Research and program notes pertaining to Berlioz
- MS-2-26, Box 1, Folder 13
- File
- 1934-2001
Part of Anthony Pugh fonds
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Research and program notes pertaining to Berlioz
Part of Anthony Pugh fonds
Program notes, essays, handouts, and correspondence pertaining to Berlioz
Part of Anthony Pugh fonds
Research and program notes pertaining to Elgar
Part of Anthony Pugh fonds
Research and program notes for composers M to L
Part of Anthony Pugh fonds
Research and program notes pertaining to Mozart
Part of Anthony Pugh fonds
Research and program notes for composers G to L
Part of Anthony Pugh fonds
File contains drafts of, and research for, program notes by Anthony Pugh pertaining to the following composers: Giovanni Gabrieli, Francesco Geminiani, George Gershwin, Alexander Glazounov, Christoph Willibald Gluck, Mikhail Glinka, Edvard Grieg, Johan Halvorsen, George Frideric Handel, Franz Joseph Haydn, Paul Hindemith, Josef Holbrooke, Arthur Honnegger, Johann Nepomuk Hummel, Gustav Holst, Charles Ives, Dmitry Kabalevsky, Aram Khachaturian, Zoltan Kodaly, Édouard Lalo, Witold Lutoslawski, and Fritz Kreisler. As part of his research, Pugh analyzed music scores, and the annotated scores for Zoltan Kodaly's Cello Sonata, Op. 8 and Charles Ives' "The Unanswered Question," are included in the file.
The file also includes two programs for which Pugh wrote program notes: a concert presented by University of New Brunswick and Saint Thomas University Creative Arts society, "I Musici de Montreal" with Yuli Turovsky, conductor and cellist; and a Creative Arts concert by the resident musicians of UNB (January 29, 1989). Two other programs from concerts by the Liverpool Philharmonic Society are included as they were part of his research. The file also includes a letter to Anthony Pugh from "Don" (dated August 25, 1957 from Keele, England), which includes information on Hindemith.
Research and program notes pertaining to Korngold
Part of Anthony Pugh fonds
Research and program notes pertaining to Liszt
Part of Anthony Pugh fonds
Research and program notes pertaining to Canadian composers
Part of Anthony Pugh fonds
Research and program notes pertaining to Scarlatti
Part of Anthony Pugh fonds
Research and administrative materials relating to extension talks given by Anthony Pugh
Part of Anthony Pugh fonds
Research notes, newsletters, correspondence, and programs
Part of Anthony Pugh fonds
Correspondence and programs from Marc Sabat
Part of Anthony Pugh fonds
Handouts, research notes, and correspondence regarding presentations and talks by Anthony Pugh
Part of Anthony Pugh fonds
The Ring of Nibelung by Wagner : an essay by Anthony Pugh
Part of Anthony Pugh fonds
Ronald St. John Macdonald fonds
Macdonald, Ronald St. John, 1928-2006
Correspondence regarding Pit Pony audio book
Part of Joyce Barkhouse fonds
Correspondence with Mark Altman regarding Song for the Mira
Part of Budge Wilson fonds
Logan, John Daniel
Part of John Daniel Logan fonds
Offenbach, Jacques
Part of John Daniel Logan fonds
Reményi, Eduard
Part of John Daniel Logan fonds
Sousa, John Philip
Part of John Daniel Logan fonds
Verdi, Giuseppe
Correspondence from Edna F. Anderson
Part of John Daniel Logan fonds
Letter from Edna F. Anderson to John Logan
Part of John Daniel Logan fonds
Correspondence from Gena Branscombe Tenney
Part of John Daniel Logan fonds
Branscombe, Gena
Correspondence from Edward Broome
Part of John Daniel Logan fonds
Broome, Edward
Correspondence from John Burgoyne
Part of John Daniel Logan fonds
Correspondence from Daniel O'Connell
Part of John Daniel Logan fonds
Correspondence from Violet Deane
Part of John Daniel Logan fonds
Correspondence from Anna Frery
Part of John Daniel Logan fonds
Correspondence from W.O. Forsyth
Part of John Daniel Logan fonds
File contains four letters from the Canadian composer, teacher, and writer W.O. (Wesley Octavius) Forsyth. Three of the letters (dated from 1921) are written on letterhead from the Canadian Academy of Music in Toronto, where he taught from 1919 to 1924. The letters concern setting texts by John Daniel Logan to music and mentions its possible performance by their mutual friends Lucas and Gena Branscombe.
The file also contains a short biography of W.O. Forsyth from the Star Weekly (Toronto, July 1921); a program for a concert by Jessie McAlpine (a student of Forsyth's) at the Canadian Academy of Music; and a program for a concert by the Russian pianist Arthur Friedheim at Massey Hall.
Forsyth, W. O. (Wesley Octavius)
Correspondence from Henry L. Gillespie
Part of John Daniel Logan fonds
Correspondence from W.H. Greenwood
Part of John Daniel Logan fonds
Correspondence from Boris Hambourg
Part of John Daniel Logan fonds
Hambourg, Boris
Correspondence from Edouard Hesselberg
Part of John Daniel Logan fonds
Hesselberg, Edouard
Correspondence from Clarence Lucas
Part of John Daniel Logan fonds
Lucas, Clarence
Correspondence from Belle MacDonald
Part of John Daniel Logan fonds
Correspondence from Christie MacDonald
Part of John Daniel Logan fonds
McDonald, Christie
Correspondence from Marian MacDowell
Part of John Daniel Logan fonds
Correspondence from Addie MacKay
Part of John Daniel Logan fonds
Correspondence from Daniel G. Mason
Part of John Daniel Logan fonds
Correspondence from Nellie Melba
Part of John Daniel Logan fonds
Correspondence from Kathleen Parlow
Part of John Daniel Logan fonds
Parlow, Kathleen
Correspondence from Minnie Parlow
Part of John Daniel Logan fonds
Correspondence from R.S. Pigott
Part of John Daniel Logan fonds
Correspondence from Hilda Roberts
Part of John Daniel Logan fonds
Correspondence from Augusto Vauanni
Part of John Daniel Logan fonds
Part of John Daniel Logan fonds
Vogt, Augustus Stephen
Correspondence from Frank S. Welsman
Part of John Daniel Logan fonds
Welsman, Frank