Exhibitions

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Scope note(s)

  • Use for records related to the organization and display of a selection of items, often artworks, in a cultural or educational setting such as a museum, art gallery or library. For records related to commercial displays such as those in a store window, use [Show windows].

Source note(s)

Display note(s)

Hierarchical terms

Exhibitions

Equivalent terms

Exhibitions

  • UF Exhibits
  • UF Displays
  • UF Exhibitions

Associated terms

Exhibitions

308 Archival Description results for Exhibitions

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35 Days of non-Organized art

35 Days of non-Organized art

Item is a poster for an event held from April 23 - May 27, 2009, at Eyelevel Gallery. This event was featured as part of Eyelevel Unplugged, a month-long experiment in low-tech and creative administration.
35 Days of non-Organized art

35 Days of non-Organized art

Item is a poster for an event as part of Eyelevel Unplugged held from April 23 - May 27, 2009, at Eyelevel Gallery. This event was featured as part of Eyelevel Unplugged, a month-long experiment in low-tech and creative administration.

A little taste group exhibition

File contains a poster for an exhibition featuring works by Ryan Arnott, Gary Conway, Michael Fernandes, John Greer, Donald Lindblad, Susanne Paquette, Felicity Redgrave, Roger Savage, and Julia Schmitt-Healy. The exhibition opened Eye Level Gallery's 1977/78 season of exhibitions, performances, and events.
At eye level

At eye level

Item is a poster for a group exhibition held from December 4-22, 1984, at Eye Level Gallery. The artists that participated in this event were: Rose Adams, Elizabeth Devine, Cliff Eyland, Alex Livingston, Patrick Mabey, Glen MacKinnon, Paul Miller, Catherine Paul, Julie Schwartz, and Heather Scott.
Audio by artists festival 85

Audio by artists festival 85

Item is a poster for Audio By Artists Festival 1985, held from March - April 1985. The Audio By Artists Festival 1985 was organized and administrated by David Craig, Andy Dowden, Paula Fairfield, Gordon Laurin, and Micah Lexier.
Billboards

Billboards

Item is a poster for an exhibition held in June-October 2005. Billboards is a series of outdoor exhibitions presented by Eye Level Gallery. File also includes a photocopy of a newspaper clipping of an article written by Sean Flinn for the Chronicle-Herald about Eyelevel billboards event. The article was published on June 22, 2005.
Black wimmin: when and where we enter : [poster]

Black wimmin: when and where we enter : [poster]

Item is a poster for Black Wimmin: When And Where We Enter, a group exhibition presented by the Diasporic African Women's Art collective. The exhibition toured Canada in 1989 and was presented in Halifax, Nova Scotia by Eyelevel Gallery from September 6 - 23, 1989.

Centre for Art Tapes fonds

  • MS-3-46
  • Fonds
  • 1979-2005
Fonds consists of records created and collected by the Centre for Art Tapes between 1977 and 2005. Materials reflect the artist-run centre's diverse functions and activities. Records include correspondence, meeting minutes, photographs, scholarship applications, funding applications, posters, programs, CDs, DVDs, audio cassettes, exhibition catalogues, reports, financial statements, public service announcements, news releases, blueprints, agreements, workshop materials and programming information.

Centre for Art Tapes

Centre for Art Tapes presents the inaugural exhibition for the Centre for Art Tapes local curatorial residency : lies that tell the truth

Item is a poster for The Lies That Tell the Truth, an exhibition presented by the Khyber Institute for Contemporary Arts from July 15 to August 14, 2011. The exhibition was curated by Claire Hodge and Suzanne Caines and featured artists: Adad Hannah; Yam Lau; Alison S. M. Kobayashi; Johanna Householder and b.h. yael; Aoife Collins and Jeanne Ju.
Correspondence related to the Black Wimmin: When And Where We Enter exhibition

Correspondence related to the Black Wimmin: When And Where We Enter exhibition

Item consists of correspondence between Suzanne Saul, Bridglal Pachai, Pat MacInnis, Grace Channer, Chloe Onari, Jo Stern, Buseje Bailey, Garry Conway, Catherine Phoenix, Anne Johnson, Ken Aucoin, Barbara Taylor, Joanne Lindsey, and Donna James, related to the "Black Wimmin: When And Where We Enter" exhibition at Eye Level Gallery.

Dalhousie Art Gallery fonds

  • UA-36
  • Fonds
  • 1953-2009
Fonds consists of records pertaining to Dalhousie Art Gallery publicity, exhibitions, collections, openings and events, and administration. Types of materials include press releases, brochures, tickets, a poster, photographs, course information, programs, calendars, catalogues, reports, financial records, notes, correspondence, newspaper clippings, minutes and agendas, and other materials.

