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Canada Exhibitions
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Lynch Greater Exposition Shows contract forms

File contains five copies of Lynch Greater Exposition Shows contract forms. The stipulations include supplying a show suitable for ladies and children, the right to cancel the contract in the occurrence of unforeseen circumstances such as cyclones or war, and a space to set out the required number of performances per week. It specifies that the contract is for Canada only, but that the salary will be paid half in American and half in Canadian dollars.

The Bill Lynch Shows letterhead

File contains five copies of letterhead from The Bill Lynch Shows listing William P. Lynch as President and Manager, Halifax as his permanent address, his photograph, and, at the bottom of the page: "One train load of clean outdoor amusement."

Daily cash statement forms for The Bill Lynch Shows

File contains daily cash statement forms for The Bill Lynch Shows. The areas to fill out include a statement of cash on hand per last report, a list of possible cash additions including shows, rides, and concessions, a list of possible payments including wages, advertising, telephones, and traveling expenses, and the statement of cash on hand at the end of the business day. There are four white copies and three yellow copies.

Whip blueprint

Item is a blueprint for the assembly of the deck plates for the Whip, a ride held by the Bill Lynch Shows. The blueprint is from Maritime Steel and Foundries Limited, New Glasgow, Nova Scotia.

Letter from Ethel to Bill Lynch and other material

File contains an envelope address to The Bill Lynch Shows from Ethel (no last name specified) dated in Amherst November 18, 1942, and Halifax November 20-30, a blank labor service card with notes on the back, a card requesting name and address on the front of letters and parcels, a letter from Ethel to Bill Lynch dated July 25, 1942 from Amherst, and six photographs of: an unidentified woman in Sydney on July 16 1942, an unidentified woman at Murcer [sic] Lake in Sydney on July 13, 1942, an unidentified man in a parked car, a dog, two unidentified men on a ship plank over the war, three unidentified men in uniform and a dog by a Christmas tree, and three unidentified men, two in uniform and one in a suit, outside. Ethel's letter states she would try to enclose photographs of herself, so she may be the unidentified woman in the photos.

Johnny Brown Dance Shoes and Supplies catalogue

File contains an envelope from Johnny Brown Dance Shoes and Supplies to the Lynch Shows, a list of practice records for tap dancing, a measurement chart for show clothing, and a catalogue for carnival or show materials to be purchased. Examples include dance belts, tap shoes, finger cymbals, theatrical makeup, and costume materials.

The Bill Lynch Shows business correspondence

File contains four business letters written to and from the Bill Lynch Shows from August 19, 1942 to July 16, 1947. The first is from the Bill Lynch Shows regarding a wallet lost on August 18, 1942 by Elmer Rogers and subsequently found, and is dated August 19, 1942. The second is from the Rudolph Wurlitzer Company regarding reconditioning a Caliola organ, and is dated October 6, 1942. The third is from the Annapolis County Exhibition Committee signed by Donald White regarding the Bill Lynch Shows returning from September 14-17, 1943, and is dated June 11, 1943. The fourth is from Teasdale and Foot, Limited and signed by Eric Teasdale regarding purchasing a car and multiple trucks for the Bill Lynch Shows, dated July 16, 1947.

Daily reports from shows and rides at The Bill Lynch Shows

File contains daily reports from the Bill Lynch Shows shows and rides from June to August 1949. The reports are from Halifax and New Glasgow. Areas that are filled out include name of attraction, starting number, finish number, tickets, price, gross, and total. There is one blank form.

The Bill Lynch Shops carnival ride records

Series contains materials documenting the rides used by the Bill Lynch Shows and related materials. Written material includes expenses, maintenance issues, and assembly instructions. Related materials include blueprints for the rides.

The Bill Lynch Shows financial records

Series contains documents related to the Bill Lynch Shows’ finances and the monetary purchases. Materials include daily reports from shows, daily cash statement forms (blank), invoices, receipts and receipt books, and cash books.

Invoices for The Bill Lynch Shows

File contains invoices from The Bill Lynch Shows, including for an iron roof, a wrench set, bolts, hinges and screws, mirrors, gears and engines for rides, music rolls for a Caliola organ, performers from the Al Martin Agency, a car (1951 Pontiac), various carnival supplies (baseballs, dolls, et cetera), and toys.

The Bill Lynch Shows administrative records

Series contains various administrative documents used to run the Bill Lynch Shows. Materials include letterhead, Greater Exposition Shows contract forms (blank), railway passes, commercial scripts, blueprints, and photographs.

