Print preview Close

Showing 93 results

Archival Description
Ellen Ballon fonds Brazil
Print preview View:

69 results with digital objects Show results with digital objects

Letter from Heitor Villa-Lobos to Ellen Ballon

Item is a typed letter from Heitor Villa-Lobos to Ellen Ballon written on December 17, 1946. The letter acknowledges a letter Ballon wrote on December 5, 1946 and asks if Ballon performed the world premier of Villa-Lobos's first piano concerto with the Dallas Symphony Orchestra. Item is accompanied by the stamped air mail envelope in which Ballon received the letter. Two Brazilian postage stamps are affixed to the envelope.

Letter from Arminda Villa-Lobos to Ellen Ballon

Item is a typed letter from Arminda Villa-Lobos to Ellen Ballon written on May 28, 1947. Arminda writes about her poor English and asks Ballon to write in Portuguese. She also asks if an October 1947 concert in Montreal will be broadcast. This concert was the Canadian premiere of Villa-Lobos' first piano concerto. Item is accompanied by the stamped air mail envelope in which Ballon received the letter. Two Brazilian postage stamps are affixed to the envelope.

Villa-Lobos, Arminda

Letter from Heitor Villa-Lobos to Ellen Ballon

Item is a typed letter from Heitor Villa-Lobos to Ellen Ballon written on June 2, 1947. Villa-Lobos acknowledges a May 15, 1946 letter from Ballon and provides some information on his compositions, including Caixinha de Boas Festas, the 2nd Suite do Descobrimento do Brasil, and Danses Africaines. The letter refers to Marks Co. as "the true thieves of my musics." Item is accompanied by the stamped air mail envelope in which Ballon received the letter. Two Brazilian postage stamps are affixed to the envelope.

Letter from Heitor Villa-Lobos to Ellen Ballon

Item is a typed letter from Heitor Villa-Lobos to Ellen Ballon written on September 9, 1947. The letter details some potential performances of Villa-Lobos' compositions and his desire to have Ballon perform his music. Item is accompanied by the stamped air mail envelope in which Ballon received the letter. Two Brazilian postage stamps are affixed to the envelope.

Letters from Heitor and Arminda Villa-Lobos to Ellen Ballon

File contains three letters from Heitor Villa-Lobos and one letter and a telegram from Arminda Villa-Lobos. Letters primarily concern Ellen Ballon's performance of Villa-Lobos' music. File also includes four envelopes with Brazilian postage stamps.

Villa-Lobos, Heitor

Guia prático : [for piano]

File includes the second, third, fourth, fifth and tenth albums, dedicated to Julieta d'Almeida Strutt, Arnaldo Estrella, Magdalena Tagliaferro, Tomas Teran, and Ellen Ballon. The albums are copies of handwritten scores completed in New York and Rio between 1948 and 1949.

Villa-Lobos, Heitor

Concerto para piano e orquestra

Subseries contains scores and parts for Villa-Lobos's first piano concerto, dedicated to Ellen Ballon. It includes the autograph manuscript, copies of the manuscript, a two-piano reduction of the concerto, and parts for each of the orchestral instruments (piccolo, 2 flutes, 2 oboes, English horn, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon, 4 horns, 3 trumpets, 4 trombones, tuba, timpani, tam-tam, triangle, bass drum, harp, strings). The concerto premiered on October 11, 1946 at the Teatro Municipal in Rio de Janeiro, featuring Ellen Ballon as the piano soloist with Heitor Villa-Lobos conducting the Orquestra do Teatro Municipal. The score and orchestral parts were presumably used at the premiere performance as well as a few subsequent performances, indicated on several of the individual instrumental parts.

Villa-Lobos, Heitor

Concerto para piano e orquestra : segundo flautas

Item contains the first and second flute parts for Heitor Villa-Lobos' first piano concerto, dedicated to Ellen Ballon. This part was used by the second flautists. The parts were copied by Fran Averede.

Concerto para piano e orquestra : celesta

Item is the celesta part for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The part was copied by Fran Averede. The instrumentation has been crossed out in pencil and re-labelled "harpa" (harp).
Results 1 to 50 of 93