Dalhousie University. Dalhousie Art Gallery

D.C. Mackay fonds

  • MS-2-280
  • Fonds
  • 1891-1979
Fonds consists of correspondence; printed material, including exhibition pamphlets; research and correspondence pertaining to silver, heraldry; manuscripts; family papers; Mackay's own artwork; artist files; and reference materials.

Mackay, D.C.

Dreams Come True Art Auction

Dreams Come True Art Auction

Item is a poster for Dreams Come True, an art auction held in support of Eye Level Gallery on November 27, 1987. Chris Huntington was auctioneer and donating artists included Brent Ash, Bruce Barber, Beth Biggs, Robert Bean, Reith Blake, Wayne Boucher, Bruce Campbell, John Clark, Gerard Collins, Alvin Comiter, David Craig, Jane Donovan, Nancy Edell, Leya Evelyn, Cliff Eyland, Gerald Ferguson, Michael Fernandes, Tom Forrestall, Dawna Gallagher Susan Gibson, Martha Glenny, John Greer, Stephen Horne, Alexander Irving, Garry Neill Kennedy, Gordon Laurin, Peter Lawrence, Janice Leonard, Vera Lemecha, Alex Livingston, Barbara Lounder, Glen MacKinnon, Rita McKeough, Robin E. Muller, John Murchie, Wilma Needham, Jane Plant, Vita Plume, Robert Pope, Ed Porter, Bernice Purdy, Felicity Redgrave, Pam Ritchie, Robert Rogers, Leslie Sampson, Rick Sanderson, Roger Savage, Ruth Scheuing, Kristen L. Scholfield-Sweet, Ron Shuebrook, Jim Smith, George Steeves, Kim Truchan, Nicholas Wade, Eric Walker, Ken Ward, Brenda Webster, Gary Wilson, and Chris Woods.

Exclusive memory : Sleeping robot variations

Item consists of a silent video by Tom Sherman. Originally conceived of as an installation, “Exclusive Memory” is based on excerpts of a 6 hour monologue by Sherman to a machine, a computer-based video sensing robot, created by the artist.

Sherman, Tom, 1947-

Exclusive memory 4-9-19

Item consists of a video by Tom Sherman. Originally conceived of as an installation, “Exclusive Memory” is based on excerpts of a 6 hour monologue by Sherman to a machine, a computer-based video sensing robot, created by the artist.

Sherman, Tom, 1947-

Exclusive memory 5-8-16

Item consists of a video recording that is based on excerpts of a six hour monologue by Sherman with a computer-based video sensing robot, created by the artist for an exhibition.

Sherman, Tom, 1947-

Exclusive memory 7-11-12

Item consists of a video by Tom Sherman. Originally conceived of as an installation, “Exclusive Memory” is based on excerpts of a 6 hour monologue by Sherman to a machine, a computer-based video sensing robot, created by the artist.

Sherman, Tom, 1947-

Exhibition invitations and photographs

File includes photograph of Garry Kennedy exhibition, 'Locating', Ted Ross' 'A Nova Scotia Landscape', and invitations for exhibitions by Stephen Horne, Elizabeth Mackenzie, James MacSwain, W.C. Woods, and Douglas Sharpe

Exhibition slides

File contains 59 slides of Eyelevel Gallery exhibitions. Slides are not labelled.

Eyelevel Gallery fonds

  • MS-3-35
  • Fonds
  • 1968-2020
Fonds consists of documents created and collected by Eyelevel Gallery that reflect all aspects of the gallery’s management. The fonds includes artist files, slides, administrative files, publicity files (including press releases), correspondence, publications, financial documents, contracts, minutes of board of directors meetings, photographs, fundraising files and membership lists, audio and videocassettes, CDs, DVDs, books, and programmes, catalogues, posters, reviews, guest books, and miscellaneous files regarding exhibitions and events. Some digital records in this collection have been migrated from CD's.

Eyelevel Gallery.

Henry Orenstein's drawings

File contains drawings—including one identified as "Jessie Dillard"—created with different mediums, including pencil, watercolour, oil, and pen & ink.

Henry Orenstein's records

Series consists of Henry Orenstein's materials regarding his professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds contains several of Henry Orenstein's art pieces and sketches, including related to the "Sudbury Industrial Landscape" project. In the 1950s, Henry Orenstein was commissioned by the Mine, Mill and Smelter Workers of Sudbury to paint a mural for the local union hall, which was the centre of a broad-ranging cultural role of Mine Mill Local 598 in the Sudbury area. At that time, Mine Mill was in the midst of a series of raids by the United Steelworkers.

Henry Orenstein's sketches

File contains sketches of various persons and scenes, including Joan rehearsing "La Sagouine," "Purcell's Cove Social Club, 1960s," "Extinct Species, Fisherman 1960s," "Do you know Anyone who Wants A Man?" "Musicians," "Instruments," "Masks," and three sketches of unidentified persons. File also contains a copy of the sketch "Juno & the Paycock" and a photograph of the "Masks" exhibition attached to the sketch.
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