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Halifax (N.S.) Exhibitions
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Robert Grant Dexter fonds

  • MS-2-736
  • Fonds
  • 1963 - 1966
Fonds consists of records regarding Robert Grant Dexter's professional activities in the 1960s, including his involvement with the Neptune Theatre in Halifax, Nova Scotia. Fonds contains correspondence, newspaper clippings and manuscripts.

Dexter, Robert Grant

Railway passes documenting travel for members of The Bill Lynch Shows

  • MS-4-218, Box 1, Folder 6
  • File
  • September 28, 1942 - September 17, 1951, predominant July 25, 1943 - October 4, 1943
  • Part of The Bill Lynch Shows fonds

File contains twenty-six railway passes from 1942 and 1943 documenting travel for members of the Bill Lynch Shows. Destinations and departure points include Halifax, Saint John, Toronto, Bridgewater, Yarmouth, Lawrencetown, Newcastle, Moncton, New Glasgow, and Sydney. All the tickets are first class, except for the three in 1951, which are coach. There are three tickets each for: July 25, 1943, September 4, 1943, September 25, 1943, October 4, 1943, and September 17, 1951. There are two tickets for August 12, 1943. There is one ticket each for September 8, 1942, and September 16, 1943.

Notes about a conversation with Ronald Power regarding The Bill Lynch Shows

File contains notes taken by Barry Edwards of a conversation with Ronald Power, member of the Army, regarding the Bill Lynch Shows. The notes list some of the rides the Lynch Shows had, and often refer to "The Bill Lynch Farm" (described as being in the early 1950s on the corner Robie and Cunard Street, Halifax). The notes are from March 26, 1985, and are 40 pages long.

Daily reports from shows and rides at The Bill Lynch Shows

File contains daily reports from the Bill Lynch Shows shows and rides from June to August 1949. The reports are from Halifax and New Glasgow. Areas that are filled out include name of attraction, starting number, finish number, tickets, price, gross, and total. There is one blank form.

Daily reports from shows and rides at The Bill Lynch Shows

File contains daily reports from The Bill Lynch Shows shows and rides from June to September 1951. The reports are from Halifax, Saint John, Amherst, Chatham, New Glasgow, Saint Stephen, Woodstock, Campbellton, Fredericton, Bridgewater, Charlottetown, Lunenberg, and Sydney. Areas that are filled out include name of attraction, starting number, finish number, tickets, price, gross, and total.

Receipts for The Bill Lynch Shows

File contains 28 receipts and one envelope for The Bill Lynch Shows from June - August, 1951. Some of the receipts are for services including "grind shows," "girl shows," and "esquire." The locations include Moncton, Campbellton, Charlottetown, Lunenberg, New Glasgow, Fredericton, Amherst, Woodstock, Halifax, Saint Stephen, and Saint John.

Exhibitions 1960-61

File consists of records relating to exhibitions held at Dalhousie University between 1960-1961.

Records relate to 'A Not Always Reverent Journey', 'UNESCO Reproductions of Water Colors', and 'Pastels and Watercolors by Alfred Whitehead'. Records consist of an artist statement and biography for Alfred Whitehead, artwork price lists, memorandums from Dr. Usmiami, exhibition loan agreements, packing lists, schedules, itineraries, newsletters announcing exhibition openings, and correspondence between Dr. Usmiami and Rosamond Campbell, Ruth Henderson, Alfred Whitehead, Grace Keddy, and Joseph Purcell, Esq..

Exhibitions 1959-60

File consists of records pertaining to exhibitions held in the Fine Arts Room between 1959-1960.

Records consist of a handwritten note to Dr. Mirko Usmiami (Chairman of the Dalhousie Art Committee) from Sandy Mowat regarding an artwork by Arthur Lismer; a letter from M. Simmons (National Gallery of Canada); two letters from Miss Marian A. Johnston (President, Recent Grads Group, University Women's Club); correspondence requesting exhibition loans from the National Gallery of Canada; and a handwritten exhibition schedule.

