Archives Catalogue

MS-5-16, Box 8, Folder 26
Item
[199-?]

Part of Upstream Music Association fonds

Item is the first two lines of Paul Cram's non-metric composition.

Cram, Paul

Mediterranean eyes : version for small orchestra : [score]

MS-5-16, Box 8, Folder 31
Item
1996

Part of Upstream Music Association fonds

Item is a copy of Steve Tittle's "Mediterranean Eyes," originally commissioned in 1983 by the Atlantic Canada Trio (flute, piano, and double bass) and revised in 1996 for small orchestra (flute, oboe, clarinet, bassoon, horn, trumpet, trombone, percussion, piano, and strings).

Tittle, Steve

Chipper : [score]

MS-5-16, Box 8, Folder 32
Item
[199-?]

Part of Upstream Music Association fonds

Item is a copy of a handwritten piece called "Chipper," by Don Palmer. The piece is for solo alto recorder with harp, flute, clarinet, Flugal horn, and bass clarinet. The piece is in C Major and has a 3/4 time signature.

Palmer, Don

Side steppin' 1 : [score]

MS-5-16, Box 9, Folder 10
Item
[1994]

Part of Upstream Music Association fonds

Item is the score for a composition by Bauer. Bauer divided the instruments into three groups: (1) guitar, oboe, piano, violin; (2) violin, viola, cello, xylophone; and (3) bass clarinet, electric bass, and acoustic bass. The composition alternates between 3/8,4/8, 5/8, 6/8, 7/8, 8/8, 9/8, 10/8, and 12/8 at a tempo of 100 eighth-notes per minute. The score is printed on the back of Bauer's resume.

Bauer, Bob

Time chaser : part in B-flat

MS-5-16, Box 9, Folder 11
Item
1993, 2010

Part of Upstream Music Association fonds

Item is the B-flat part for Bauer's composition, "Time Chaser," which features piano and trumpet solos.

Bauer, Bob

B-flat restaurant : concert pitch part

MS-5-16, Box 9, Folder 12
Item
1993

Part of Upstream Music Association fonds

Item is a copy of Paul Cram's composition, "B-flat Restaurant," dedicated to Don Palmer and composed for a SOCAN grant in 1993. The music is handwritten in common music notation and features long and frequent solo sections.

Cram, Paul

B-flat restaurant redux : C instruments

MS-5-16, Box 9, Folder 13
Item
[1993?]

Part of Upstream Music Association fonds

Item is a copy of Paul Cram's composition, "B-flat Restaurant Redux," which reuses elements from his "B-flat Restaurant" composition. The score, written for C instruments, is type-set.

Cram, Paul

Campin out : concert pitch score

MS-5-16, Box 9, Folder 14
Item
1988

Part of Upstream Music Association fonds

Item is a copy of Paul Cram's composition for three parts. The composition is in three sections with the first in 15/4 and the last two in cut time.

Cram, Paul

Evil vamp : [score]

MS-5-16, Box 9, Folder 16
Item
1997

Part of Upstream Music Association fonds

Item is a copy of Paul Cram's composition, "Evil Vamp," which includes a "polytonal" and "dirge" options for improvisation.

Cram, Paul

Forming 23 : [score]

MS-5-16, Box 9, Folder 17
Item
1998

Part of Upstream Music Association fonds

Item is Paul Cram's composition, "Forming 23," a graphic score for trumpet, trombone, guitar, piano, bass, drums, and vibraphone. The score includes indications for ornamentation, rhythm, style of improvisation, tempo, and register.

Cram, Paul

Monk on time : clarinet in B-flat

MS-5-16, Box 9, Folder 22
Item
[199-?]

Part of Upstream Music Association fonds

Item is a copy of the B-flat part for Paul Cram's atonal composition, "Monk on time," which was funded by SOCAN.

Cram, Paul

The problem : concert pitch

MS-5-16, Box 9, Folder 23
Item
1985

Part of Upstream Music Association fonds

Item is a copy of the concert pitch part for Paul Cram's atonal composition, "The Problem," in three sections.

