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Published talk : Margaret Laurence, listener

File contains a copy of a published talk by Budge Wilson entitled "Margaret Laurence, Listener." The memorial talk was originally delivered at the Wenjack Theatre at Trent University in Peterborough, Ontario on February 2, 1987. It was later published in the Canadian Woman Studies Journal (Volume 8, Number 3).

Letter of inquiry from Liu Jie, China regarding Chinese translatio

  • MS-2-650.2018-042, Box 90, Folder 4
  • File
  • March 2, 1996 - March 15, 1996
  • Part of Budge Wilson fonds

File contains copies of two letters sent to Budge Wilson from Liu Jie, a professor at a college in China, regarding possible Chinese translations of Wilson's books. An annotation (by Wilson) on one of the letters states "Stoddart refused Chinese use of my work at that time."

Contract correspondence from Books for Ears Audiotapes

  • MS-2-650.2018-042, Box 90, Folder 5
  • File
  • July 15, 1999 - August 4, 1999
  • Part of Budge Wilson fonds

File contains a copy of a letter from Jane Wilson of Books for Ears to Budge Wilson regarding their interest in the audio rights to Budge Wilson's books. The file also contains a copy of the licensing agreement between Budge Wilson and Books for Ears, information about the company, and a copy of the related portion of Budge Wilson's contract with Stoddart Publishing Co. Limited.

Leona Trainer correspondence with Budge Wilson

File contains copies and drafts of outgoing correspondence from Budge Wilson to her agent, Leona Trainer of the Transatlantic Literary Agency (TLA), and Don Sedgwick from TLA. File also contains incoming correspondence from Trainer to Wilson, and copies of letters to Lesley Choyce of Pottersfield Press regarding Wilson's contract with them for "Manfred the Unmanageable
Monster."

Leona Trainer correspondence with Budge Wilson

File contains copies and drafts of outgoing and incoming correspondence between Budge Wilson and her agent, Leona Trainer of the Transatlantic Literary Agency. The file also includes a copy of an email from the book editor Peter Carver to Leona Trainer regarding a possible collaboration with Wilson.

To waste a wave / Susan Kerslake : [manuscript]

File contains an unpublished manuscript and an unsigned handwritten review suggesting edits and a rewrite, as well as a typed review with handwritten suggestions. The quote on the cover page reads "For here alone in all the world was found Moria-silver, or true silver as some have called it: Mithril is the Elvish name ..."

Creance / Susan Kerslake : [manuscript]

File contains an unpublished manuscript, a rejection letter from The Women's Press , a letter containing criticisms and suggestions from Oberon Press, and a small poem by David Rook.

Penumbra / Susan Kerslake : [second draft manuscript]

File contains a substantially annotated second draft as well as black-and-white photograph of a sea creature under a boat and a colour photograph of two houses. There are minor and major edits, predominantly towards the end.

Correspondence between Susan Kerslake and the Canada Council

File contains correspondence with the Canada Council. Materials include two letters from the Canada Council to Kerslake regarding royalty payments and requesting an opinion on a manuscript, "Guyana Betrayal." It also includes a letter from Kerslake critiquing the manuscript. File also contains completed Canada Council forms, including a writer's report on short-term residency, a writer's report on public reading, letters of appraisal.

Correspondence between Susan Kerslake and Leslie Fielder

File contains correspondence with Leslie Fielder, Kerslake's teacher in 1960-61 and a professor in the English department at Samuel Clemens, New York. Materials include a brief letter from Kerslake updating Fielder about her writing and professional work, and a thank you letter in response.

Correspondence between Susan Kerslake and Greg Gatenby

File contains correspondence with Greg Gatenby of Harbour Front Reading Series. Materials include two letters: one asking Kerslake to provide information about her experiences with Toronto, and a reply from Kerslake stating that she has no connection to Toronto as a writer.
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