Photographic slides of Henry Orenstein's art work
- MS-2-774, Box 1, Folder 19
- File
- [194-?] - [199-?]
Part of Joan and Henry Orenstein fonds
239 results with digital objects Show results with digital objects
Photographic slides of Henry Orenstein's art work
Part of Joan and Henry Orenstein fonds
Unsigned article about Henry Orenstein's prints and paintings
Part of Joan and Henry Orenstein fonds
Letter to Henry Orenstein regarding his art
Part of Joan and Henry Orenstein fonds
Henry Orenstein's Sudbury industrial landscape mural project photographs
Part of Joan and Henry Orenstein fonds
Henry Orenstein's Sudbury industrial landscape mural project slides
Part of Joan and Henry Orenstein fonds
Bruce Oland's correspondence related to the Rowley Murphy's collection of drawings and paintings
Part of Oland family fonds
Part of Thomas Head Raddall fonds
Mackay, D.C.
Fonds includes Alan Creighton's diaries, which cover many of the years from 1920 to 2000. Writings from the period 1920 to 1954 (many undated) are mainly short stories and poems. These writings include handwritten and typed, complete and incomplete, and published and unpublished works. There is also some correspondence throughout as well as copies of his two books of poetry. The fonds includes writings with titles such as "About Poetry," "Poetry Courses," "Thoughts," "Music & Art," and "Bedford Basin." His notebooks include evidence of a variety of courses taken, including French and Greek, music, poetry, and art (both practice and history, including Chinese art). There is also a record of his art sales from 1964 to 1999. Personal and family documents are included in the fonds.
Alan Creighton's artwork is extensive and primarily in the form of sketches and watercolours, with a few oil paintings. Many of his sketches are in albums, many of which are used exclusively for one particular aspect of his studies. For example, album labels include "People," "Trees," "Skies," "Rock Formations," "Buildings," "Railway Sketches" (scenes from train journeys), and "Outdoors." Others identify a place and time and include such labels as "At the Zoo," "Nova Scotian Sketches 1951," "South Shore 1982," and "Toronto 1996." Still others contain a mixture of styles and themes. There are also numerous loose sketches and watercolours which have been loosely arranged into similar groupings such as "Clouds," "Boats," "Flowers," and so forth. Photograph albums include photos of family and of scenes taken by Alan as a reference for future paintings.
Included with Alan Creighton’s personal items are papers, writings, art, and memorabilia belonging to his friend and roommate Christine Eyles, who died without heirs. Some relate to her employment as a violinist in England and in Toronto, Ontario and some contain her poetry, plays, and artwork (in sketchbooks and on loose paper). Published and handwritten music scores, mostly for the violin, are also included. A photograph album contains many formal portraits of family and friends taken in England in the early 20th century. Records also include papers by and about her father, Charles Eyles, a famous violin-maker. Such materials include advertisements, brochures, and letters attesting to the high quality of his craftsmanship.