Railway passes documenting travel for members of The Bill Lynch Shows

  • MS-4-218, Box 1, Folder 6
  • File
  • September 28, 1942 - September 17, 1951, predominant July 25, 1943 - October 4, 1943

    • Part of The Bill Lynch Shows fonds

File contains twenty-six railway passes from 1942 and 1943 documenting travel for members of the Bill Lynch Shows. Destinations and departure points include Halifax, Saint John, Toronto, Bridgewater, Yarmouth, Lawrencetown, Newcastle, Moncton, New Glasgow, and Sydney. All the tickets are first class, except for the three in 1951, which are coach. There are three tickets each for: July 25, 1943, September 4, 1943, September 25, 1943, October 4, 1943, and September 17, 1951. There are two tickets for August 12, 1943. There is one ticket each for September 8, 1942, and September 16, 1943.

Daily reports from shows and rides at The Bill Lynch Shows

File contains daily reports from The Bill Lynch Shows shows and rides from June to September 1951. The reports are from Halifax, Saint John, Amherst, Chatham, New Glasgow, Saint Stephen, Woodstock, Campbellton, Fredericton, Bridgewater, Charlottetown, Lunenberg, and Sydney. Areas that are filled out include name of attraction, starting number, finish number, tickets, price, gross, and total.

Receipts for The Bill Lynch Shows

File contains 28 receipts and one envelope for The Bill Lynch Shows from June - August, 1951. Some of the receipts are for services including "grind shows," "girl shows," and "esquire." The locations include Moncton, Campbellton, Charlottetown, Lunenberg, New Glasgow, Fredericton, Amherst, Woodstock, Halifax, Saint Stephen, and Saint John.

Focus on Australia

Item is a poster for a program of exhibitions, films, videos, and presentations on Australian culture, presented at Dalhousie Art Gallery from 5 March to 7 May 1995.

Exhibition files 1958

File consists of records relating to exhibitions held at the Dalhousie Art Gallery in 1958.

Records include a memo from Alex S. Mowat (Chairman of the Dalhousie Art Committee) calling for submissions for the fifth annual showcase of artworks by students, staff, and alumni of Dalhousie University, held in April 1958; and a list of names and prices of artworks shown in the Canadian Medical Association Annual Convention's 'Exhibition of Paintings by Nova Scotian Artists', hosted by Dalhousie University in June 1958.

Second Canadian artist series exhibition

File consists of records related to the 'Canadian Artist Series' exhibition, loaned from the National Gallery of Canada in November 1959.

Records consist of a loan agreement, exhibition description, packing lists, and biographies of Ghitta Caiserman and Ron Spickett.

Carceri d'Invenzione of Piranesi exhibition

File consists of records related to the 'Carceri d'Invenzione of Piranesi' exhibition loaned from the National Gallery of Canada in February 1960. Records consist of correspondence from Ruth Henderson (Maritime Arts Association), a loan agreement, packing list, exhibition itinerary, and exhibition text.

Exhibitions 1959-60

File consists of records pertaining to exhibitions held in the Fine Arts Room between 1959-1960.

Records consist of a handwritten note to Dr. Mirko Usmiami (Chairman of the Dalhousie Art Committee) from Sandy Mowat regarding an artwork by Arthur Lismer; a letter from M. Simmons (National Gallery of Canada); two letters from Miss Marian A. Johnston (President, Recent Grads Group, University Women's Club); correspondence requesting exhibition loans from the National Gallery of Canada; and a handwritten exhibition schedule.

Exhibitions 1960-61

File consists of records relating to exhibitions held at Dalhousie University between 1960-1961.

Records relate to 'A Not Always Reverent Journey', 'UNESCO Reproductions of Water Colors', and 'Pastels and Watercolors by Alfred Whitehead'. Records consist of an artist statement and biography for Alfred Whitehead, artwork price lists, memorandums from Dr. Usmiami, exhibition loan agreements, packing lists, schedules, itineraries, newsletters announcing exhibition openings, and correspondence between Dr. Usmiami and Rosamond Campbell, Ruth Henderson, Alfred Whitehead, Grace Keddy, and Joseph Purcell, Esq..

Exhibitions 1961-62

File consists of records related to exhibitions held at the Dalhousie Art Gallery from 1961-1962.

Records consist of a clipping of a review titled 'Paintings by Lola Mould'; floor plan and photograph, exhibition text, and bibliography to accompany 'Contemporary Canadian Painting', loaned from the National Gallery of Canada; exhibition texts, lists of artworks, loan agreements, packing lists, itineraries for 'The Campaign in Northwest Europe', 'Sculpture Reproductions', 'Polish Posters', 'Maritime Art Association Exhibition', 'Highlights of American Painting', 'Contemporary Canadian Painting', and 'Kodachrome Slide Project'; handwritten notes; an information booklet; and exhibition entry forms for the 'Dalhousie Atlantic Award Exhibition'.

Exhibitions 1962-63

File consists of exhibition records for 1962-1963.

