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Theatre
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Mary Vingoe fonds

  • MS-2-777
  • Fonds
  • 1980-2019
Fonds includes manuscripts, scripts, and personal papers belonging to Mary Vingoe. Fonds also includes theatre programs, contracts, and photographs.

Vingoe, Mary

Reviews of Glace Bay miner's museum

File contains two reviews of the 2013 Neptune Theatre production of Glace Bay Miner's Museum. The reviews are printed versions of online reviews published by The Chronicle Herald on March 2, 2013 and by The Coast on March 7, 2013.

Costume and prop sketches for Glace Bay miner's museum

File contains costume and prop sketches drawn by Sue LePage for the 2012 National Arts Centre production of Glace Bay Miner's Museum. File also includes accompanying handwritten notes from Sue LePage to Mary Vingoe.

Director's notebooks

File contains two director's notebooks with handwritten notes by Mary Vingoe. File also includes three thank you cards from the cast and crew of the 2012 National Arts Centre / 2013 Neptune Theatre production, and a ticket to the March 1, 2013 performance at Neptune Theatre.

Catherine Banks fonds

  • MS-2-8
  • Fonds
  • 1973-2023
Fonds contains materials documenting Catherine Banks' professional playwrighting career beginning with her first published play, Eula's Offer. Records include research notes and manuscripts (handwritten and typed), correspondence, contracts, production and publicity materials, a videocassette, a DVD, photographs, sketches, and a small selection of personal papers.

Banks, Catherine

Bird Cage : [Use of copyrighted material - translation]

File contains a letter from Catherine Banks to William Toye (Literary Executor) in 2004 asking permission to use a poem titled "Bird Cage" in the stage presentations of Catherine Banks' play, "Bone Cage" and a follow-up letter regarding the contract with Playwrights Canada Press for an April 2008 release. File also includes handwritten notes regarding "Bird Cage."

Joseph Svoboda exhibition

File consists of records related to the Joseph Svoboda exhibition, held at Dalhousie Art Gallery from October 4-24, 1974.

Records consist of a list of artworks, press release drafts, newspaper clippings, photographs (photocopies), correspondence between Mern O'Brien (Director, Dalhousie Art Gallery) and Gerry Grace (Archives, National Arts Centre), condition report, invitation cards, and insurance documents.

Robert Doyle fonds

  • MS-3-18
  • Fonds
  • 1964 - 2019
Fonds consists primarily of papers relating to Robert Doyle’s career as a costume and set designer. There are also research, administrative, and class papers from his office. The fonds consists of correspondence (1964-1997), Dalhousie University papers (1975-1997), Costume Studies program course materials (1974-1997), financial papers (1967-1994), legal documents (1972-1996), research notes and related materials (1970-1996), association related materials (1968-1997), production related materials (1976-2012), and miscellaneous papers and photographs (1968-1996) collected by Robert Doyle.

Doyle, Robert

Correspondence from Julie Opp Faversham

File contains a letter from Julie Opp Faversham (1871–1921), an American stage actress, thanking John Daniel Logan for a poem and his comments about a production of Julius Caesar that she acted in with her husband, William Faversham.

Correspondence from Harry Irvine

File contains a letter from the English actor Harry Irvine in response to John Daniel Logan's criticism of his performance in "Othello" at an unidentified theatre in Halifax, Nova Scotia. The letter mentions a future lecture at Dalhousie College on "William Shakespeare: A Human Being."

Jenny Munday fonds

  • MS-2-806
  • Fonds
  • [ca. 1980 - 2017]
Fonds contains records pertaining to Jenny Munday's career as a playwright, actor, director, dramaturge and arts administrator. Materials include manuscript drafts; professional contracts; production reviews; grant applications; and correspondence. The fonds also contains records related to Munday's time as a Crake Fellow in Drama at Mount Allison University.

Munday, Janet Stephanie (Jenny)

The Promised Land administrative records

File contains project grant applications and correspondence for Christopher Heide's "Poor People," which evolved into "The Promised Land," produced by Mulgrave Theatre in 1988. File also contains a tour schedule and contract between Christopher Heide and Mulgrave Road Co-op Theatre.

I Ain't Dead Yet — correspondence and contract

File includes press materials, reviews and correspondence for The Lunenburg Playhouse Theatre's 1990 production of "I Ain't Dead Yet!" and correspondence with various theatres and directors about the possibility of mounting the play.

Sketches of Margaret and Ian's costumes

File contains two sketches and two handwritten cards by Sue LePage. The sketches depict the costumes of characters Margaret (played by Francine Deschapper) and Ian (played by Jeff Schwager). The sketches were gifts from Sue to Mary Vingoe and Paul Cram.

Edward II thank you cards

File contains thank you cards from the cast and crew of a 2016 production of Christopher Marlowe's play "Edward II." Mary Vingoe directed the production, which was presented from September 29 to October 15, 2016 by University of British Columbia Theatre and Film.

Autographs and photographs of musicians and actors

Series contains autographs, autograph letters, and autographed photographs. The letters were purchased by John Daniel Logan and were predominantly written by composers, including Giuseppe Verdi and Jacques Offenbach. Many of the autographs are signed on concert programs, presumably from concerts that Logan attended. The photographs are of musicians and actors, including several of the English actor Johnston Forbes-Robertson, and were sent to or obtained by Logan for his personal collection and in his capacity as a music critic and journalist.

Nova Scotia tourism, culture and heritage grants to individuals application and related materials

File contains an application for Nova Scotia tourism, culture and heritage grants for Banks to travel to Barcelona in November 2012 to attend Connexio Canadenca and participate in rehearsals of Catherine Bank's play "It is Solved by Walking." The document includes project descriptions (adaptation of The Mountain and the Valley for the stage), budgets, support materials, reports, and a grant acceptance letter from Arts Nova Scotia.

Mulgrave Road Theatre fonds

  • MS-3-44
  • Fonds
  • 1972-2006
Fonds primarily consists of documentation related to publicity, personnel, equity, and the Canada Council for the Arts as well as scripts, production-based records, administrative files, correspondence, PACT files, contracts, annual meeting notes, ROADies records, financial statements and information, board meeting notes, brochures, audio tapes, photographs, and production posters.

Mulgrave Road Theatre (MRT)

Richard Ward fonds

  • MS-5-7
  • Fonds
  • 1927-1928, 1932-1933, 1937
The fonds contains photographs of singers and musical groups, theatrical paraphernelia, and documents regarding the construction of Ward's home on Beaufort Avenue in Halifax, Nova Scotia, as well as other printed material.

Ward, Richard, (fl.1888-1977)

Working Theatre Project administrative records

File includes records documenting Mulgrave Road Co-op Theatre's Working Theatre Project, which used theatre structures and methodologies with an adult education approach to literacy upgrading. Records include correspondence; reports; notes; a contract with Christopher Heide; budgets; project summary; and a program for "Time Out," the play produced by program's participants.

Correspondence, notes and playwright's agreement re. Bring Back Don Messer!

File includes correspondence between Christopher Heide, Michel Fahey and Ed McKenna of the Mulgrave Road Co-op. There is also a letter written from Heide to Larry Lillo, at Tamahnous Theatre, Vancouver, as well as a chronology of events between September 1970 and March 1983 regarding the script's creation and possible remounting.

I Ain't Dead Yet — Mermaid Theatre original production

File includes correspondence, notes, manuscripts, a contract, evaluations forms, reviews and a chronology outlining the project from its conception as "Grandmother's Story" through to Christopher Heide's residency at Mermaid Theatre and the company's workshop production of "I Ain't Dead Yet."
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