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Upstream Music Association fonds Nova Scotia
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Records from Upstream's concert at the Sir James Dunn Theatre

File includes draft programs, press releases, receipts, correspondence, a comment card, and a signed Atlantic Federation of Musicians Local No. 571 contract for the musicians (Jeff Reilly, Steve Tittle, Sandy Moore, Don Palmer, Steven Naylor, Tom Roach, Paul Cram, Bob Bauer, and Chris Mitchell).

Promotional materials for concert season

File includes materials for the Upstream press package, including the season brochure, biographies, repertoire list, and copies of newspaper clippings from their previous season. File also includes an advertisement and program from Upstream's performance at the Peterborough Festival of the Arts.

Open Waters masters : [sound recordings by the Upstream Ensemble]

File contains the master tape for Upstream Ensemble's "Open Waters" CD, including recordings of the following compositions: "Standing in the Light" by Steve Tittle; "Nocturne" by Steven Naylor; "Pulseight" by Tom Roach; "Winds of Lyra" by Sandy Moore; "Fragments" by Don Palmer; "Sunrise to a Mad Afternoon" by Jeff Reilly; "Immortal Coil" by Paul Cram; " and "On the Wind" by Bob Bauer.

Chipper : [score]

Item is a copy of a handwritten piece called "Chipper," by Don Palmer. The piece is for solo alto recorder with harp, flute, clarinet, Flugal horn, and bass clarinet. The piece is in C Major and has a 3/4 time signature.

Palmer, Don

Flight 753 : [piano score]

File contains four annotated copies of Jeff Reilly's composition, "Flight 753" in piano score format. The composition is a shortened version of "Flight 752."

Reilly, Jeff

Flight 752 : [piano score]

File contains nine annotated copies of Jeff Reilly's composition, "Flight 752" in piano score format. The composition includes horns, cello, bassoon, drums, tenor saxophone, bass clarinet, and piano, and is notated in common music notation.

Reilly, Jeff

Echoes of time weeping : a dramatic solo for soprano and tape : [score]

File contains the score and text translation from Spanish to English. The Spanish translation was completed by Andreas Guibert, with consultation by Marcelo Arroyo. Evelyne Benais, Maral Perk, and Tony Tucker helped with the Flamenco rhythms, and Mary E. Moore did the cover artwork. The composition is based on the Mexican folkloric tale of La Llorana, The Weeping Woman.

Moore, Sandy

Kafka's chair : row material

File contains the manuscript and four annotated copies of the tone row for "Kafka's Chair" by Paul Cram in prime, retrograde, inversion, retrograde inversion, and transposed forms. The manuscript also includes the "Entree" from Cram's "B-flat Restaurant" at concert pitch.

Cram, Paul

Programs and promotional materials for concert season

File contains copies of newspaper clippings, posters, and programs for the 2000-2001 concert season. The concerts included: Transfigured Nights by the Upstream Orchestra, conducted by Christoph Both (December 5 and 6, 2000 at the Sir James Dunn Theatre); Iron Sky with Jerry Granelli, Jeff Reilly, and John Little (February 27, 2001 at Saint George's Church); Up Close and Interactive with the Noir Angels (March 7, 28, and April 4, 2001 at the Spring Garden Road Public Library); and Spring Fever Festival (May 2001).

Programs and promotional materials for concert season

File includes programs for the following concerts: "Upstream in Concert" (January 27, 1996 at Saint Mary's University Art Gallery); "Upstream in Concert" (November 9, 1996 at Saint Mary's University Art Gallery); "Open Waters presents Symphony Nova Scotia" (February 21, 1997 at St. Andrew's Church); 'Upstream Live" (March 1, 1997 at Harvey Denton Hall, Acadia University); and "Symphony Nova Scotia goes UpStream" (March 8, 1997 at the Canadian Martyrs Church). File also contains Upstream's press kit for the 1996-1997 season and copies of newspaper clippings.