Records include an exhibition catalogue for 'Paintings by the Group of Seven'; loan agreements, exhibition lists, and schedules for exhibitions loaned from the National Gallery, including 'Paul-Emile Borduas 1905-1960', 'Photography 1840-1915', 'Drawings of Leonardo da Vinci I', and 'Early Painting in Canada'; correspondence from Dr. Usmiami requesting loans of artworks for the Group of Seven exhibition; a list of works and artist biographies for Anthony Law and Jane B. Shaw; a portrait of Paul-Emille Borduas; a description of the lecture series 'The Sculptor's Vision', and press releases.

Exhibitions 1963-64

File consists of records related to exhibitions planned for the Dalhousie Art Gallery between 1963-1964.

Records include correspondence between Mirko Usmiami and Jean-René Ostiguy (National Gallery of Canada), cancelling several exhibitions after damage to artworks from the Paul-Emile Borduas exhibition; packing lists; itineraries; lists of available exhibitions from the National Gallery; and an exhibition lending agreement.

Paintings and drawings by Miller Brittain exhibition

File consists of records related to the exhibition 'Paintings and Drawings by Miller Brittain' held at the Dalhousie Art Gallery in February 1965.

Records consist of one newspaper clipping titled ‘Connoisseur [Daniel O’Keefe] Praises Works of Miller Brittain’; correspondence between Mirko Usmiami and Stuart Smith (Curator, Beaverbrook Art Gallery), Mrs. Paul (Celia) Toomik (Assistant to Mr. Brittain), Lawren Harris (Head, Department of Fine Arts, Mount Allison University), Miller Brittain, Dr. Charles Comfort (Director, National Gallery of Canada), and R. F. Wodehouse (Curator, War Collection, National Gallery of Canada); a loan agreement between Dalhousie Art Gallery and the National Gallery of Canada; an biography and artist statement of Miller G. Brittain; exhibition notes; a list of artworks; an invitation list; exhibition reviews; and draft press release and publicity texts.

Prints by David Silverberg exhibition

File consists of records relating to the exhibition ‘Prints by David Silverberg’, held in November 1965 at the Dalhousie Art Gallery.

Records consist of an invitation, clippings, a photocopied review by Martin Kemp, an artwork price list, text for Silverberg’s lecture on printmaking, presented during the exhibition opening, a Dalhousie University newsletter, a shipment receipt, and correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery), David Silverberg (Associate-Professor, Fine Arts, Mount Allison University), and Lawren Harris (Professor, Fine Arts, Mount Allison).

Works by John Miller and Helmut Becker exhibition files

File consists of records related to the exhibition 'Works by John Miller and Helmut Becker' presented at the Dalhousie Art Gallery in March 1965 as part of the Know Your Artist exhibition series.

Records include an invitation, exhibition pamphlets, a Dalhousie news release, biographies and curricula vitae of John Miller and Helmut Becker; and a poster for the lecture 'Henry Moore, his life and work' presented by Helmut Becker on February 12, 1964 in the James Dunn Building of Dalhousie University.

Exhibitions 1964-65

File consists of exhibition records of the Dalhousie Art Gallery for 1964-1965.

Records include correspondence from Dr. Usmiami (Curator); lists; exhibition text for 'Four Masters – Pellan, Borduas, Riopelle, Dumouchel', 'Norwegian Stave Churches', 'Building a Nation', and 'Romanesque Paintings from Spain', loaned from the National Gallery of Canada; an artist biography of Goodrich Robert for the exhibition 'Goodrich Robert's War Sketches'; and an exhibition schedule.

Contemporary Canadian painters exhibition

File consists of records related to the exhibition 'Contemporary Canadian Paintings' organized by Mount Allison University through the Atlantic Provinces Art Circuit and presented at the Dalhousie Art Gallery in October 1966.

Records consist of a draft press release and exhibition text including list of artists and works.

Paintings and drawings by Bruno and Molly Bobak exhibition

File consists of records related to the exhibition 'Paintings by Molly and Bruno Bobak' organized by the University of New Brunswick and circulated by the Atlantic Provinces Art Circuit (APAC). The exhibition was presented at the Dalhousie Art Gallery in December 1966.

Records consist of correspondence between Evelyn Holmes and Bruno Bobak, a review of the exhibition by Carole Fraser, a Dalhousie newsletter, biographies of the artists, a newspaper clipping, and an invitation.

Robert Grant Dexter fonds

  • MS-2-736
  • Fonds
  • 1963 - 1966
Fonds consists of records regarding Robert Grant Dexter's professional activities in the 1960s, including his involvement with the Neptune Theatre in Halifax, Nova Scotia. Fonds contains correspondence, newspaper clippings and manuscripts.

Dexter, Robert Grant

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