materials documenting the rides used by the Bill Lynch Shows and related materials. Written material includes expenses, maintenance issues, and assembly instructions. Related materials include blueprints for the rides.

The Bill Lynch Shows administrative records

Series contains various administrative documents used to run the Bill Lynch Shows. Materials include letterhead, Greater Exposition Shows contract forms (blank), railway passes, commercial scripts, blueprints, and photographs.

The Bill Lynch Shows business correspondence

File contains four business letters written to and from the Bill Lynch Shows from August 19, 1942 to July 16, 1947. The first is from the Bill Lynch Shows regarding a wallet lost on August 18, 1942 by Elmer Rogers and subsequently found, and is dated August 19, 1942. The second is from the Rudolph Wurlitzer Company regarding reconditioning a Caliola organ, and is dated October 6, 1942. The third is from the Annapolis County Exhibition Committee signed by Donald White regarding the Bill Lynch Shows returning from September 14-17, 1943, and is dated June 11, 1943. The fourth is from Teasdale and Foot, Limited and signed by Eric Teasdale regarding purchasing a car and multiple trucks for the Bill Lynch Shows, dated July 16, 1947.

The Bill Lynch Shows correspondence

Series contains correspondence in the form of both business letters and personal letters, as well as notes from conversations had regarding the show by donor Barry Edwards after Bill Lynch’s death.

The Bill Lynch Shows financial records

Series contains documents related to the Bill Lynch Shows’ finances and the monetary purchases. Materials include daily reports from shows, daily cash statement forms (blank), invoices, receipts and receipt books, and cash books.

The Bill Lynch Shows fonds

  • MS-4-218
  • Fonds
  • [after 1924], 1941 - 1985
Fonds contains business papers, photographs and carnival documents from the Bill Lynch Shows. The business papers consist of financial records, including daily reports, receipts and invoices, correspondence, catalogues, ephemera and commercial scripts. Photographs include prints, cardboard imprints and a metal plate. The carnival documents include complimentary show passes, act and ride information, and blueprints of carnival rides.

Lynch, William (Bill)

The Bill Lynch Shows letterhead

File contains five copies of letterhead from The Bill Lynch Shows listing William P. Lynch as President and Manager, Halifax as his permanent address, his photograph, and, at the bottom of the page: "One train load of clean outdoor amusement."

The body beautiful

Item is a poster for the Body Beautiful series exhibition, presented at the Dalhousie Art Gallery from September to October 1998.

The Canadian canvas 1975-76

Item is a catalogue for a travelling exhibition of 85 Canadian paintings representing 46 artists from across the country. The exhibition was initiated and sponsored by Time Canada Ltd., and was presented at Dalhousie Art Gallery from November 6 to December 4, 1975.

Catalogue contains an introduction by Stephen S. LaRue (President, Time Canada Ltd.), essays by Doris Shadbolt (Associate Director, Vancouver Art Gallery), Karen Wilkin (Curator, Edmonton Art Gallery), Alvin Balkind (Curator of Contemporary Art, Art Gallery of Ontario), Fernande Saint-Martin (Directrice, Musee d'art contemporain, Montreal), and Allen MacKay (Director, Anna Leonowens Gallery), biographies for each artist in the exhibition, images of select artworks, and an exhibition itinerary.

The continuing thread

Item is a poster for a group exhibition of Barbara Luxton, Ann MacGillivray, Vita Plume, Leslie Sampson, and Ruth Scheuing presented by Eyelevel Gallery from January 7-25, 1986. The image on the poster is credited to Clayton & Sons, merchant tailors clothier, Argyle street, (Scotia Square) Halifax circa 1900 Nova Scotia Public Archives.

The films of Yoko Ono

Item is a poster for an exhibition of works by Yoko Ono, a conceptual artist and a member of the Fluxus movement. Yoko's films were screened at the Dalhousie Art Gallery in 1994.

The fourth Dalhousie drawing exhibition

Item is a catalogue for the 4th Dalhousie drawing exhibition , organized by and presented at Dalhousie Art Gallery from March 1 to April 1, 1979. The exhibition presented the works of Alex Colville, Charlotte Hammond, Graham Metson, Brian Porter, Roger Savage, and Ruth Wainwright.

catalogue contains a forward, introduction by Carol Fraser (acting curator, Dalhousie art Gallery), biographies of each artist and quotations from them on their artworks, images of select artworks, and an exhibition list.

The Montreal museum lends : I : seventeenth and eighteenth century paintings

Item is a catalogue in the form of a folding poster for an exhibition of paintings from the Montreal Museum of Fine Arts. The exhibition was circulated by the National Gallery of Canada and was presented at Dalhousie Art Gallery in 1974.

Catalogue contains a large-format, full-colour poster on one side, and an essay, list of paintings, and b&w images of select paintings.

The Montreal museum lends : II : nineteenth and twentieth century paintings

Item is a catalogue in the form of a folding poster for an exhibition of paintings from the Montreal Museum of Fine Arts. The exhibition was circulated by the National Gallery of Canada and was presented at Dalhousie Art Gallery in February and March of 1975.

Catalogue contains a large-format, full-colour poster on one side, and an essay, list of paintings, and b&w images of select paintings.

