File contains information about Budge Wilson's books found online, including print outs from publishers and book sellers websites and reviews. The information, originally compiled in a binder, is organized alphabetically by book title, including: "The Best/ Worst Christmas Ever," "Cassandra's Driftwood," "The Cat that Barked," "Dandelion Garden," "Duff the Giant Killer," "Duff's Monkey Business," "Fear of Angelina Domino," "Fiddle for Angus," "Fractures," "Friendships," "Harold & Harold," "Imperfect Perfect Christmas," Izzie books, "Leaving," "The Long Wait," "Lorinda's Diary," "Madame Belzile and Ramsay Hitherton-Hobbs," "Manfred the Unmanageable." "Mothers and other Strangers," "Oliver's Wars," "Sharla," and "Thirteen Never Changes."
File contains information about Budge Wilson's books, awards, readings, and presentations found online, printed, and organized in a binder. The contents of the binder are organized into the following sections: book awards and nominations, booksellers and publishers, international sites, journals, miscellaneous (other websites mentioning Budge Wilson's work, e.g., schools, curricula, fans), readings and presentations, and writing organizations.
File contains Budge Wilson's journal where she recorded the titles of all of her manuscripts, the places that she sent them, rejections, acceptances, and names of characters.
File contains copies of two letters sent to Budge Wilson from Liu Jie, a professor at a college in China, regarding possible Chinese translations of Wilson's books. An annotation (by Wilson) on one of the letters states "Stoddart refused Chinese use of my work at that time."
File contains a copy of a letter from Jane Wilson of Books for Ears to Budge Wilson regarding their interest in the audio rights to Budge Wilson's books. The file also contains a copy of the licensing agreement between Budge Wilson and Books for Ears, information about the company, and a copy of the related portion of Budge Wilson's contract with Stoddart Publishing Co. Limited.
File contains copies and drafts of outgoing correspondence from Budge Wilson to her agent, Leona Trainer of the Transatlantic Literary Agency (TLA), and Don Sedgwick from TLA. File also contains incoming correspondence from Trainer to Wilson, and copies of letters to Lesley Choyce of Pottersfield Press regarding Wilson's contract with them for "Manfred the Unmanageable Monster."
File contains copies and drafts of outgoing and incoming correspondence between Budge Wilson and her agent, Leona Trainer of the Transatlantic Literary Agency. The file also includes a copy of an email from the book editor Peter Carver to Leona Trainer regarding a possible collaboration with Wilson.
File contains copies of outgoing and incoming emails between Budge Wilson, Jeanette McCurdy, and Julie De Adder regarding the reissuing of Wilson's book "My Cousin Clarette" by McGraw Hill. The file also contains a partial, annotated proof for "My Cousin Clarette" with marked edits that are discussed in various emails, Wilson's handwritten biography, and Wilson's handwritten discussion of "Why I wrote 'My Cousin Clarette.'"
File consists of the typescript of the introduction to L. M. Montgomery's book Anne of Ingleside written by Budge Wilson. Includes a hand-written draft copy of the introduction. Also includes the typescript of electronic emailed messages between Budge Wilson, and Helen Reeves, Penguin Group.
File contains an annotated proof of Budge Wilson's book "An Imperfect Perfect Christmas" and related correspondence with Lesley Choyce and Peggy Amirault.
Series contains outgoing and incoming correspondence between Budge Wilson, her agent (Leona Trainer), publishers, editors, illustrators, authors, and other individuals, all relating to her career as an author. The series includes some contracts for Wilson's books, which are attached to correspondence.
This fonds consists of correspondence relating to manuscripts; manuscripts of books published by Petheric Press; and manuscripts of articles published in the Nova Scotia Historical Quarterly.
Fonds comprises editorial reports and notes made by Jefferys on works by Thomas Chandler Haliburton. Also included is a letter from Robert Glasgow, Managing Director of The Publishers Association of Canada, outlining the agreement of editorial and illustration work undertaken by Jefferys on a multi-volume series of the works of Haliburton. In addition, there is a typescript of a talk written by Jeffreys regarding his illustrations for the project.
Item is one handwritten letter (1882) from Henry, Carey, Baird and Company, publishers and booksellers, advising Munro of recent titles in political philosophy.
File contains information about the construction of items for Parks Canada, a paper called "Scenography" by Peter Perina, a short story called "The Annotated Women" by Robert Doyle, "The History of Competitive Sports and the Modern Olympics" by Robert Doyle, rejection letters from various Canadian and America book publishers, and correspondence about the deferral of Doyle's appointment to full professorship. The file also contains documents about Sheila Stivens and her position as Craft Officer with the Nova Scotia Department of Recreation, including letters to Sheila Stiven from various people, correspondence from Robert Doyle about her position, and her curriculum vitae.
File includes correspondence between Holly Melanson and publishers/peers regarding Literary Presses in Canada, 1975-1985: A Checklist and Bibliography.
Series includes Owl's Head Press correspondence with the Bank of Montreal regarding their trade name and manuscripts and print publications: After the Image, by Jonathan Wright; Ten Poems of Francis Ponge, translated by Robert Bly; Ten Poems of Robert Bly Inspired by the Poems of Francis Ponge, by Robert Bly; Where the Fields End, by Leigh Faulkner; and The Guest Touches Only Those Who Prepare, by Edward Gates.
Subseries contains partial and full annotated drafts, photographs, and published works by Owl's Head Press, including Jonathan Wright's "After the Image," Robert Bly's "Ten Poems of Francis Ponge Translated by Robert Bly & Ten Poems by Robert Bly Inspired by the Poems of Francis Ponge," Leigh Faulkner's "Where the Fields End," and Edward Gates' "The Guest Touches Only Those Who Prepare."
Fonds consists of correspondence, financial papers, and grant applications for the journal Germination, papers from the Tribune Press (Sackville, New Brunswick) relating to Owl's Head Press, and publications and pamphlets.
Series comprises correspondence between Harry Bruce and his publishers, his peers and colleagues; it also contains personal letters. Correspondence files are organized alphabetically by last name. Correspondence is also found in files in the manuscript series.
