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Ellen Ballon fonds

  • MS-5-2
  • Fonds
  • 1725-1972, predominantly 1898-1972
Fonds contains correspondence, musical scores (piano and orchestral), photographs, a sketch, harmony notebooks, fliers, programs, newspaper clippings, academic journals, a press book, scrapbooks, and letters of composers. The musical scores include several first edition copies and autograph manuscripts. All personal correspondence is incoming correspondence; no outgoing correspondence is included in this fonds.

Ballon, Ellen

Musical scores

Series contains musical scores collected and used by Ellen Ballon. The scores include several first editions of popular works by Mozart and Chopin, and various autograph manuscript scores, including Heitor Villa-Lobos' first piano concerto, which was written for Ellen Ballon. All of the works are for piano or piano and orchestra.

Music scores

Series contains manuscripts and printed music given to or acquired by John Daniel Logan for his personal collection or in his capacity as a music writer with newspapers in Halifax and Toronto. Most of the music is for solo piano and voice.
Suite

Suite

File is a manuscript with three numbered pieces by Alfred La Liberté: "Pensée Tendre" (D-flat Major), dedicated to Katherine Sneed; "Prière (Choral)" (D Major), dedicated to Marcel Dupré; and "Dance-Song" (b minor).

La Liberté, Alfred

God bless our Canada : A national anthem : [choral score]

God bless our Canada : A national anthem : [choral score]

File contains the sheet music for Edith J. Archibald's "God Bless Our Canada" and a manuscript version of the English lyrics for the anthem by Archibald. The song is written in F Major for four-voice chorus (soprano, alto, tenor, and bass) and piano with lyrics in English and French.

Archibald, Edith Jessie

A Nocturne : [manuscript vocal score]

A Nocturne : [manuscript vocal score]

Item is a manuscript of Edith J. Archibald's song for solo voice and piano in F Major entitled "A Nocturne," including the score and a separate typed sheet with the poem in English and French, also written by Archibald.

Archibald, Edith Jessie

Going West : [manuscript vocal score]

Going West : [manuscript vocal score]

Item is a manuscript of Edith J. Archibald's song for solo voice and piano in G Major entitled "Going West." The text for the song was written by Rev. Mrs. Ross(?) of Hamilton, Ontario.

Archibald, Edith Jessie

In Flanders Fields : [manuscript vocal score]

In Flanders Fields : [manuscript vocal score]

Item is a manuscript of "In Flanders Fields" by Edith J. Archibald, which sets the words of the poem of the same name by Colonel John McCrae. The piece is for solo voice and piano in F Major and was written at Archibald's home on Inglis Street in Halifax, Nova Scotia. The piece is 5 pages long with extra blank pages.

Archibald, Edith Jessie

The town is decked flags today : [manuscript vocal score]

The town is decked flags today : [manuscript vocal score]

Item is a manuscript of the third verse of an untitled song that begins "The town is decked flags today." The song is for solo voice and piano accompaniment in d minor. The first two verse of the song are missing. The author of the text is not indicated, but may have also been written by Archibald.

Archibald, Edith Jessie

Fill every glass : from The Beggar's Opera

Fill every glass : from The Beggar's Opera

Item is a copy of a manuscript version of an adaptation of "Fill Every Glass" from "The Beggar's Opera" by John Gay (1728). The arrangement was made by "C.B.C." and "J.F.W" for the Arts and Letters Club of Toronto and is for solo voice (for the character of Matt of the Mint) and chorus.
Rest Christian calmly : [choral score]

Rest Christian calmly : [choral score]

Item is the manuscript for a hymn "Rest Christian Calmly," with words by Jessie P. MacKay and music by Addie MacKay. The music is for four-part chorus (soprano, alto, tenor, and bass) and is in F Major with four verses.
Exiled : a Serbian lament : [manuscript vocal score]

Exiled : a Serbian lament : [manuscript vocal score]

Item is a manuscript of Edith J. Archibald's song for solo voice and piano in C Major entitled "Exiled: A Serbian Lament." A separate author for the lyrics is not indicated, so they are likely also written by Archibald.

Archibald, Edith Jessie

Anthony Pugh fonds

  • MS-2-26
  • Fonds
  • 1934 - 2004
Fonds consists of Anthony Pugh's research notes, program notes, annotated sheet music, and performance programs used in his work as a program note writer.