Exhibition files 1958

File consists of records relating to exhibitions held at the Dalhousie Art Gallery in 1958.

Records include a memo from Alex S. Mowat (Chairman of the Dalhousie Art Committee) calling for submissions for the fifth annual showcase of artworks by students, staff, and alumni of Dalhousie University, held in April 1958; and a list of names and prices of artworks shown in the Canadian Medical Association Annual Convention's 'Exhibition of Paintings by Nova Scotian Artists', hosted by Dalhousie University in June 1958.

Exhibitions 1962-63

File consists of exhibition records for 1962-1963.

Records include an exhibition catalogue for 'Paintings by the Group of Seven'; loan agreements, exhibition lists, and schedules for exhibitions loaned from the National Gallery, including 'Paul-Emile Borduas 1905-1960', 'Photography 1840-1915', 'Drawings of Leonardo da Vinci I', and 'Early Painting in Canada'; correspondence from Dr. Usmiami requesting loans of artworks for the Group of Seven exhibition; a list of works and artist biographies for Anthony Law and Jane B. Shaw; a portrait of Paul-Emille Borduas; a description of the lecture series 'The Sculptor's Vision', and press releases.

Exhibitions 1961-62

File consists of records related to exhibitions held at the Dalhousie Art Gallery from 1961-1962.

Records consist of a clipping of a review titled 'Paintings by Lola Mould'; floor plan and photograph, exhibition text, and bibliography to accompany 'Contemporary Canadian Painting', loaned from the National Gallery of Canada; exhibition texts, lists of artworks, loan agreements, packing lists, itineraries for 'The Campaign in Northwest Europe', 'Sculpture Reproductions', 'Polish Posters', 'Maritime Art Association Exhibition', 'Highlights of American Painting', 'Contemporary Canadian Painting', and 'Kodachrome Slide Project'; handwritten notes; an information booklet; and exhibition entry forms for the 'Dalhousie Atlantic Award Exhibition'.

Exhibitions 1963-64

File consists of records related to exhibitions planned for the Dalhousie Art Gallery between 1963-1964.

Records include correspondence between Mirko Usmiami and Jean-René Ostiguy (National Gallery of Canada), cancelling several exhibitions after damage to artworks from the Paul-Emile Borduas exhibition; packing lists; itineraries; lists of available exhibitions from the National Gallery; and an exhibition lending agreement.

Exhibitions 1965-66

File consists of exhibition records for the period of 1965-1966.

Records consist of correspondence from Dr. Usmiami, exhibition schedules, a catalogue for 'Canadian Artist Series VIII: Cowley Bobak', organized by the National Gallery of Canada, and handwritten notes for exhibition plans for the Dalhousie Art Gallery.

Exhibition correspondence of Evelyn Holmes

File consists of correspondence records of Evelyn Holmes, Acting Curator of the Dalhousie Art Gallery. Records relate to the planning and presenting of various exhibitions between 1965-1967. In some cases, correspondence are addressed to former Dalhousie art gallery Curator, Mirko Usmiami.

Works by John Miller and Helmut Becker exhibition files

File consists of records related to the exhibition 'Works by John Miller and Helmut Becker' presented at the Dalhousie Art Gallery in March 1965 as part of the Know Your Artist exhibition series.

Records include an invitation, exhibition pamphlets, a Dalhousie news release, biographies and curricula vitae of John Miller and Helmut Becker; and a poster for the lecture 'Henry Moore, his life and work' presented by Helmut Becker on February 12, 1964 in the James Dunn Building of Dalhousie University.

Exhibitions 1964-65

File consists of exhibition records of the Dalhousie Art Gallery for 1964-1965.

Records include correspondence from Dr. Usmiami (Curator); lists; exhibition text for 'Four Masters – Pellan, Borduas, Riopelle, Dumouchel', 'Norwegian Stave Churches', 'Building a Nation', and 'Romanesque Paintings from Spain', loaned from the National Gallery of Canada; an artist biography of Goodrich Robert for the exhibition 'Goodrich Robert's War Sketches'; and an exhibition schedule.

