File contains a tourism booklet for Green Gables at the Prince Edward Island National Park. The booklet contains photographs of the interior and exterior of Green Gables, as well as the surrounding area. The booklet is research material for a production of Anne of Green Gables.
The folder contains correspondence, an application form, a brochure and the curators opening remarks for Robert Doyle's exhibition "The myth and magic in costuming for the stage".
The folder contains correspondence from Joan Auld, Manager of Handcraft Development, Prince Edward Island Department of Tourism, Industry and Energy, to Robert Doyle regarding becoming a juror for the Prince Edward Island Handcrafts Exhibition and Awards, 1981.
The folder contains material relating to the production of "Tattoo 200," celebrating the 200th anniversary of Saint John, New Brunswick. The material includes a list of needed resources, a production plan, a costume list, and a set of diagrams showing what some of the production equipment should look like.
The folder contains material relating to the Atlantic Designer Fashion Festival where Robert Doyle performed as a judge for the Atlantic Designer Fashion Awards.
File contains a program of events, printed illustrations of period costumes and photograph of costumes produced in the workshop, which was given on October 27, 2001 by Judy Reade, TAG's costume and props mistress.
File contains the Mail Star's review of the Dalhousie production of "Love's Labour Lost." The review was written by Elissa Barnard. The article is torn from the newspaper and features a black and white photograph of Andre Davey ad King Navarre and Ben Stone as Berowne. The article mentions Robert Doyle's costume design.
The folder contains a bound copy of the 1981 "Meet the Navy" program, the 1980 "Meet the Navy" program, Robert Doyle's production notes, and a sample of the maple leaf with crown symbol mounted on a painted canvas.
File contains some of Robert Doyle's financial documents. The documents include invoices from Robert Doyle Designs, invoices from Golder Silk-Screening, limited indenture papers between Weaver's Loft Limited and Industrial Development Bank, limited loan documents between Weaver's Loft Limited and Industrial Development Bank, mortgage documents from the Toronto-Dominion Bank, payment and expense documents from the Nova Scotia Tattoo and Targe Productions Ltd., correspondence with J. H. Longmire and Sons Real Estate and Insurance Brokers, documents from the Nova Scotia Trust Company, and receipts from the Royal Bank of Canada. The file includes contracts from Neptune Theatre, the Nova Scotia Tattoo, Theatre Plus, Upper Clements Family Theme Park, Meet the Navy, Saint John Tattoo, and Manitoba Theatre Centre. The file also includes a designing artists agreement from the Associated Designers of Canada.
The folder contains a bound copy of the Nova Scotia Tattoo programs, known as the "Big Book," which was awarded to Robert Doyle as one of only 15 members of the Tattoo production staff to have survived the full five productions of the Nova Scotia Tattoo.
The folder contains correspondence from Robert Doyle to the Wallace Collection, Hertford House, London, and the Museum of Costume Bath, a description of the Undercover Agent exhibition, and a copy of the Costume Studies program.
File contains documents related to the Louisbourg costuming program, such as instructions on how to make stockings and other items, a notepad with handwritten notes, progress reports, correspondence, invoices, and telegrams. The file also includes notes for readers from the Victoria and Albert Museum Library, coorespondence from the Nova Scotia Department of Culture Recreation & Fitness about summer programs that Doyle led, information about Nova Scotia Textiles Limited, and Nova Scotia Textiles lecture notes and slide cues.
File contains documents about the 4th Annual Costume Society Symposium at Bath, other documents related to the Costume Society, a project proposal for the Dalhousie Craft Fashion Project, information about a Dalhousie Theatre Department fashion show, criteria for promotion from the University of Regina Theatre Department, information about an exhibit called "Women of Invention" at the Manitoba Museum of Man and Nature including two slides, photographs and sketches of the Salvation Army building on Cunard Street, a letter about a development on Hollis Street, a price list from Weaver's Loft, a list of contact information for various services, documents about the Louisbourg Calendar Project,
File contains correspondence about the Dr. Basil Cooke Award, a lecture schedule, correspondence from students, a list of student addresses, a memorandum about the faculty academic priorities ranking process, departmental meeting agenda and minutes, student assessment of instruction forms, unit reviews and unit review responses. The file includes reference letters for Mark De Coste; Freda Larade; Gail Worobey; Beata Slesinski; and Amanda Stapells. The file also contains letters from Avery Anderson; Monique B. Moffatt; Vivien Lau; James A. W.; Alison West; Tanya Shaw; and Patsy, which are mostly letters accepting invitations to return to the program.
File contains set designs and one colour costume design for Neptune Theatre's production of "Alice in Wonderland, with designs by David B. Ingraham and Andrew Murray. The file includes original drawings and annotated copies.
Item is a small painting mounted on wood, showing shapes of different colours. The painting is probably related to Dalhousie Theatre's 1986 production of Thieves' Carnival. Written on the painting, apparently in pencil, are a number of short phrases, includeing: Pink Girl; Juliette Act 1; Nupont Dufours; Eva Carnival; Lady Hurt Evening. There are sequins incorporated into the painting as well.