Pugh, Anthony

Stephen Pedersen fonds

  • MS-5-23
  • Fonds
  • 1964 - 2000
Fonds contains records related to Stephen Pedersen's music teaching, composing and performance activities. Record types include manuscript music scores, sound recordings, posters and programs, contracts and correspondence.

Pedersen, Stephen Alan

Beyond Benghazi : [part]

Item is an original handwritten part for concert soloist for Paul Cram's "Beyond Benghazi."

Marmosa : [score]

File contains one complete original handwritten score for Paul Cram's "Marmosa," one copy, and an original handwritten alternate version of page 1. The composition is for violin, soprano and alto sax.

Halifax : [scores and parts]

File contains an annotated one-page score for "Halifax—i," written for clarinet, bass clarinet, soprano sax, baritone sax, trumpet in Bb, drums, guitar, piano, violin and bass, and a transposed score for "Halifax—iii." There are also Bb parts for "Halifax—ii", "Halifax iv," and "Halifax v,"; and a drum part for "Halifax—ii."

Scores for small ensembles by Paul Cram

File contains original handwritten scores for "Tango Oreo"; "One Step at a Time"';"Faster at the Alter"; "(Do the) Funky Fool"; "String Quartet #3"; "Coup d'Etat"; and "Rank and Vile."

Man with the 7 toes : [score]

File contains an original handwritten score for Paul Cram's "Man with the 7 Toes," written for voice; trumpet; alto and tenor sax; guitar; piano; bass; and drums. There are two additional pages marked #28 written for voice and two instruments.

Symphony Nova Scotia fonds

  • MS-5-14
  • Fonds
  • 1981-2006

Fonds consists of records created by Symphony Nova Scotia in the course of its regular business activities. The majority of the records were created during the process of concert-planning, including special concerts, annual concerts, tours, and concert series. These records include artist contracts, marketing and development documents, internal memos, and correspondence with artists and sponsors.

Records also consist of internal management records, including personnel records, office management files, and the files of the Board of Directors, Executive Director, and Chief Executive Officer. The financial administration of the Symphony is documented though budgets, statements, ledgers, and tickets sales data.

The fonds also contains concert programs and promotional material such as posters, advertisements, flyers, newsletters, and other publications. The final section of the fonds consists of audiovisual and graphic material. There are audio recordings of performances and interviews of Symphony personnel as well as video recordings of advertisements and performances. The graphic material includes promotional photographs and photographs of the orchestra.

Symphony Nova Scotia

Hammer and Tongs : [parts]

File contains original handwritten alto sax, tenor clarinet, and violin parts for Paul Cram's "Hammer and Tongs."

Détente : [score]

File contains a facsimile handwritten score by Paul Cram for voice; violin, viola and cello; soprano, alto, tenor and baritone reeds; piano; electric bass; string bass; and percussion 1 and 2. The first page indicates a running time of 90 minutes. There is also an original handwritten score: Part II, "Spies," pages 34-37.

Eva & Adolf : [parts]

File contains original handwritten trumpet, tenor clarinet, tenor 1, and alto sax parts for Paul Cram's "Eva & Adolf."

Urban desperado : [parts]

File contains original handwritten parts for Paul Cram's "Desperado," including drums, tenor sax and trumpet.

Moonlight in Rio : [parts]

File contains original handwritten concert, tuba and guitar parts for Paul Cram's "Moonlight in Rio."

Eye of the storm : [parts]

  • MS-5-21, Box 2, Folder 13
  • File
  • [between 1987 and 2008]

    • Part of Paul Cram fonds

File contains parts for "Eye of the Storm," composed by Paul Cram for the Paul Cram Orchestra,and include: alto saxophone (reed 1), tenor saxophone (reed 2), clarinet (reed 2), bass clarinet (reed 3), trombone, cello, trumpet, piano, guitar, bass, and drums.

Taiwanese bootleg : [parts]

  • MS-5-21, Box 2, Folder 14
  • File
  • [between 1987 and 2008]

    • Part of Paul Cram fonds

File contains parts for "Taiwanese Bootleg," by Paul Cram for the Paul Cram Orchestra, and include: alto saxophone (reed 1); tenor saxophone (reed 2); bass clarinet (reed 3); trombone; cello; trumpet; piano, guitar; bass; and drums.

