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Canada Visual artists
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Catherine Creighton and family fonds

  • MS-2-656
  • Fonds
  • [18--]-1989

Fonds consists of papers created and/or accumulated by Catherine Creighton and her family, including those of her husband Graham and children Edith, Anna, Lois, Frieda, and Howard. While the fonds includes correspondence from Wilfred Creighton to his siblings and parents, Wilfred's papers are not included as a sous-fonds within the fonds.

The bulk of the fonds consists of correspondence from family and friends, but also includes diaries, photographs, financial papers, personal papers, memorabilia, print materials, scrapbooks, articles, and artwork. Records in the fonds provide a well-rounded depiction of the family's daily activities and lives - from their relationships with each other, their extended family, and their community, to their financial status, values, education, and careers.

Creighton Family

Alan Creighton fonds

  • MS-2-701
  • Fonds
  • 1845-2001

Fonds includes Alan Creighton's diaries, which cover many of the years from 1920 to 2000. Writings from the period 1920 to 1954 (many undated) are mainly short stories and poems. These writings include handwritten and typed, complete and incomplete, and published and unpublished works. There is also some correspondence throughout as well as copies of his two books of poetry. The fonds includes writings with titles such as "About Poetry," "Poetry Courses," "Thoughts," "Music & Art," and "Bedford Basin." His notebooks include evidence of a variety of courses taken, including French and Greek, music, poetry, and art (both practice and history, including Chinese art). There is also a record of his art sales from 1964 to 1999. Personal and family documents are included in the fonds.

Alan Creighton's artwork is extensive and primarily in the form of sketches and watercolours, with a few oil paintings. Many of his sketches are in albums, many of which are used exclusively for one particular aspect of his studies. For example, album labels include "People," "Trees," "Skies," "Rock Formations," "Buildings," "Railway Sketches" (scenes from train journeys), and "Outdoors." Others identify a place and time and include such labels as "At the Zoo," "Nova Scotian Sketches 1951," "South Shore 1982," and "Toronto 1996." Still others contain a mixture of styles and themes. There are also numerous loose sketches and watercolours which have been loosely arranged into similar groupings such as "Clouds," "Boats," "Flowers," and so forth. Photograph albums include photos of family and of scenes taken by Alan as a reference for future paintings.

Included with Alan Creighton’s personal items are papers, writings, art, and memorabilia belonging to his friend and roommate Christine Eyles, who died without heirs. Some relate to her employment as a violinist in England and in Toronto, Ontario and some contain her poetry, plays, and artwork (in sketchbooks and on loose paper). Published and handwritten music scores, mostly for the violin, are also included. A photograph album contains many formal portraits of family and friends taken in England in the early 20th century. Records also include papers by and about her father, Charles Eyles, a famous violin-maker. Such materials include advertisements, brochures, and letters attesting to the high quality of his craftsmanship.

Creighton, Alan

Joan and Henry Orenstein fonds

  • MS-2-774
  • Fonds
  • [194-?] - [before 2011]
Fonds consists of Joan and Henry Orenstein's materials regarding their professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds includes several photographs of Joan Orenstein acting, Henry Orenstein's art pieces and sketches, and Joan and Henry Orenstein's family photographic negatives.

Orenstein, Henry, 1918-2008

Eyelevel Gallery fonds

  • MS-3-35
  • Fonds
  • 1968-2020
Fonds consists of documents created and collected by Eyelevel Gallery that reflect all aspects of the gallery’s management. The fonds includes artist files, slides, administrative files, publicity files (including press releases), correspondence, publications, financial documents, contracts, minutes of board of directors meetings, photographs, fundraising files and membership lists, audio and videocassettes, CDs, DVDs, books, and programmes, catalogues, posters, reviews, guest books, and miscellaneous files regarding exhibitions and events. Some digital records in this collection have been migrated from CD's.

Eyelevel Gallery.

Exhibition invitations and photographs

File includes photograph of Garry Kennedy exhibition, 'Locating', Ted Ross' 'A Nova Scotia Landscape', and invitations for exhibitions by Stephen Horne, Elizabeth Mackenzie, James MacSwain, W.C. Woods, and Douglas Sharpe

Photographs, invitations, and other material related to Eyelevel Gallery artists and programming

File contains photographs, invitations, and other documentation about Eyelevel Gallery artists and programming from the late 1970s and early 1980s. Artists documented in the file include Kenneth Coutts-Smith, Richard Robertson, Michael Fernandes, Jan Meyerowitz, James MacSwain, Rita McKeough, and others. File also includes small scrapes of paper and sticky notes with references to the original location of the documentation in the Gallery.

Exhibition slides

File contains 59 slides of Eyelevel Gallery exhibitions. Slides are not labelled.

Contact sheet of photographs of Cathy Quinn's performance at the 1985 Arts and Culture Assembly

Item is a contact sheet with eighteen b&w photographs from the 1985 Arts and Culture Assembly at the Dalhousie Arts Centre in Halifax, Nova Scotia. Sixteen of the photographs show Cathy Quinn's performance during the event and two photographs photographer Mark Simkins (1954 - 19 November 2022) with a camera.

Photograph of 20th Century Student sculpture

Item consists of a photograph taken by Peter Dykhuis in August 2010, of the sculpture "20th Century Student" by Reg Dockrill. The sculpture was erected on the corner of Uni­versity Avenue and Seymour Street in 1968 and removed in 2012 after an engineering report con­cluded that the six-metre-high steel sculpture had corroded on the inside and was “structurally damaged beyond repair."

Photograph of 20th Century Student sculpture

Item consists of a photograph taken by Peter Dykhuis in August 2010, of the sculpture "20th Century Student" by Reg Dockrill. The sculpture was erected on the corner of Uni­versity Avenue and Seymour Street in 1968 and removed in 2012 after an engineering report con­cluded that the six-metre-high steel sculpture had corroded on the inside and was “structurally damaged beyond repair."

Photograph of 20th Century Student sculpture

Item consists of a photograph taken by Peter Dykhuis in August 2010, of the sculpture "20th Century Student" by Reg Dockrill. The sculpture was erected on the corner of Uni­versity Avenue and Seymour Street in 1968 and removed in 2012 after an engineering report con­cluded that the six-metre-high steel sculpture had corroded on the inside and was “structurally damaged beyond repair."

Photograph of 20th Century Student sculpture

Item consists of a photograph taken by Peter Dykhuis in August 2010, of the sculpture "20th Century Student" by Reg Dockrill. The sculpture was erected on the corner of Uni­versity Avenue and Seymour Street in 1968 and removed in 2012 after an engineering report con­cluded that the six-metre-high steel sculpture had corroded on the inside and was “structurally damaged beyond repair."

Photographs of 20th Century Student

File contains four photographs taken by Peter Dykhuis of the sculpture "20th Century Student" by Reg Dockrill. The sculpture was erected on the corner of Uni­versity Avenue and Seymour Street in 1968 and removed in 2012 after an engineering report con­cluded that the six-metre-high steel sculpture had corroded on the inside and was “structurally damaged beyond repair."

Henry Orenstein's records

Series consists of Henry Orenstein's materials regarding his professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds contains several of Henry Orenstein's art pieces and sketches, including related to the "Sudbury Industrial Landscape" project. In the 1950s, Henry Orenstein was commissioned by the Mine, Mill and Smelter Workers of Sudbury to paint a mural for the local union hall, which was the centre of a broad-ranging cultural role of Mine Mill Local 598 in the Sudbury area. At that time, Mine Mill was in the midst of a series of raids by the United Steelworkers.