File contains facsimiles of Africville students' register of attendance, general register, and summary statistics, containing data between 1890 and 1951.
File contains a draft manuscript of a statement given at session four (of nine), delivered by Dr. Tom Parker, entitled "The Royal Commission Report: What it means for the teacher". File also contains a program of the sessions.
File contains programs for the following recitals presented at the Halifax School for the Blind: Michel Sciapiro (violin), presented by the Halifax Ladies' Musical Club; Mildred Dilling (harp), with Rose E. Seguin (soprano) and orchestra (conducted by L. Dorothea Webb); and an organ and vocal recital with unknown performers.
File contains a photograph of Harry Dean, a Canadian conductor, pianist, organist, and music educator. He is known for founding the Maritime Academy of Music and the Nova Scotia Registered Music Teachers' Association in Halifax, Nova Scotia.
File contains 74 photographic negatives of the Technical University of Nova Scotia's convocation ceremony held at the Halifax Metro Center on May 10, 1982.
File contains designs for the set pieces and blocks used in Neptune Theatre's school tour productions of "How to Eat Like a Child" and "Perfect," directed by Jennette White and designed by D'Arcy Morris-Poultney.
File contains annotated copies of set designs for Neptune Theatre's school production of "Snowsuits, Birthdays, and Giants," directed by Jennette White and designed by D. Dolliyer.
File contains set designs for Neptune Theatre's lunchtime productions of "Andrew's Tree" and "Two Weeks, Twice a Year," designed by J. Cooke. The file includes some original drawings and copies of the set designs for "Andrew's Tree."
File contains a copy of the touring set design for Neptune Theatre's productions of "How Things Happen in Threes" and "1000 Cranes," directed by Jennette White and designed by D'Arcy Morris-Poultney.
File contains annotated copies of the set designs for Neptune Theatre's school tour productions of "Blue Horses" and "Class Project," directed by Jennette White and designed by D'Arcy Morris-Poultney.
File contains seven pages of prose as well as posters created by Working Theatre Project participants. The posters feature pictorial shields illustrating achievements, strengths and skills.
File contains three copies of a manuscript—one marked "Director's Notes"— for a play put on by the students of Attagoyuk High School, in Pangnirtung, where Chris Heide was living and working. There is also a list of northern youth drama contacts, a 6-page story script and a photocopy of two notecards containing Inuktitut script.
File contains records created and collected by Christopher Heide documenting Mulgrave Road Theatre's 1989 production of Feeling Yes, Feeling No, which was developed by Green Thumb Theatre in Vancouver in the early 1980s. Records, which were removed intact from a binder, include reports, notes, scripts, exercises; rehearsal notes and stage book.
File includes records documenting Mulgrave Road Co-op Theatre's Working Theatre Project, which used theatre structures and methodologies with an adult education approach to literacy upgrading. Records include correspondence; reports; notes; a contract with Christopher Heide; budgets; project summary; and a program for "Time Out," the play produced by program's participants.
File contains preparation material related to "The Journalist as Documentarian," a course taught by Sylvia Hamilton at the University of King's College.
Documents include class announcements, a documentary list for the case study analysis assignment, a copy of the course syllabus, and a calendar of events.
File contains educational material related to the course, "Through Her Eyes: Women and Documentary Filmmaking," taught by Sylvia Hamilton at Mount Saint Vincent University.
Documents include notes on guest speakers and required readings for each class of the course.
File contains educational material related to classes nine to thirteen of the course, "Through Her Eyes: Women and Documentary Filmmaking," taught by Sylvia Hamilton at Mount Saint Vincent University.
Documents include handwritten case study notes and notes on related documentary films and filmmakers.
File contains educational material related to class eight of the course, "Through Her Eyes: Women and Documentary Filmmaking," taught by Sylvia Hamilton at Mount Saint Vincent University.
Documents include printed Novanet records for class materials, a copy of the article, "The Political Aesthetics of the Feminist Documentary Film" by Julia Lesage, and material related to filmmakers, Linda O'Hama and Catherine Martin.
File contains educational material related to class six of the course, "Through Her Eyes: Women and Documentary Filmmaking," taught by Sylvia Hamilton at Mount Saint Vincent University.
Documents include a copy of "The Intimate Moment: The Art of Interviewing" by Bettina Gray and printed Novanet records for class materials.
File contains documents related to Sylvia Hamilton's course, "The Journalist as Documentarian," at the University of King's College.
Documents include a copy of the 2015 mid-term exam, the course syllabus, discussion questions, and case study assignment instructions study printed from Brightspace.
File contains educational material related to the course, "Through Her Eyes: Women and Documentary Filmmaking," taught by Sylvia Hamilton at Mount Saint Vincent University.
Documents include a reading and screening list as well as a library reserve list.
File contains a class outline related to the course, "Through Her Eyes: Women and Documentary Filmmaking," taught by Sylvia Hamilton at Mount Saint Vincent University.
