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Archival Description
Theatre Reference Collection North America
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Kafka's chair / Paul Cram

Item is Paul Cram's undated score for flute, clarinet, bass clarinet, trumpet, trombone, cello, guitar, piano and bass.

Urinetown : [score]

File contains the musical score for the 2018 Chester Playhouse production of Urinetown : The Musical by Mark Hollman and Greg Kotis.

Urinetown production records

File contains production records from the 2018 Chester Playhouse production of Urinetown : The Musical by Mark Hollman and Greg Kotis. The musical was directed by Mary Vingoe and presented July 4-7, 2018. File includes a program, a brochure for the Chester Playhouse 2018 Summer Festival, a director's notebook, rehearsal schedule, song list, and set designs. File also includes a thank you card from Doug Ross.

The magic order : [score]

Item is a facsimile score for voice; trumpet; soprano sax/flute; trumpet 2; alto sax; trombone; tenor sax/clarinet; bass trombone; baritone sax/flute; guitar 1; guitar 2; synthesizer 2; piano 1; contrabass 2; drums 2; drums 1; and percussion.

The magic order : [score and parts]

File contains a title page; a handwritten forming order/conductor's score in graphic notation (and copies); and 12 printed parts for Inst 1, each in a different key.

The magic order : [score]

Item is an annotated score of a work first performed by Upstream Orchestra in memory of Steve Lacy on May 18, 2013 at the International Festival de Musique Actuel, which commissioned the work, in Victoriaville, Quebec. The piece was played alongside "Convoy HFX" and "Witch Gong Gang II/10." The Upstream Orchestra included Jeff Reilly, conduction; bass clarinet, Tena Palmer; voice, Rick Waychesko; trumpet, Chris Mitchell; soprano sax/flute, Paul Tynan; trumpet, Kenny MacKay; alto sax, Danny Martin; trombone, Paul Cram; tenor sax/clarinet, Tom Walsh; trombone, Dawn Hatfield; baritone sax, flute, Geordie Haley; guitar, Scott McMillan; guitar, Tim Crofts; synthesizer, Steven Naylor; piano, Lukas Pearse; contrabass-electronics, David Burton; drums, Danny Parker/contrabass, Doug Cameron; drums; and Erin Donovan, percussion.

The top of the score pages are in standard notation and provide the music for different instruments. The bottom half of each page is in graphic notation with symbols noting improvisational cues and solos for each instrument. There also parts for B, Bb, Eb, bass, and drums. There are two pages of smaller visual notations. The score was composed for voice; 2 trumpets; 2 trombones; soprano sax/flute; alto sax; tenor sax/clarinet; baritone sax; piano; synthesizer; 2 guitars; 2 basses; 2 drum sets; and percussion.

Internal combustion : [score]

Item is a coloured score for C instruments. The composition has three main sections and the third section is further subdivided into five sections, including a passacaglia. No performance instructions are included. The composition was funded by a SOCAN grant.

Reilly, Jeff

Homeland suite : [score]

Item is a graphic score for Lisle (L.S.) Ellis' "Homeland Suite" for voice, flute, clarinet, bass clarinet, oboe, bassoon, soprano saxophone, alto saxophone, tenor saxophone, baritone saxophone, trumpet, violin, guitar, piano, bass, and percussion.

Ellis, Lisle

Symphony Nova Scotia fonds

  • MS-5-14
  • Fonds
  • 1981-2006

Fonds consists of records created by Symphony Nova Scotia in the course of its regular business activities. The majority of the records were created during the process of concert-planning, including special concerts, annual concerts, tours, and concert series. These records include artist contracts, marketing and development documents, internal memos, and correspondence with artists and sponsors.

Records also consist of internal management records, including personnel records, office management files, and the files of the Board of Directors, Executive Director, and Chief Executive Officer. The financial administration of the Symphony is documented though budgets, statements, ledgers, and tickets sales data.

The fonds also contains concert programs and promotional material such as posters, advertisements, flyers, newsletters, and other publications. The final section of the fonds consists of audiovisual and graphic material. There are audio recordings of performances and interviews of Symphony personnel as well as video recordings of advertisements and performances. The graphic material includes promotional photographs and photographs of the orchestra.

Symphony Nova Scotia

Ronald St. John Macdonald fonds

  • MS-2-615
  • Fonds
  • 1823 - 2006
Fonds comprises Ronald St. John Macdonald's records regarding his personal, academic, and professional activities as a jurist, judge, and professor. Records include those related to Macdonald's involvement with Osgoode Hall, University of Western Ontario, University of Toronto, Dalhousie University, the European Court of Human Rights, the Hague, Peking University, World Academy of Arts and Science, Canadian Council of International Law, United Nations, Institute of International Law, African Society of International Law, British Institute of International Law, Canadian Institute of International Law, International Law Association, and others. Records types include correspondence; meeting minutes and agendas; research materials; photographs; newsletters; newspaper clippings; manuscripts; and off-prints.