Cram, Paul

Pulse track : [score]

MS-5-16, Box 9, Folder 24
Item
[199-?]

Part of Upstream Music Association fonds

Item is a copy of two "Pulse Tracks" by Paul Cram.

Cram, Paul

Telescope : [score]

MS-5-16, Box 9, Folder 29
Item
[199-?]

Part of Upstream Music Association fonds

Item contains one annotated copy of "Telescope," a monophonic, atonal composition by Paul Cram written at concert pitch.

Cram, Paul

The ravens by the Tower of London : [score]

MS-5-16, Box 9, Folder 32
Item
1996

Part of Upstream Music Association fonds

Item is an annotated copy of Jamieson's composition, which is in five sections. Each section has textual instructions for individual instruments with four musical parts notated at the bottom: melody, accompaniment, B-flat trumpet line, and bass line.

Jamieson, Daryl

Nocturne : [score]

MS-5-16, Box 9, Folder 33
Item
1990

Part of Upstream Music Association fonds

Item is a copy of Naylor's composition for flute, saxophone, clarinet, bass clarinet, vibraphone, electric guitar, piano, and percussion. The composition is dedicated to Earle Hagen

Naylor, Steve

Unnamed improvisational composition : [piano score]

MS-5-16, Box 9, Folder 37
Item
[199-?]

Part of Upstream Music Association fonds

Item is a copy of four accompaniment patterns in Paul Cram's handwriting with instructions for improvised solos written beside each pattern.

Cram, Paul

Waltz : [score]

MS-5-16, Box 9, Folder 39
Item
[199-?]

Part of Upstream Music Association fonds

Item is a copy of the first sixteen measures of a three-part anonymous Waltz in 3/4 time.

Spectacles : [performance instructions]

MS-5-16, Box 9, Folder 40
Item
[199-?]

Part of Upstream Music Association fonds

Item is a copy of the performance instructions for an improvised composition with sixteen possible sets, each defined by four words, that are performed in any order.

Caravan : [score]

MS-5-16, Box 9, Folder 42
Item
[199-?]

Part of Upstream Music Association fonds

Item is a copy of a four-part anonymous composition entitled "Caravan" in 4/4 time.

Cukeoo : [score]

MS-5-16, Box 9, Folder 43
Item
[199-?]

Part of Upstream Music Association fonds

Item is a copy of an anonymous score entitled "Cukeoo" for solo voice, piano, and an undefined instrumental ensemble. The score combines common music notation with graphic notation. The text is taken from an English folk song, "The Cuckoo Is A Pretty Bird"

Mountains of madness : concert pitch

MS-5-16, Box 9, Folder 44
Item
[199-?]

Part of Upstream Music Association fonds

Item is a copy of an anonymous melody entitled "Mountains of Madness," handwritten at concert pitch.

6 of one : performance instructions

MS-5-16, Box 9, Folder 8
Item
1997

Part of Upstream Music Association fonds

Item is the instructions for Norman Adams' improvisational composition, "6 of one," for performance by Adams (cello); Suzanne Lemieux (oboe); Jeff Reilly (bass clarinet and clarinet); and Paul Cram (tenor saxophone and clarinet). The composition has an approximate tonality of D and textual instructions regarding rhythm, entrances, intervallic relationships of parts, dynamics, range, and timbre.

Adams, Norman

Sound fields : [score]

MS-5-16, OS Box 21, Folder 10
Item
1996

Part of Upstream Music Association fonds

Item is a copy of Sandy Moore's improvisational composition in three sections.

Moore, Sandy

Fermentation one : [score]

MS-5-16, OS Box 21, Folder 11
Item
1999

Part of Upstream Music Association fonds

Item is a copy of Steven Naylor's composition for guitars, accordion, wind instruments, and keyboard. The score is in graphic notation, using coloured symbols in blue, green, and red to indicate duration, pitch, attitude, and stops.

Naylor, Steve

Heavier than air : concert score

MS-5-16, OS Box 21, Folder 12
Item
1994

Part of Upstream Music Association fonds

Item is a copy of Steven Naylor's composition for flute, violin, oboe, trumpet, viola, clarinet, accordion, cello, bassoon, electric bass, bass clarinet, contrabass, and percussion. Each instrument plays a short phrase repeatedly until the end of the piece with entries staggered between instruments.