Creighton, Alan
Part of Eyelevel Gallery fonds
Photographs of exhibitions held between 1980 and 1986
Part of Eyelevel Gallery fonds
Gargoyle Puppet Troupe, performance held April 23 and 30, 1976
Part of Eyelevel Gallery fonds
Part of Eyelevel Gallery fonds
Part of Eyelevel Gallery fonds
Sara Shelton Mann and Andrew Warshaw: Affluence = a dance for the north american Winter
Part of Eyelevel Gallery fonds
Performance Janine Fuller and Marilyn McCallum
Part of Eyelevel Gallery fonds
New Dance Series : Choreographer's Showcase
Part of Eyelevel Gallery fonds
Where have all the radicals gone? / by Tanya Mars
Part of Eyelevel Gallery fonds
Where have all the radicals gone? : lecture and exhibition series
Part of Eyelevel Gallery fonds
Photograph of paintings on display during the Satire as Discontent exhibition
Part of Eyelevel Gallery fonds
Photograph of Variety / Eye Level exhibition at Memorial University in St. John's, Newfoundland
Part of Eyelevel Gallery fonds
Photograph of Variety / Eye Level exhibition at Memorial University in St. John's, Newfoundland
Part of Eyelevel Gallery fonds
Photograph of Variety / Eye Level exhibition at Memorial University in St. John's, Newfoundland
Part of Eyelevel Gallery fonds
Photograph of the Dreams Come True Art Auction
Part of Eyelevel Gallery fonds
Photograph of the Dreams Come True Art Auction
Part of Eyelevel Gallery fonds
Photograph of the Dreams Come True Art Auction
Part of Eyelevel Gallery fonds
Minutes of Eye Level Gallery general meetings and meetings of the Eye Level Board of Directors
Part of Eyelevel Gallery fonds
Minutes of a meeting of the Eye Level Gallery Board of Directors
Part of Eyelevel Gallery fonds
Item is typescript set of minutes of the first meeting of the Board of Directors of Eye Level Gallery, held at Pier One Theatre on October 24, 1974. Roger Savage was elected chairperson, Julia Schmitt Healy was elected secretary, and Keith Laws was elected treasurer. The decisions made at this meeting demonstrate the artists' forced struggle to manage the administrative and commercial aspects of operating an alternative gallery. The board decided that Healy would fill the salaried position of gallery coordinator even though she was also a sitting board member. The board also ensured that the artists on the board had more voting power than the non-artists who were there primarily to provide guidance on the administration of the gallery. But, in an effort to avoid conflicts regarding programming, the board also decided to make sitting members ineligible for one-person shows.
In terms of the commercial aspects of the gallery, the board decided that the gallery priorities "would be to exhibit innovative work not necessarily "saluble" work." The board also decided that "sales would be encouraged" and that they might "mount a membership auction of artwork." The board approved a Christmas-time show called "50 bucks and under" to provide an opportunity for members to sell works that would be affordable to consumers who might be shopping for Christmas presents. These decisions reflect an effort to balance the financial needs of members of the Eye Level Gallery Society with the membership's concerns regarding the commercialism of the mainstream art world.
Meeting minutes from the Eyelevel Gallery Board of Directors
Part of Eyelevel Gallery fonds
Minutes of a board of directors meeting
Part of Eyelevel Gallery fonds
Minutes from June 26, 1975 board meeting
Part of Eyelevel Gallery fonds
Membership meeting of the Eye Level Gallery held on July 24, 1975
Part of Eyelevel Gallery fonds
Minutes from a board meeting held on November 27, 1975
Part of Eyelevel Gallery fonds
Notes of a meeting regarding Eye Level Gallery membership held on December 11, 1975
Part of Eyelevel Gallery fonds
Agenda for an Eye Level Gallery meeting
Part of Eyelevel Gallery fonds
Recommendations to the board of directors
Part of Eyelevel Gallery fonds
Letter from Ron Savage requesting Items to be added to a meeting agenda
Part of Eyelevel Gallery fonds
Report to the members of Eye Level Gallery
Part of Eyelevel Gallery fonds
Karl MacKeeman's resignation letter
Part of Eyelevel Gallery fonds
Correspondence between Garry Conway and Roger Savage
Part of Eyelevel Gallery fonds
Advertisement for the Director position at Eye Level Gallery
Part of Eyelevel Gallery fonds
David Craig's application for Director position at Eye Level Gallery
Part of Eyelevel Gallery fonds
Correspondence to Canada Council
Part of Eyelevel Gallery fonds
Minutes from board meeting held on September 9, 1982
Part of Eyelevel Gallery fonds
Agenda and minutes from Board of Directors meeting held on September 30, 1982
Part of Eyelevel Gallery fonds
Meeting minutes from January 1983 with a list of 1983 exhibitions
Part of Eyelevel Gallery fonds
Minutes for Board of Directors meeting held on March 2, 1983
Part of Eyelevel Gallery fonds
Minutes from a Board of Directors meeting held on March 24, 1983
Part of Eyelevel Gallery fonds