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Handwritten manuscript of a radio introduction piece about Frédéric Chopin

Item consists of a five-page, 479-word handwritten manuscript written by David Murray. Item consists of an introductory piece about the career and influences of Frédéric Chopin, written for a radio broadcast introducing the playing of Chopin's Nocturne No. 13 (about "the march of fate crushing a life") and its "direct opposite", Waltz Op. 70, No. 1, "the very essence of gaity [sic] and sprightfulness."

Transcription of a letter from Franz Liszt

Item contains a typed transcription of a letter written by Franz Liszt to an unidentified person, addressing the publication of some of his songs by Schott, and his cousin, Mlle. Liszt.

Impromptu pour le piano

Item is a first-edition publication of Chopin's first Impromptu, published by Maurice Schlesinger in Paris, a subsidiary company to A.M. Schlesinger of Berlin. The composition was dedicated to Caroline de Lobau.

Chopin, Fryderyk Franciszek

Novellette : etude in seconds : op. 22, no. 1

File contains the manuscript for Alberto Jonàs' "Novelette" for piano, which he wrote for Ellen Ballon. Ballon was one of his students in New York from c. 1916 until 1925.

Jonàs, Alberto

Sonate pour le piano

Item is a first edition publication of Chopin's third piano sonata, published by Breitkopf and Hartel and dedicated to Countess Emilie de Perthuis.

Chopin, Fryderyk Franciszek

Britain calls : [lyrics]

File contains a newspaper clipping and letters to Edith J. Archibald concerning her song "Britain Calls," which was written for the Royal Canadian Regiment during World War One. The newspaper clipping includes the text, but not the music, of the song. The letters are from G.A. LeCain, Lieutenant-Colonel of the Commanding 25th Battalion; George Murray, Provincial Secretary; and Evelyn Starr, professional violinist of New York City. An inscription by Edith J. Archibald at the top of the letters reads, "This song, dedicated to the Royal Canadian Regt. has made their 'marchpost' and I am told by an officer of that Regt. that is was played and sung daily during the war. He himself said it had keeped [sic] the men when on the tramp, 'over many a weary mile.'"

Archibald, Edith Jessie

God bless our Canada : A national anthem : [choral score]

File contains the sheet music for Edith J. Archibald's "God Bless Our Canada" and a manuscript version of the English lyrics for the anthem by Archibald. The song is written in F Major for four-voice chorus (soprano, alto, tenor, and bass) and piano with lyrics in English and French.

Archibald, Edith Jessie

Mother's flag : [sheet music]

File contains the sheet music for a song by Paul Heinrich with words by Dr. Charles H. Baltzer (published in 1910). The front cover is autographed by Baltzer and a note on the last page indicates that it was sent from Baltzer of Middleton, Nova Scotia. The file also includes 7 poems by Baltzer (not set to music): "Charity," "Apostrophe to the Sun," "The Tree," "To Next Summer,""A Bachelor's Lament,""Frost Ere Roses," and "Greed." Some of the poems are from newspaper clippings and others indicate that they were published in the Halifax Chronicle and the Halifax Herald.

Dal magazine / spring 2022

  • MS-1-Ref, Box 190, Folder 6
  • Item
  • 2022
  • Part of Dal Magazine

Item is a copy of Dal Magazine (Spring 2022), which features spotlight interviews with Dal alumni Brice Scheschuk (BCOMM '94), Jeremy Dutcher (BA '12), partners David Hodgson and Sara Fedullo (BENG '21), William (Bill) Stanish (MD '70), and Marriam Abou-El-Haj; an article about the research project "Home Food Gardening in Response to the COVID-19 Pandemic: Lessons for Food Security Considerations"; and a story about research in music, medicine and neuroscience.

Dalhousie Student Union - CKDU Publication - 'Earcandy' - Vol. 3, No. 4

Item consists of the fourth issue of the third volume (likely from May 1993) of Earcandy, a semi-regular publication of CKDU Radio. This issue includes articles on the upcoming Scotia Festival, the wild growth of hip-hop music in Halifax, a profile of R. Murray Schafer, and classical programming at CKDU. Includes articles by Suzanne Brown, Chris Trowbridge, Michael Wile, Steven Slater, Spike Taylor, Laura Borealis, and Deborah Odhiambo.

Record library of opera and secular music

Item consists of a handwritten catalog of a personal record library of opera and secular music compiled by David Murray in the mid-to-late 1930s. The catalog is arranged in alphabetical order variably by category or musician, with associated records held in the collection listed underneath in a left-hand column (with corresponding storage location in the opposite column). The catalog was compiled in an address book.

Draft typed and handwritten manuscript of a record catalog

Item consists of a two copies of an untitled 49-leaf (98 leaves in total) double-sided record collection catalog compiled by David Murray in the early- to mid-1940s. The first copy is a typescript, while the second copy is a handwritten version of the catalog. Each catalog is arranged alphabetically by performer, with an abbreviation of their operatic role or primary instrument. Murray also made additions in pencil to the typescript version of the catalog (vital statistics of the performer, the latest date being 1946), and additions to the catalog in ink. Each entry in the catalog contains a corresponding filing code.

"Old Sailor's Ballads, Collected by the Late Capt. Fenwick Hatt of Liverpool, N.S."

File contains a transcription of ballads. Includes: "The Frozen Girl," "On the Banks of Newfoundland," "The Worn-Out Sailor," "The Rose of Britons Isle," "The Banks of Brandywine," "The Pride of Glenco," "Sweet Jinny on the Moor," [Untitled], "The Blind Sailor," "The Ship Lady Sherbrooke," "The Cabin Boy," "The Braes of Balquhidder," "The Ramblin' Irishman," "The Desolate Widow," "The Bounty Jumper," "Our Fifer Boy," "The Ghostly Sailors," "The Cumberland," and "Bold Jack Donahue." Includes handwritten annotations by Raddall

Concerto para piano e orquestra : segundo flautas

Item contains the first and second flute parts for Heitor Villa-Lobos' first piano concerto, dedicated to Ellen Ballon. This part was used by the second flautists. The parts were copied by Fran Averede.
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