Naylor, Steve

Internal combustion : [score]

MS-5-16, OS Box 21, Folder 14
Item
2007

Part of Upstream Music Association fonds

Item is a coloured score for C instruments. The composition has three main sections and the third section is further subdivided into five sections, including a passacaglia. No performance instructions are included. The composition was funded by a SOCAN grant.

Reilly, Jeff

Homeland suite : [score]

MS-5-16, OS Box 21, Folder 4
Item
2007

Part of Upstream Music Association fonds

Item is a graphic score for Lisle (L.S.) Ellis' "Homeland Suite" for voice, flute, clarinet, bass clarinet, oboe, bassoon, soprano saxophone, alto saxophone, tenor saxophone, baritone saxophone, trumpet, violin, guitar, piano, bass, and percussion.

Ellis, Lisle

Neither fire nor place : [score]

MS-5-16, OS Box 21, Folder 5
Item
1998

Part of Upstream Music Association fonds

Item is the first seven measures of the score for Fred Frith's composition "Neither Fire nor Place" for flute, English horn, clarinet, bass clarinet, bassoon, alto saxophone, baritone saxophone, trumpet, piano, percussion, guitar, violin, viola, cello, and double bass.

Frith, Fred

Traffic continues : shadow of a tree on sand : [score]

MS-5-16, OS Box 21, Folder 6
Item
1996

Part of Upstream Music Association fonds

Item is the first eight measures of the score for Fred Frith's composition "Traffic Continues: Shadow of a Tree on Sand" for flute, oboe, clarinet, bassoon, soprano saxophone, alto saxophone, trumpet, baritone saxophone, piano, percussion, violin, guitar, and double bass.

Frith, Fred

Artnam : bass clarinet

MS-5-16, OS Box 21, Folder 7
Item
1991

Part of Upstream Music Association fonds

Item is the score for Sandy Moore's seven-minute composition, "Artnam" for bass clarinet solo.

Moore, Sandy

Nasca lines : performance notes

MS-5-16, Oversize Folder 10, Item 1
Item
2001

Part of Upstream Music Association fonds

Item contains a copy of the performance notes for Nasca Lines, including an inserted page of additional notes. The performance notes include instructions for each of the seven sections of the piece; a description of the composition; and diagrams of the orchestra and percussion performance layouts.

Guy, Barry

Nasca lines : part 1 : [full score]

MS-5-16, Oversize Folder 10, Item 2
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : part 2 : [accompanying instruments]

MS-5-16, Oversize Folder 10, Item 3
Item
2001

Part of Upstream Music Association fonds

Item is a copy of the score used by the accompanying instruments (clarinet, bassoon, tenor sax, baritone sax, bass clarinet, electric bass, electric guitar, double bass, and synthesizer) for part 2 of Nasca Lines, in graphic notation.

Guy, Barry

Nasca lines : part 3 : piano

MS-5-16, Oversize Folder 10, Item 4
Item
2001

Part of Upstream Music Association fonds

Item is a letter-size page with basic instructions for the piano solo written in black marker.

Guy, Barry

Nasca lines : part 3A : piano and synthesizer

MS-5-16, Oversize Folder 10, Item 5
Item
2001

Part of Upstream Music Association fonds

Item is a letter-size page with "Piano/Synthesizer / Part 3A / Tacet" written in marker.

Guy, Barry

Nasca lines : part 4 : piano and synthesizer

MS-5-16, Oversize Folder 10, Item 6
Item
2001

Part of Upstream Music Association fonds

Item contains the piano and synthesizer part for part 4 of Nasca Lines in standard notation on a grand staff.

Guy, Barry

Nasca lines : part 5 : [full score]

MS-5-16, Oversize Folder 10, Item 7
Item
2001

Part of Upstream Music Association fonds

Item is a coloured copy of the full score for part 5 of Nasca Lines in graphic notation. The score includes representations of the flashcards used by the conductor for this part of the score, including colour flashcards that indicate instrument groups (green for the rhythm section) and flashcards that indicate improvisational styles via graphic representations of geoglyphs from the Nazca Desert, Peru. The score also features phrases from Alan Davies' texts.