Macdonald, Ronald St. John, 1928-2006

Echoes of time weeping : a dramatic solo for soprano and tape : [score]

File contains the score and text translation from Spanish to English. The Spanish translation was completed by Andreas Guibert, with consultation by Marcelo Arroyo. Evelyne Benais, Maral Perk, and Tony Tucker helped with the Flamenco rhythms, and Mary E. Moore did the cover artwork. The composition is based on the Mexican folkloric tale of La Llorana, The Weeping Woman.

Moore, Sandy

Telescope : [parts]

File contains printed concert, Bb, and Eb parts and facsimile handwritten concert and Bb parts. Telescope was composed for saxophone quartet.

OHMYGOD! : [parts]

File includes multiple copies of the 12 parts of Paul Cram's score OHMYGOD!, which includes: drums; trumpet; violin; bass clarinet; bass; tenor sax; flute; baritone sax; voice; audio; and guitar.

Anthony Pugh fonds

  • MS-2-26
  • Fonds
  • 1934 - 2004
Fonds consists of Anthony Pugh's research notes, program notes, annotated sheet music, and performance programs used in his work as a program note writer.

Pugh, Anthony

Root cause : [parts]

File contains parts for fifteen instruments: drums; trumpet (x 2); alto sax; clarinet; tenor sax (x 2); violin (x 2); viola; tuba; trumpet (x 2); accordion; guitar; vibes; percussion/congas; and bass.

Convoy HFX : [score]

  • MS-5-21, OS Folder 1
  • Item
  • [between 2001 and 2003]
  • Part of Paul Cram fonds

Item is an annotated score composed by Paul Cram and commissioned by the Canadian Council of Music in 2001. "Convoy HFX" was first performed by an 18-piece Upstream Orchestra in January 2002; in 2006 by the Upstream Ensemble; and in 2013 alongside "The Magic Order" and "Witch Gong Gang II/10" at the International Festival de Musique Actuel in Victoriaville, Quebec. A list of musicians includes: Jeff Reilly, Kenny MacKay, Paul Cram, Steven Naylor, David Burton, Erin Donovan, Tim Crofts, Doug Cameron, Lukas Pearse, Danny Martin, Tom Walsh, Rick Waychesko, Paul Tynan, Tena Palmer, Geordre Haley, and Scott McMillan.

The lefthand pages of the score are predominantly in graphic notation with some standard music notation. They are divided into 13 parts: 1) "Whispers"; 2) "Morse"; 3) "Nausea"; 4) "Storm"; 5) "Attack" followed by a solo; 6) "0400 Hours"; 7; 8; 9; 10; 11; 12. The righthand pages, labelled "13," are in standard notation for different instruments. The file also contains two posters advertising Convoy HFX.

Black dog : [parts]

File contains concert, voice, clarinet, bass, baritone, trumpet and drum parts for Paul Cram's "Black Dog."

Scores catalogued by the Canadian Music Centre (CMC)

Subseries contains 34 scores catalogued by the Canadian Music Centre ca. 2016. The scores in this subseries are listed in the order of the RSN (record series number) established by the CMC and descriptions contain corresponding call numbers. They were re-foldered along with the CNC envelopes in which they were maintained.

Trouble in paradise / Paul Cram

  • MS-5-21, Box 15, Folder 13, Item 1
  • Item
  • [ca. 2002?]
  • Part of Paul Cram fonds

Item is Paul Cram's score for clarinet, trumpet, alto, tenor, trombone, baritone, bassoon, cello, mallets, guitar, piano, bass and drums.

Urban desperado / Paul Cram

Item is Paul Cram's score for reeds 1, 2 & 3, trumpet, trombone, cello, guitar, piano, bass, drums.

Trouble in paradise / by Paul Cram

  • MS-5-21, Box 15, Folder 13, Item 2
  • Item
  • [ca. 2002?]
  • Part of Paul Cram fonds

Item is Paul Cram's score in three parts for reeds 1, 2 & 3, trumpet, trombone, cello, guitar, keyboards, bass and drums.

Nasca lines

Subseries contains the conductor’s score, instrumental, and vocal parts used for the premiere performance of Nasca Lines by Barry Guy. Nasca Lines is a one-hour, seven-part work that was commissioned by the Upstream Ensemble and premiered in collaboration with the Symphony Nova Scotia on June 3, 2001 at the Scotia Festival with conductor and composer, Barry Guy.

The composition is named after and inspired by the geoglyphs in the Nazca Desert, Peru, which include outlines of animals and various geometric shapes. Graphical representations of a selection of these geoglyphs are used in the graphic notation of this score, particularly in parts 3 and 7.

