Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1981 production of The Government Inspector. The costume is for a character named Mary in Act I, scene I, played by Shanna Kelly. The sketch shows a female figure wearing the costume. There are fabric swatches pinned to the sketch.
Item is a pencil sketch of a costume design for Dalhousie Theatre's 1981 production of The Government Inspector. The costume is for a character called the Gendarme. The sketch shows a male figure wearing the costume. There are fabric swatches pinned to the sketch.
Item is a pencil sketch of a costume design for Dalhousie Theatre's 1981 production of The Government Inspector. The costume is for a character named Gladys, who is a housekeeper. The sketch shows a female figure wearing the costume. There are fabric swatches pinned to the sketch.
Item is a pencil sketch of a costume design for Dalhousie Theatre's 1981 production of The Government Inspector. The sketch shows and unidentified woman and two unidentified men wearing the costumes and looking angry.
Item is a pencil sketch of a costume design for Dalhousie Theatre's 1981 production of The Government Inspector. The costumes are for characters named Hardmuzzle and Buttons. The sketch shows a male figure wearing the costume. There are fabric swatches pinned to the sketch.
File contains correspondence and clippings from 1981 to 1985 related to Quing-nan Meng's studies at Dalhousie University, with correspondence between Ronald St. John Macdonald, Meng Qing-nan, Kenneth Leffek, Paul Fauteux, Dominique Alheretiere, Tom Bick, Elisabeth Mann Borgese, H.L. O'Brien, Robert Strother, Harold Ridgway, Peter Heyward, Donna Scheeler, W.D. Courier, W.H. Charles, Elizabeth Christian, and W.A. Mackay. File also includes an example of a Ph.D examination programme.
File contains Dalhousie Art Gallery calendars from 1980-1988, with one or two copies of each issue arranged chronologically. Information includes schedules for exhibitions, films, lectures, presentations, lunch-hour events (brown bag lunches), guided visits, and gallery hours. The file also includes the film screening schedules from September 1980 to May 1982. The following issues are missing: June -Aug 1980, June-Aug 1982, June-Aug 1985, Jan-Apr 1987, May-Aug 1988, and entire year of 1989
Series consists of Janet M. Eaton's material regarding her involvement with the Continuous Learning Association of Nova Scotia. Series includes correspondence, programmes, pamphlets, meeting minutes, reports, and other textual records.
Fonds consists of Janet M. Eaton's materials regarding her professional involvement with the Canadian Association for Adult Education and the Continuous Learning Association of Nova Scotia. Fonds includes meeting minutes, reports, correspondence, conference programmes, and other textual records.
Collection contains duplicate materials from fonds in the Nova Scotia LGBT Seniors Archive. Materials in collection include posters; programs, flyers, and promotional materials; pamphlets and outreach materials; and wearable ephemera including buttons and pins, badges, medals, clothing, and other regalia. Materials in series relate to Halifax Pride and other pride celebrations, political demonstrations, Lesbian and Gay Rights Nova Scotia [LGRNS] operations and events, Halifax Fetish Ball and Mr. Atlantic Canada [M.A.C.] Leather events, Gay and Lesbian Association [GALA] meetings and operations, events held at Rumours bar, LGBT films, and other LGBT causes and events.
This series contains records pertaining to the awards, anniversary reunions, retirement receptions, special events and activities organized by the Associated Alumni. Records include correspondence, photographs, clippings, programs, and promotional materials.
Fonds consists of photographs taken by Anita Martinez at pride events and women's events in Nova Scotia between 1987 - 1999. There are also clippings, event programs, brochures, posters and promotional materials related to various women's and pride events.
File contains certificates awarded by the Cultural Federations of Nova Scotia, the Maritime branch of the Alliance of Canadian Cinema, Television and Radio Artists, and the Dora Mavor Moore Awards.
Series consists of Janet M. Eaton's materials regarding her professional involvement with the Canadian Association for Adult Education. Series includes correspondence, reports, clippings, conference programmes, meeting minutes, and other textual records.
This collection contains materials related to the administration and productions of Theatre 1707 as well as the Bit Players society. The records include administrative documents, reports, programs, posters, proposals, newspaper clippings, reviews, and photographs.
Item is a sketch of a costume design for Dalhousie Theatre's 1979 production of The Sea Gull. The sketch is executed in watercolour and gouache. The costume is for a character named Nina to wear in Act IV. The sketch shows a female figure wearing the costume. There are fabric swatches pinned to the sketch.
Item is a pencil sketch of a costume design for Dalhousie Theatre's 1979 production of The Sea Gull. The sketch is drawn in pencil on tissue paper. The costume is for a character named Sorin. The sketch shows a male figure wearing the costume. There are also notes about Sorin's costumes in each act.
Item is a photocopy of a costume design for Dalhousie Theatre's 1979 production of The Sea Gull. The costume is for a character named Nina in Act I. The sketch shows a female figure wearing the costume.
Item is a sketch of a costume design for Dalhousie Theatre's 1979 production of The Sea Gull. The sketch is executed in watercolour and gouache. The costume is for a character named Treplev to wear in acts I-III. The sketch shows a male figure wearing the costume. There are fabric swatches pinned to the sketch.