File contains educational material related to the course, "Through Her Eyes: Women and Documentary Filmmaking," taught by Sylvia Hamilton at Mount Saint Vincent University.
Documents include an index of corresponding class numbers and a printed copy of "Quarterly Review of Film Studies," originally published in 1978.
File contains background material related to "The Journalist as Documentarian," a course taught by Sylvia Hamilton at the University of King's College.
Documents include copies of the "Name a Doc" worksheet, an annotated agenda for class one, and a "Documentary Quotations" handout.
File contains records related to the first class of "The Journalist as Documentarian," a course taught by Sylvia Hamilton at the University of King's College.
File contains background material related the "The Journalist as Documentarian," a course taught by Sylvia Hamilton at the University of King's College.
Documents include copies of presentation slides, annotated presentation slides, assignment instructions, and newspaper clippings from the New York Times.
File contains background research material for the development of the course, "The Journalist as Documentarian," taught by Sylvia Hamilton at the University of King's College. Documents include email correspondence and handwritten research notes.
File contains documents related to Sylvia Hamilton's course, "The Journalist as Documentarian."
Documents include class schedules, lecture notes, discussion questions for the documentary films, "Eyes on the Prize," "Journey to Justice," and "In the Shadow of Gold Mountain," and discussion questions for Donald Brittain's documentary films, "Memorandum" and "The Champions, Part Two."
File contains documents related to the twelfth class of Sylvia Hamilton's course, "The Journalist as Documentarian," at the University of King's College.
Documents include printed articles from the Centre for Media and Social Impact, lecture notes, presentation slides, class schedules, and handouts for the "Advanced Television Workshop."
File contains documents related to the ninth and tenth classes of Sylvia Hamilton's course, "The Journalist as Documentarian," at the University of King's College.
Documents include class notes, presentation slides, and assignment handouts.
File contains documents related to the eighth class of Sylvia Hamilton's course, "The Journalist as Documentarian," at the University of King's College.
Documents include notes and presentation slides related to documentary filmmaker, Donald Brittain.
File contains documents related to the sixth class of Sylvia Hamilton's course, "The Journalist as Documentarian," at the University of King's College.
Documents include class agendas, lecture notes, and copies of presentation slides.
File contains documents related to the fifth class of Sylvia Hamilton's course, "The Journalist as Documentarian," at the University of King's College.
Documents include a class outline, handwritten lecture notes, and discussion questions for Lalita Krishna's documentary film, "My Country."
File contains records related to the fourth class of Sylvia Hamilton's course, "The Journalist as Documentarian," at the University of King's College.
Documents include handwritten lecture notes, discussion questions for Alanis Obomsawin's documentary films "Incident at Restigouche" and "Richard Cardinal: Cry from a Diary of a Métis Child," presentation slides, readings, and "Trick or Treaty" notes.
File contains records related to the third class of Sylvia Hamilton's course, "The Journalist as Documentarian," at the University of King's College.
Documents include discussion questions related to the documentary films, "Harlan County, USA" and "Westray," lecture notes, and copies of presentation slides.
File contains records related to Sylvia Hamilton's course, "The Journalist as Documentarian," at the University of King's College.
Documents include a copy of Bill Nichols' article, "What to do about documentary distortion? Toward a code of ethics," notes on the 2014 documentary screening of "Fight like soldiers, die like children," and a poster advertising the course dated 2015.
File contains records related to the second class of Sylvia Hamilton's course, "The Journalist as Documentarian," at the University of King's College.
Records include presentation notes, lecture materials, printed news articles, handwritten notes, class agendas, and annotated copies of presentation slides.
File contains textual records related to Sylvia Hamilton's course, "The Journalist as Documentarian," at the University of King's College in 2018.
Records include a course outline, class schedules, the course syllabus, a documentary screening handout, and notes related to the "Sisters in Arms" documentary.
File contains a list of announcements and a documentary screening worksheet used for "The Journalist as Documentarian" course at the University of King's College. No date is noted.
File contains textual records related to Sylvia Hamilton's course, "The Journalist as Documentarian," at the University of King's College in the fall semester of 2017.
Records include a copy of the class syllabus, lecture notes for the first class, as well as handwritten notes for the first documentary screening in class.
File contains textual records related to Sylvia Hamilton's course, "The Journalist as Documentarian," at the University of King's College in 2015 and 2016.
Records include the class syllabus from 2015, lecture notes, articles, discussion questions for the documentaries, "Harlan County, USA" and "Westray," and revised schedules.
File contains textual records related to Sylvia Hamilton's course, "The Journalist as Documentarian," at the University of King's College in the fall semester of 2018.
Records include lecture notes, revised schedules, media literacy questions, email correspondence, an article on the "Eyes on the Prize" documentary dated to 2006, and various handouts for the class.