Drums parts for Paul Cram Orchestra works

  • MS-5-21, Box 2, Folder 16
  • File
  • [between 1987 and 2008]

    • Part of Paul Cram fonds

File contains drum parts for Paul Cram compositions for the Paul Cram Orchestra, including "High Ground"; "Walkin' the Wall"; "Zebra Zone"; "Have a Heart"; "Campin Out"; "Life of Crime"; "Trouble in Paradise"; "Immortal Coil"; and "Urban Desperado." There is also a page of handwritten notes for "Kafka's Chair" and loose sheets of manuscript scores for "Side Order from B-flat Restaurant" and "March of the Philistines" for concert-pitch instruments.

Tip of the iceberg : [parts]

  • MS-5-21, Box 2, Folder 15
  • File
  • [between 1987 and 2008]

    • Part of Paul Cram fonds

File contains parts for "Tip of the Iceberg," composed by Paul Cram for the Paul Cram Orchestra, and include: soprano saxophone (reed 1); tenor saxophone (reed 2); bass clarinet (reed 3); trombone; cello; trumpet; piano, guitar; bass; and drums.

Fortress America : [score]

Item is an original handwritten score for violin (amplified); clarinet in Bb/bass clarinet; trumpet in Bb; alto sax/soprano sax; tenor sax; baritone sax; trombone; cello (amplified); percussion (xylophone, marimba, timpani); guitar; keyboards; synthesizer/piano; bass (acoustic/electric); and drums. The title page indicates the running time is 13-14 minutes.

Pluckstück : [score]

Item is a conductor's score for "Pluckstück," a concert work composed by Paul Cram for Upstream Orchestra. The piece debuted at Saint Mary's University on November 18, 1990 and was registered with SoCan in December 1990.

Immortal coil : [score]

Item is a partial score (pages 14-58) for "Immortal Coil," a concert work composed by Paul Cram for Upstream Ensemble.

Beyond Benghazi II : [score]

Item is the 1989 conductor's score for "Beyond Benghazi" by Paul Cram, for clarinet; trumpet; alto sax; tenor sax; trombone; baritone; bassoon; cello, timpani; guitar; piano x 2; bass; and drums. The title page contains handwritten musical directions.

Immortal coil : [score]

Item is a conductor's score for "Immortal Coil," a concert work composed by Paul Cram for Upstream Ensemble in 1990. The piece has a playing time of 15 minutes. The score includes a title page and an instrumentation list, which includes trumpet, clarinet, tenor saxophone, alto saxophone, harp or synthesizer, guitar, synthesizer, and drums.

Immortal coil : [score]

Item is an annotated conductor's score for "Immortal Coil," a concert work composed by Paul Cram for Upstream Ensemble in 1990. The piece has a playing time of 15 minutes. Instrumentation includes alto saxophone, clarinet, trumpet, harp, tenor saxophone, synthesizer one, synthesizer two, guitar, and drums.

Immortal coil : [score]

Item is an annotated conductor's score for "Immortal Coil," a concert work composed by Paul Cram for Upstream Ensemble in 1990. The score contains annotations in pen and pencil. Instrumentation includes alto saxophone, clarinet, trumpet, harp, tenor saxophone, synthesizer one, synthesizer two, guitar, and drums.

Operation sandbox : [score]

Item is a score for Paul Cram's "Operation Sandbox," composed for flute; clarinet; bass clarinet; trumpet; drums; guitar; percussion; and synths.

The naked ear : [score]

Item is a conductor's score for "The Naked Ear," a concert work composed by Paul Cram in 1991 for Upstream Ensemble, which debuted at Saint Mary's University in Halifax, Nova Scotia, on November 24, 1991.

Revolutions : [parts]

File contains an eight-page annotated guitar part and a four-page annotated tenor part for Paul Cram's "Revolutions." There is also one page of graphic notation for insertion at bar 211.

Revolutions : [parts]

File contains parts for "Revolutions," a concert work composed by Paul Cram for the Upstream Ensemble in 1992. Parts include trombone, drums, alto saxophone (reed one), tenor saxophone (reed two), bass clarinet (reed three), trumpet, cello, guitar, piano, and bass.
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