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Archival Description
Opera and operas
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John Arab and Sheila Piercey, La Traviata, CBC

File is an audio recording by Sheila Piercey (undated) with handwritten notes on the label inserted in the case that reads: John Arab and Sheila Piercey, Traviata, CBC, John Arab: Where'er you walk (by Handel), Now Joined by God. The recording is on side A of audio cassette. Side B is blank.

Chateau Lake Louise

Item is a reel-to-reel recording of a recital by Sheila Piercey (soprano) and John Linn (music director) at Chateau Lake Louise. Handwritten notes inside of the box lid read: Chateau Lake Louise
"Laughing song"
"Songs my mother taught me"
"My fair lady"
"The poplar tree"

Mozart - "Alleluia" - Sheila Piercey
Puccini - "O mio Babbino Caro" - Sheila Piercey
"When Love is Kind" A.L - Sheila Piercey

Schumann - John Linn (played) 7 pieces (from Kinderszenen "Scenes from Childhood")
George Gershwin - John Linn
Ritual fire dance - John Linn
Malagueñ (a song by Cuban composer Ernesto Lecuona) - John Linn

Mendelssohn - "On Wings of Song"
"Still as the Night"
"Songs My Mother Taught Me"
"The Whispering Poplar"
"As I Went a Roaming" - By May H. Brahe

Carmen

Item is an annotated copy of the score for Georges Bizet's opera "Carmen," used and annotated by Pugh in his activities as a researcher and writer of program notes. The annotations are his analysis of various parts from the opera.

Autograph of Marie Rôze Mapleson

File contains the autograph of the French operatic soprano Marie Rôze Mapleson (1846-1926). The autograph is accompanied by two short lines of monophonic music. John Daniel Logan purchased the autograph for $100.

Text of songs

File contains two copies of a booklet containing the texts (in English) of various songs, likely from a concert. The songs include arias, lieder, and popular songs by Giuseppe Verdi, Jules Massenet, Franz Schubert, Robert Schumann, Michael Arne, Wolfgang Amadeus Mozart, Georges Bizet, J. Rogers, Frank La Forge, Arthur Foote, Arthur Rubenstein, Walter Scott, Johann Strauss, and Edward W. Bryant.

Postcard featuring Pietro Mascagni and signed by various musicians

Item is a postcard with a black and white photograph of Pietro Mascagni (1863-1945), an Italian opera composer. The postcard has various signatures on the front, including Francesco Marconi (1855-1916, operatic tenor from Rome) and four other illegible signatures. The postcard is addressed to Frau Dr. Lehnsern(?) of Berlin.

Mascagni, Pietro

David Murray fonds

  • MS-2-181
  • Fonds
  • 1905, [ca. 1940s]
Fonds includes handwritten catalogues of David Murray's record collection, manuscripts of a skit called "Pukka Sahib," and notes on Frederic Chopin.

Murray, David, fl. 1934-1972

Program from Massey Hall

File contains programs from concerts given at Massey Hall in Toronto, Ontario: Columbian Conservatory Orchestra, conducted by Alfred Bruce with E.H. Painty on piano; the Mendelssohn Choir, conducted by A.S. Vogt; the Mendelssohn Choir, directed by H.A. Fricker; Toronto Symphony Orchestra, conducted by Frank S. Welsman with Margaret Huston (soprano); Toronto Symphony Orchestra with Louise Homer (contralto); Toronto Symphony Orchestra with Mischa Elman (violin); John McCormack (tenor) with Edwin Schneider (piano); and the Oratorio Society of Toronto, conducted by Edward Broome, with the Cleveland Symphony Orchestra, conducted by Nikolai Sokoloff.

File also contains a compilation of all of the programs from the Toronto Symphony Orchestra's 1911-1912 season, inscribed to John Daniel Logan. File also contains some newspaper clippings of concert reviews by "A.E.S.S."

Correspondence from Anna Frery

File contains a letter from the actress Anna Frery, thanking John Daniel Logan for his critique of her performance in Aida by Giuseppe Verdi. The letter is written on letterhead from the Grand Union Hotel Co., Limited.

Correspondence from Nellie Melba

File contains a letter from the Australian operatic soprano Nellie Melba concerning a short poem that John Daniel Logan wrote about her singing. The file includes a copy of the poem as printed in a newspaper. The letter also references a photograph that Melba sent to Logan.

Programs from the Academy of Music

File contains programs for performances by the Russian pianist Mark Hambourg (October 2, 1911); American soprano Victorina Hayes; Canadian bass baritone Edmund Burke; American tenor Allen McQuhae; and the Pictou County Philharmonic Society, directed by George M. McDonald and assisted by Suzanne Kenyon (February 15, 1924).

Autograph of Alma Gluck

File contains an autograph by the soprano Alma Gluck (1884-1938) of the Metropolitan Opera Company, signed on stationary from the King Edward Hotel in Toronto. Gluck was part of the Metropolitan Opera Company from 1909 to 1913.

Photographs of Christie MacDonald

File contains three photographs of the opera singer Christie MacDonald of the Montreal Opera Company. One of the photographs shows her in costume for "The Spring Maid" by Heinrich Reinhardt, and another in costume as Marguerite for the "Jewel Song" in "Faust" by Charles Gounod for the Montreal Opera Company.

Program from the Royal Alexandra Theatre

File contains two programs for theatrical performances at the Royal Alexandra Theatre, including "Julius Caesar" by William Shakespeare and "Kindling" by Charles Kenyon. File also contains a program for two weeks of performances by the Montreal Opera Company and a program for their performance of "Thais" by Jules Massenet. File also contains a prospectus for a series of benefit concerts for the Hospital for Sick Children and the Toronto Free Hospital for Consumptives.