Item is a pencil sketch of costume designs for Dalhousie Theatre's 1979 production of The Sea Gull. The sketch is drawn in pencil on tissue paper. The costumes are for characters named Dorn and Madvenko. The sketch shows a male figure wearing one costume, and the torso and head of a figure wearing the second costume.
Item is a photocopy of a costume design for Dalhousie Theatre's 1979 production of The Sea Gull. The costume is for a character named Nina in Act IV. The sketch shows a female figure wearing the costume.
Item is a sketch of a costume design for Dalhousie Theatre's 1979 production of The Sea Gull. The sketch is executed in watercolour and gouache. The costume is for a character named Arkadina to wear in the second act. The sketch shows a female figure wearing the costume.
Item is a pencil sketch of a costume design for Dalhousie Theatre's 1979 production of The Sea Gull. The sketch is drawn in pencil on tissue paper. The costume is for an unidentified woman and the sketch shows a female figure wearing the costume. There is a fabric swatch attached to the sketch.
Item is a photocopy of a costume design for Dalhousie Theatre's 1979 production of The Sea Gull. The costume is for a character who is a housemaid. The photocopy shows a female figure wearing the costume.
File includes an article about Mildred MacDonald's time at Dalhousie University, newspaper clippings of a poem by E. Anne Ryan and of an advertisement of the opening of the Park Lane building in Halifax, three art pieces regarding Canada's landscape, invitations, a Dalhousie University programme of a symposium on undergraduate education, and other materials.
Item is a sketch of a costume design for Dalhousie Theatre's 1979 production of The Sea Gull. The sketch is executed in watercolour and gouache. The costume is for a character named Arkadina. The sketch shows a female figure wearing the costume.
Item is a pencil sketch of a costume design for Dalhousie Theatre's 1979 production of The Sea Gull. The sketch is drawn in pencil on tissue paper. The costumes are for a character named Trigorin. The sketch shows two male figures, one large and one small, wearing the costumes. There are also notes about Trigorin's costumes in each act.
Item is a pencil sketch of a costume design for Dalhousie Theatre's 1979 production of The Sea Gull. The sketch is drawn in pencil on tissue paper. The costumes are for a character named Shamrayev. The sketch shows a male figure wearing the costume. There are also notes about Shamrayev's costumes.
The fonds consists of records related to Richard Perkyns' research undertaken in writing The Neptune Story: Twenty-Five Years in the Life of a Leading Canadian Theatre and editing Major Plays of the Canadian Theatre 1934-1984 . The fonds also includes a copy of his doctoral thesis, The Impact of the Expressionists Movements on British and American Drama and Theatre Practice (1968) and records which pertain to his involvement with the Halifax Independent Theatre. Records include correspondence, minutes from meetings, research notes, drafts, newspaper clippings, reviews, manuscripts, photographs, and interviews recorded on audio cassettes. The fonds has been arranged in four series: The Neptune Story, Major Plays of the Canadian Theatre, Doctoral Thesis, and Halifax Independent Theatre.
Item is a sketch of three costume designs for Dalhousie Theatre's production of Spring Awakening. The sketch is executed in coloured pencil and watercolour. The three costumes are for a character named Wendla. The sketch shows three female figures wearing the costumes.
Item is a photocopy of two costume designs for Dalhousie Theatre's production of Spring Awakening. The costumes are for a character named Wendla. The sketch shows two female figures wearing the costumes. Ribbon swatches are pinned to the photocopy.
Item is a photocopy of a costume design for Dalhousie Theatre's production of Spring Awakening. The costume is for a character named Ilse. There are three fabric swatches pinned to the photocopy.
File contains a programme of a conference co-sponsored by the Public Services Committee of the Faculty of Law and the Centre for International Business Studies of the School of Business Administration, both at Dalhousie University.
Item is a sketch of a costume design for Dalhousie Theatre's production of Spring Awakening. The sketch is executed in coloured pencil and watercolour. The costume is for a character named Mrs. Bergman. The sketch shows a female figure wearing the costume.
Item is a sketch of three costume designs for Dalhousie Theatre's production of Spring Awakening. The sketch is executed in coloured pencil and watercolour. The costumes are for characters named Ilse, Thea, and Martha. The sketch shows three figures wearing the costumes.
Item is a sketch of a costume design for Dalhousie Theatre's production of Spring Awakening. The sketch is executed in coloured pencil and watercolour. The costume is for a character named Mrs. Gabor. The sketch shows a female figure wearing the costume.
Item is a photocopy of a costume design for Dalhousie Theatre's production of Spring Awakening. The costume is for a character named Mrs. Gabor. There are fabric swatches pinned to the photocopy.
File contains four drawings and six photocopies of costume designs for Dalhousie Theatre's 1977 production of Spring Awakening. Several of the items have fabric swatches attached.
Item is a photocopy of a costume design for Dalhousie Theatre's production of Spring Awakening. The costume is for a character named Wendla. The sketch shows a female figure wearing the costume.
Item is a photocopy of a costume design for Dalhousie Theatre's production of Spring Awakening. The costume is for a character named Mrs. Bergman. There are two fabric swatches pinned to the photocopy.
Item is a photocopy of two costume designs for Dalhousie Theatre's production of Spring Awakening. The costumes are for characters named Thea and Martha. There are fabric swatches pinned to the photocopy.