The photograph as object

File consists of records related to the planning of the exhibition ' The Photograph as Object', organized and circulated by the National Gallery of Canada. The Exhibition was presented at Dalhousie from April 15 to May 14, 1971.

Records consist of packing and artwork lists, loan agreements, a newspaper clipping titled 'The Photograph as Object, next Killam exhibition', a condition report, handwritten condition notes written on index cards, and correspondence between Dalhousie Art Gallery and the National Gallery of Canada Extension Service.

The photograph as object

File consists of one catalogue for the exhibition 'The Photograph as Object', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie from April 15 to May 14, 1971.

The photograph as object 1843-1969

Item is a poster for the exhibition 'The Photograph as Object', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery from April 15 to May 14, 1971.

The Queen comes to New Brunswick

Item is a catalogue for an exhibition of paintings and drawings by Molly Bobak, organized and circulated by the Beaverbrook Art Gallery. The exhibition was presented at Dalhousie Art Gallery from November 30 to December 18, 1978.

Catalogue includes images of Bobak's work, a preface by Ian G. Lumsden (Curator, Beaverbrook Art Gallery), a biography of Molly Bobak, an interview between Bobak and Lumsden, and an exhibition list.

The Rothmans collection of Christmas ornaments

File consists of records related to the exhibition 'The Rothman's Collection of Christmas Ornaments' organized by the Art Gallery of Ontario and presented at the Dalhousie Art Gallery in January 1969.

Records consist of an information bulletin released by Rothmans of Pall Mall Canada Limited, a condition report, a guest list, and correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and Rothmans representatives, and a photograph of the artwork display. The condition report is accompanied by an attached copy of the exhibition catalogue with notes regarding the condition of each sculpture.

The tactile eskimo art collection

File consists of a catalogue for an exhibition of Inuit carvings. The exhibition was presented at Dalhousie Art Gallery in June 1974.

Catalogue contains an introduction and visual description of the artworks written by Gilles and Leslie Duplantie, as well as names, artists, and technical descriptions of each carving.

Third Dalhousie drawing exhibition

Item is a catalogue for the 3rd annual Dalhousie drawing exhibition, organized by and presented at Dalhousie Art Gallery from January 3-29, 1978.

Catalogue contains a foreword by Bruce Ferguson (Director, Dalhousie Art Gallery), an introduction by Greg Curnoe, biographies for included artists, b&w plates of select drawings, and a list of artworks in the exhibition.

Tom Forrestall

File consists of records relating to the exhibition 'Drawings, watercolours, paintings by Tom Forrestall' organized by Dalhousie Art Gallery for the Atlantic Provinces Art Circuit (APAC). The exhibition was shown at Dalhousie in November 1968.

Records consist mainly of correspondence between Evelyn Holmes ( Acting Curator, Dalhousie Art Gallery), Tom Forrestall, and curators of APAC member galleries. Records also include a newspaper clipping, programme of music for November 1968, exhibition invitation, lists and pricelists of artworks, a condition report, an handwritten draft of Forrestall's biography and exhibition text.

Tom Forrestall exhibition

File consists of records related to the Tom Forrestall exhibition held at Dalhousie Art Gallery in November 1973.

Records consist of fine arts policy and a handwritten list of drawings.

Tom Forrestall sculptures

File consists of records related to the exhibition 'Welded Steel Sculptures by Tom Forrestall', organized by the University of New Brunswick Art Centre for the Atlantic Provinces Art Circuit (APAC). The exhibition was presented at Dalhousie Art Gallery in December 1969.

Records consist of a condition report, a newspaper clipping, a publicity sheet from the University of New Brunswick, and correspondence between Evelyn Holmes and curators of APAC member galleries.

Tom Lackey

The file consists of records related to Tom Lackey's exhibition of a photographic essay on the American Bicentennial, presented at the Dalhousie Art Gallery from September 14 to October 3, 1976.

Records consist of correspondence, interdepartmental memos with expense receipts, and opening invitation card.

Tom Rishel photograph exhibition

File consists of records related to the photography exhibition by Tom Rishel, held from January 23 - February 4, 1973. Records consist of biographical information and exhibition invitation.

Toni Onley

File consists of records related to 'Toni Onley, a partial retrospective' circulated through the Atlantic Provinces Art Circuit and displayed at Dalhousie Art Gallery in January 1968.

Records consist of correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and other APAC member galleries regarding transport, damage to, and condition reports of the exhibition.

Tony Keck musicmania exhibition files

File consists of records related to planning to present Tony Keck's exhibition of paintings 'Musicmaniamovement'. The exhibition was presented at the Dalhousie Art Gallery in January 1972.

Records consist of correspondence between the Dalhousie Art Gallery and Keck, photocopies of exhibition reviews for the show both at Dalhousie and previous galleries, a list of artworks, and an insurance certificate.

Tony Urquhart drawings

File consists of records related to an exhibition of sketches and drawings by Tony Urqhart, organized by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery in April 1970.

Records consist of exhibition agreement forms, a condition report and handwritten condition notes, photocopy of an excerpt from Canadian Art, Volume 18, No. 1 titled 'Urqhart', an excerpt from Ontario Library Review, December 1966 containing an entry on Urqhart in 'Who's Who in Ontario Art', a packing list and list of artworks, a biography in English and French, and exhibition descriptive text.

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