Nasca Lines is an atonal work that uses a combination of composed material, based on tone rows and pitch class sets, and guided improvisation. There are twenty instrumental parts and one vocal part.

Convoy HFX : [score]

File contains two copies of Paul Cram's composition in 12 sections, which combines common music notation and graphic notation. The composition's commission was funded by a SOCAN grant. The piece is for 10-20 performers on flute, oboe, clarinet, bassoon, saxophone, trumpet, percussion, guitar, accordion, tape, violin, viola, violoncello, and double bass.

Cram, Paul

Convoy Hfx / P. Cram

Item is a composer's score printed on one page divided into 12 numbered sections or movements that combine printed standard music notation and handwritten formation.

Convoy HFX : [score]

File contains seven copies of scores for Paul Cram's "Convoy HFX," with printed standard music notation and handwritten formations. Six are copies with handwritten annotations; one is an original handwritten score on tissue with the printed notation parts pasted on.

Drum parts from the PCO "Campin Out" tour

File contains drum parts for the Paul Cram Orchestra's second Canadian tour in September 2001 in support of the band’s debut CD on the Victo Label: “Campin Out.” The group played Halifax, Ottawa (National Library of Canada), Guelph (Guelph Jazz Festival), Vancouver (Western Front), and Montreal (Sala Rossa). Works included are: "Taiwanese Bootleg"; "Life of Crime"; "Tip of the Iceberg"; "High Ground"; "Have a Heart"; "Walking the Wall"; Eye of the Storm"; "Kafka's Chair"; "Immortal Coil", "Zebra Zone"; "Urban Desperado"; "Thunder"; and "Campin' Out." File also includes a note to Dave from Paul.

Thunder : [parts]

File contain piano, reeds 1, 2 & 3, cello, guitar, bass and drum parts for Paul Cram's "Thunder," a drama with music created by Alan Williams, Mary Vingoe, and Paul Cram. "Thunder" premiered in 1996 at Dalhousie University and was broadcast on CBC Radio Drama in 2001. The piece has five movements: 1. They Say; 2. 1963; 3. Twin Cities; 4. Black Dog; and 5. Vanishing.

Stephen Pedersen fonds

  • MS-5-23
  • Fonds
  • 1964 - 2000
Fonds contains records related to Stephen Pedersen's music teaching, composing and performance activities. Record types include manuscript music scores, sound recordings, posters and programs, contracts and correspondence.

Pedersen, Stephen Alan

Ghost tracks : [parts]

File contains annotated parts for Reilly's composition "Ghost Tracks," for concert, E-flat, and B-flat instruments. According to one of the annotations, the composition was performed as an octet at the Pier 21 Museum in Halifax, Nova Scotia.

Reilly, Jeff

Ghost tracks : [score]

File contains two annotated copies of the score for Jeff Reilly's "Ghost Tracks," one in concert pitch and one in B-flat. The concert pitch score was used by Susan (Sue) Sayles, a violist with the Upstream Ensemble. The score is in three large sections, each of which have various musical phrases notated in common music notation. The pitch material for the composition is derived from seven notes: F-sharp, G, G-sharp, B, C-sharp, D, and E (at concert pitch).

Reilly, Jeff

Transfigured night : [parts]

File contains the instrumental parts for Paul Cram's compilation of arrangements entitled "Transfigured Night." The piece includes four arrangements: "Wie Lange Noch?" by Kurt Weill for soprano, accordion, and contrabass; String Quartet Op. 28, 2nd movement by Anton Webern for string quartet; "All the Things you Are" by Jerome Kern and Oscar Hammerstein II for trumpet, alto saxophone, bass clarinet, and baritone saxophone; and a fugue by Johann Sebastian Bach for flute, oboe, clarinet, and bassoon. The piece also includes two newly-composed sections for guitar, bass, and drums, and piano and cello duet.

Cram, Paul

Corridors of power / Paul Cram

Item is an undated composer's score of Paul Cram's Corridors of Power for voice, flute, oboe, clarinet, bassoon, trumpet, alto sax, tenor sax, baritone, bass clarinet, accordion, piano, guitar, electric bass, drums, marimba, timpani, violin 1 & 2, viola, cello and contrabass.

Flight 752 : [piano score]

File contains nine annotated copies of Jeff Reilly's composition, "Flight 752" in piano score format. The composition includes horns, cello, bassoon, drums, tenor saxophone, bass clarinet, and piano, and is notated in common music notation.

Reilly, Jeff

Flight 753 : [piano score]

File contains four annotated copies of Jeff Reilly's composition, "Flight 753" in piano score format. The composition is a shortened version of "Flight 752."

Reilly, Jeff

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