Programs for Upstream concert season

File includes programs for the following Upstream concerts: October 23, 1995 at Saint Mary's University Art Gallery; January 27, 1996 at Saint Mary's University Art Gallery; March 8, 1996 at Canadian Martyrs Church, Inglis Street, Halifax (with Symphony Nova Scotia); April 12-13, 1996 at Saint Mary's University Art Gallery ("Thunder," in collaboration with Alan Williams, Paul Cram, Mary Vingoe, Stephen Britton Osler, and Dave Reilly); and April 26, 1996 at the Sir James Dunn Theatre ("Unsprung (too)" presented by the Dalhousie Music Department and featuring the Farmstream improvisational/ composition ensemble).

Program and poster for Saturnalia

File contains records from a concert entitled "Saturnalia: A Festival of Light" at Saint Mary's University Art Gallery, which featured two silent films: "Teller That You Love Her," film by Glenn Walton, music by Paul Cram; and "Lulu's Back in Town," by Lulu Keating, music by Sandy Moore. The music to both films was provided by the Upstream Ensemble (Bob Bauer, Paul Cram, Sandy Moore, Steven Naylor, Don Palmer, Jeff Reilly, and Jamie Gatti).

Program and poster for the October Summit

File contains promotional materials for a concert that featured the Upstream Ensemble (Bob Bauer, Paul Cram, Sandy Moore, Steven Naylor, Don Palmer, Jeff Reilly, and Tom Roach); members of Symphony Nova Scotia (George Maxmann, Christopher Wilkinson, Susan Sayle, Norman Adas, Max Kasper, Suzanne Lemieux, Christopher Palmer, and Charlie MacKinnon); and friends (Jim Faraday, Jamie Gatti, Barry Campbell, Cheryl Edgett, Charlotte Harper, Lynda Rosborough, Rick Hebb, and Don Roach).

Records from Illuminations Images in Motion concert

File includes a concert program, stage layout diagram, rehearsal schedule, press releases, and posters. For this concert, Upstream musicians (Bob Bauer, Paul Cram, Sandy Moore, Steve Naylor, Don Palmer, Jeff Reilly, and Steve Tittle) performed with visual artists Leighton Davis, Gordon Laurin, Richard Robertson, and Chris Woods.

Records from Two-Way Traffic concert with members of Symphony Nova Scotia

File includes a concert program, poster, press release, and copies of newspaper clippings. For this concert, the Upstream Ensemble (Bob Bauer, Paul Cram, Steve Tittle, Sandy Moore, Jeff Reilly, Don Palmer, and Tom Roach) performed with members of Symphony Nova Scotia (George Maxmann, Kent Forman, Susan Sayle, Norman Adams, Max Kasper, Suzanne Lemieux, and Christopher Palmer).

Box office records for the concert season

File includes records of subscriptions and concert takings and attendance for the 1992-1993 concert season. File also includes "The New Arts Sampler" brochure, which includes advertisements for three Upstream Music concerts.

Biographies and Curriculum Vitae for Upstream musicians

File contains biographies and CVs for the following musicians who performed with, or were part of, the Upstream Ensemble: Karen Young, Bob (Robert) Bauer, Jeff Reilly, Paul Cram, Don (Donald Charles) Palmer, Steven Naylor, Sandy Moore, Tom Roach, Norman Adams, Steve Tittle, and Jerry Granelli.

Correspondence, itinerary, and budgets for Upstream's Ontario fall tour

File also includes the tour manager's report; applications to Canada Council for the Arts for funding; Upstream's technical rider; contracts; and attendance reports at venues (Numus, Waterloo, Ontario; Peterborough Festival for the Arts, Ontario; Espace Musique, Ottawa, Ontario; and New Music Across America/ Red Door Productions, Toronto, Ontario).

Programs and newspaper articles from concert season

File contains a programs from the Upstream Ensemble's 1997-1998 concert season: October 26, 1997 (Saint Mary's University Art Gallery, with Conrado del Rosario); November 23, 1997 (Saint Mary's Art University Art Gallery, with Michiyo Yagi and Akikazu Nakamura); January 24, 1998 (Holiday Inn, Halifax, with Tom Walsh and Steve Tittle); March 6, 1998 (Denton Hall, Acadia University); March 7, 1998 (Neptune du Maurier Theatre, Halifax); and March 30, 1998 (Dartmouth & CP Allen High Schools).
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