Correspondence from Christie MacDonald

File contains one letter and a Christmas card from Christie MacDonald. The letter apologizes for missing John Daniel Logan and his wife when she was in Toronto.

McDonald, Christie

Correspondence from Henry L. Gillespie

File contains a letter from Henry L. Gillespie of Werba and Luescher Attractions at the New York Theatre Building. The letter was written on behalf of his wife, Christie MacDonald, to inform Logan of her upcoming performance in a new opera "Sweethearts" by Victor Herbert, Harry B. Smith, and Robert B. Smith. The letter also mentions a photograph of MacDonald that Werba and Luescher would send to Logan.

Photographs of Louise Edvina Edwardes

File contains an autographed photograph of the Montreal-born opera singer Louise Edvina Edwardes (nee Martin), known by her stage name "Madame Edvina." File also contains a print of Louise Edvina in costume from the opera "Tosca" by Giacomo Puccini. Logan's notes on the reverse side of the print and at the bottom of the photograph indicate that she was known for her creation of the title role of Louise in an opera by Gustave Charpentier.

Photographs of Esther Ferrobini

File contains two photographs of the operatic soprano Esther Ferrobini of the Montreal Opera Company that John Daniel Logan used for a press release about her performance in the title role of the opera "Zoza."

Souvenir program from the Arlington Theatre

File contains a program from a production of the comic opera "Robin Hood" by Harry B. Smith and Reginald de Koven, presented by the Boston Opera Company at the Arlington Theatre in Boston, Massachusetts.

Fill every glass : from The Beggar's Opera

Item is a copy of a manuscript version of an adaptation of "Fill Every Glass" from "The Beggar's Opera" by John Gay (1728). The arrangement was made by "C.B.C." and "J.F.W" for the Arts and Letters Club of Toronto and is for solo voice (for the character of Matt of the Mint) and chorus.

Correspondence from Hilda Roberts

File contains a letter from the singer Hilda Roberts. The letter contains an overview of her performances to date in anticipation of a concert in Halifax. The file also contains a series of testimonials from Manlio Di Veroli, Musical Director of the Opera House in Rome and the London Opera House, who taught Roberts in London.

Record collection catalogs : [manuscripts]

  • MS-2-181, SF Box 27, Folder 45
  • File
  • [late 1930s, early 1940s?]
  • Part of David Murray fonds

File contains four documents related to David Murray's record collection. All of the record collection items contain Murray's location coding. File contains a handwritten 44-leaf notebook containing, alphabetically, Murray's "Record Library of Opera & Secular Music", a short handwritten addendum of record collection additions from 1936-37, a 49-leaf typescript variant collection list and a similar 49-leaf handwritten collection list with different location codes.

Record library of opera and secular music

Item consists of a handwritten catalog of a personal record library of opera and secular music compiled by David Murray in the mid-to-late 1930s. The catalog is arranged in alphabetical order variably by category or musician, with associated records held in the collection listed underneath in a left-hand column (with corresponding storage location in the opposite column). The catalog was compiled in an address book.

Draft typed and handwritten manuscript of a record catalog

Item consists of a two copies of an untitled 49-leaf (98 leaves in total) double-sided record collection catalog compiled by David Murray in the early- to mid-1940s. The first copy is a typescript, while the second copy is a handwritten version of the catalog. Each catalog is arranged alphabetically by performer, with an abbreviation of their operatic role or primary instrument. Murray also made additions in pencil to the typescript version of the catalog (vital statistics of the performer, the latest date being 1946), and additions to the catalog in ink. Each entry in the catalog contains a corresponding filing code.

Programs

Series contains 14 programs of past operatic performances and notes on the creation of programs.

Nova Scotia Opera Association.

Sheila Piercey fonds

  • MS-5-20
  • Fonds
  • 1950-2010
Fonds consists of records of Sheila Piercey's opera performance activities and music teaching. Record types include primarily sound recordings of recitals, concerts, auditions, practices, rehearsals, radio broadcasts and textual records, including teaching records and various programs from the Dalhousie Glee and Dramatic Society, Dalhousie Tigers, graduation recitals, noon-hour recitals, festivals, opera workshops, and other performances produced by the Dalhousie Department of Music and a small number of documents Sheila collected when she was a student at Dalhousie University.

Piercey, Sheila Kathleen

Administrative Papers

Series contains synopses of operas, drafts of felicitations written by community members, correspondence, annual reports and its act of incorporation.

Nova Scotia Opera Association.

Sound recordings

Series contains sound recordings of Sheila Piercey's opera performances, dress rehearsals, auditions, practice sessions, radio broadcast, as well as concert and recital performances with the Canadian Opera Company (COC). Most recordings are on audio reels and cassette tapes.

Nova Scotia Opera Association fonds

  • MS-5-4
  • Fonds
  • 1950-1969
The fonds contains copies of programs for operas performed or hosted by the Nova Scotia Opera Association, as well as draft copies of those programs. It also contains business correspondence, annual reports and its notice of incorporation.

Nova Scotia Opera Association.

Textual records

Series contains records accumulated and created by Sheila Piercey when she was a student at Dalhousie University and while teaching voice in the Dalhousie Department of Music. Materials include teaching records and various programs from the Dalhousie Glee and Dramatic Society, Dalhousie Tigers, graduation recitals, noon-hour recitals, festivals, opera workshops, and other performances produced by the Dalhousie Department of Music.

Research and program notes pertaining to Verdi

File contains research notes and drafts of program notes by Anthony Pugh pertaining to the music of Giuseppi Verdi. The file also contains programs used in his research from the University of Bristol, Glyndebourne Festival, and the Hippodrome in Bristol. The file also includes a newspaper clipping about the Glyndebourne Opera Company's production of "Falstaff" by Giuseppi Verdi.
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