Exhibitions 1967-68

File consists of records related to exhibitions planned for the Dalhousie Art Gallery between 1967-1968.

Records consist of notes and drafts for exhibitions schedules, lists of circulating exhibitions available through the National Gallery of Canada and the Maritime Arts Association, correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery), loan agreements, Dalhousie newsletters, and a programme brochure draft,

Exhibitions 1966-1967

Files consist of records relating to exhibition planning for the period of 1966-1967.

Records consist mainly of correspondence between Evelyn Holmes (Acting curator, Dalhousie Art Gallery) and staff of the National Gallery of Canada, The National Film Board, Louis Rombout (Acting Curator, Mount Allison University), Bruno Bobak, Carol Fraser, and others. Records also include an exhibition schedule for the Nova Scotia College of Art, and a list of exhibitions available for loan from the National Gallery.

Tony Keck musicmania exhibition files

File consists of records related to planning to present Tony Keck's exhibition of paintings 'Musicmaniamovement'. The exhibition was presented at the Dalhousie Art Gallery in January 1972.

Records consist of correspondence between the Dalhousie Art Gallery and Keck, photocopies of exhibition reviews for the show both at Dalhousie and previous galleries, a list of artworks, and an insurance certificate.

Object show

Item is a poster for a group exhibition by William Brent Ritchie, Douglas Kirton, Lorinda Moreau, and Martha Townsend held in July 1978 at Eye Level Gallery. The image on the poster is credited to Hartling.

Women's bookworks

Item is a poser for a survey exhibition of contemporary artists' books by Canadian women, including unique book-objects and printed edition works. The exhibition was held from January 12-31, 1981 at Eye Level Gallery.

Works defined by duration

Item is a poster for an event featuring performers Andrew Forster, Simon Scanes, Vera Lemecha & Alex Livingston, John Murchie, and Ellen Pierce & George Steeves, held from April 8-16, 1982.

Michael snow films: snow in December

Item is a poster for film series screened from November to December 1982 at the Dalhousie Art Gallery, Eye Level Gallery, and the Nova Scotia College of Art and Design Bell Auditorium.

At eye level

Item is a poster for a group exhibition held from December 4-22, 1984, at Eye Level Gallery. The artists that participated in this event were: Rose Adams, Elizabeth Devine, Cliff Eyland, Alex Livingston, Patrick Mabey, Glen MacKinnon, Paul Miller, Catherine Paul, Julie Schwartz, and Heather Scott.

The continuing thread

Item is a poster for a group exhibition of Barbara Luxton, Ann MacGillivray, Vita Plume, Leslie Sampson, and Ruth Scheuing presented by Eyelevel Gallery from January 7-25, 1986. The image on the poster is credited to Clayton & Sons, merchant tailors clothier, Argyle street, (Scotia Square) Halifax circa 1900 Nova Scotia Public Archives.

Reconstruction project

Item is a poster for Reconstruction Project, a group exhibition organized by Sabra Moore. The exhibition was presented at Eye Level Gallery from September 9-26, 1987.

Y Level summer symposium on validation

Item is a poster for exhibitions part of Y level summer exhibition series held from June 19-August 19, 1993. The exhibitions at Eye Level Gallery featured works by Vida Simon, Jane Williams, Jordan Broadworth, Leo Toner, Robert Nock, Jane Mothersell, Kelly Mark, Iris Seyler, Kate Monroe, Hall Smith, and Gordon Whiteside.

Life or something like it

Item is a poster for a new media exhibition featuring works by Ian Ingram, John Slepian, and Brandon Vickerd, held from March 18 - April 23, 2005, presented by the Centre for Art and Tapes and Eyelevel Gallery.

Billboards

Item is a poster for an exhibition held in June-October 2005. Billboards is a series of outdoor exhibitions presented by Eye Level Gallery. File also includes a photocopy of a newspaper clipping of an article written by Sean Flinn for the Chronicle-Herald about Eyelevel billboards event. The article was published on June 22, 2005.
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