Guy, Barry

Nasca lines : part 6 : piano and synthesizer

MS-5-16, Oversize Folder 10, Item 8
Item
2001

Part of Upstream Music Association fonds

Item is a letter-size page with "Piano/Synthesizer / Part 6 / Tacet" written in marker.

Guy, Barry

Nasca lines : part 7 : [full score]

MS-5-16, Oversize Folder 10, Item 9
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for part 7 of Nasca Lines in mixed standard notation and graphic notation. This section of the composition revisits material from parts 2, 4, and 6, and includes representations of flashcards used by the conductor, including Veto A, B, and C and flashcards indicating various improvisational styles.

Guy, Barry

Nasca lines : performance notes

MS-5-16, Oversize Folder 11, Item 1
Item
2001

Part of Upstream Music Association fonds

Item contains a copy of the performance notes for Nasca Lines, including an inserted page of additional notes. The performance notes include instructions for each of the seven sections of the piece; a description of the composition; and diagrams of the orchestra and percussion performance layouts.

Guy, Barry

Nasca lines : part 1 : [full score]

MS-5-16, Oversize Folder 11, Item 2
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

Nasca lines : part 2 : [full score]

MS-5-16, Oversize Folder 11, Item 3
Item
2001

Part of Upstream Music Association fonds

Item is a copy of the full score for part 2 of Nasca Lines, in mixed graphic and standard notation. The voice part is entirely improvised in this section, with some basic directives from the composer, e.g. "react to st[ring] qu[artet] articulations."

Guy, Barry

Nasca lines : part 3 : voice

MS-5-16, Oversize Folder 11, Item 4
Item
2001

Part of Upstream Music Association fonds

Item is a letter-size page with "Voice / Part 3 / Tacet" written in marker.

Guy, Barry

Nasca lines : part 4 : voice

MS-5-16, Oversize Folder 11, Item 5
Item
2001

Part of Upstream Music Association fonds

Item is a letter-size page with "Voice / Part 4 / Tacet" written in marker.

Guy, Barry

Nasca lines : part 5 : [full score]

MS-5-16, Oversize Folder 11, Item 6
Item
2001

Part of Upstream Music Association fonds

Item is a coloured copy of the full score for part 5 of Nasca Lines, used by Janice Jackson for the premiere performance. The score is in graphic notation and includes representations of the flashcards used by the conductor for this part of the score, including colour flashcards that indicate instrument groups (purple for voice) and flashcards that indicate improvisational styles via graphic representations of geoglyphs from the Nazca Desert, Peru. The score also features phrases from Alan Davies' texts.

Guy, Barry

Nasca lines : part 6 : voice

MS-5-16, Oversize Folder 11, Item 7
Item
2001

Part of Upstream Music Association fonds

Item contains the voice part for part 6 of Nasca Lines in graphic notation on a single staff. The vocalist's contribution to this part of the composition is improvised with some basic directives from the composer, e.g. "active" or "fragmented." The score is one page with four pages of Alan Davie texts.

Guy, Barry

Nasca lines : part 7 : [full score]

MS-5-16, Oversize Folder 11, Item 8
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for part 7 of Nasca Lines, used by Janice Jackson for the premiere performance. This section of the composition is in mixed graphic notation and standard notation and revisits material from parts 2, 4, and 6. The score includes representations of flashcards used by the conductor, including Veto A, B, and C and flashcards indicating various improvisational styles.

Guy, Barry

Nasca lines : performance notes

MS-5-16, Oversize Folder 12, Item 1
Item
2001

Part of Upstream Music Association fonds

Item contains a copy of the performance notes for Nasca Lines, including an inserted page of additional notes. The performance notes include instructions for each of the seven sections of the piece; a description of the composition; and diagrams of the orchestra and percussion performance layouts.

Guy, Barry

Nasca lines : part 1 : [full score]

MS-5-16, Oversize Folder 12, Item 2
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.

Guy, Barry

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