File contains an autographed postcard photograph of Arthur Rubinstein with some handwritten music on the back, signed during his American tour in New York on May 18, 1873.
Item consists of handwritten correspondence written by Gilbert Sutherland Stairs to the MacMechans, dated April 19, 1904 in Brooklyn, New York, thanking both for their educational support, as well as providing updates of life at Harvard.
Item is a copy of Joseffy's composition, dedicated to his friend Moriz Rosenthal, and inscribed to Ellen Ballon. File includes a copy of handwritten piano scale exercises, presumably by Joseffy for Ballon.
Item is an autographed copy of Rafael Joseffy's edition of Paul de Schlözer's etude. It was published by G. Schirmer of New York as part of a "Studies for Concert Use for Piano Solo" series.
File contains the manuscript for Alberto Jonàs' "Novelette" for piano, which he wrote for Ellen Ballon. Ballon was one of his students in New York from c. 1916 until 1925.
Item is the sheet music for a song in E-flat Major for solo voice and piano by William Axt. The words are from a poem of the same name by Martha Lois Wells. It is stamped and signed with the name "Marry Thomas."
Item consists of a typescript copy of Carleton Stanley's address at the New York Alumni Banquet, March 26, 1932, discussing such topics as the rapid expansion of civilization, the problems inherent in defining economic history, changing education, and reversing the decline of certain faculties.
Item consists of a typescript copy of an address delivered by Carleton Stanley before Dalhousie University alumni at an event in New York, May 4, 1934, discussing the financial situation at Dalhousie during a period of worldwide economic tumult. Speech was initially prepared May 2, 1934.
File contains a series of letters between Arthur Gale and Alexander Leighton regarding his film "Porpoise Oil." The correspondence includes an announcement of its inclusion as an Honorable Mention by Movie Makers staff in the selection of the Ten Best Non-theatrical Films of 1937, as well as letters about an article Gale commissioned from Leighton about the making of his film. There is also correspondence from 1941 with James Moore at The Amateur Cinema League regarding Alexander Leighton's possible submission of his film about Navajo life, "Work for your Own," for a contest in the Special Class.
File contains a printed letter from the White House sent in response to an invitation from Ellen Ballon for Mrs. Anna Eleanor Roosevelt to attend an event in New York on November 28, 1944.
Item is a note from William "Willie" Somerset Maugham written to Ellen Ballon on the reverse side of an advertisement for three recitals in New York (April 4, 11, 25, 1945) performed by Ellen Ballon and recorded by the radio station WNYC.
Item is one of two copies of the first and second bassoon parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Henrique Martins. This part was used by the second bassoonists.
Item is one of two copies of the first and second bassoon parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Henrique Martins. This part was used by the first bassoonists.
Item is an autograph manuscript of Heitor Villa-Lobos's reduction for two pianos of his Piano Concerto No. 3, completed in New York in 1956. The composition was commissioned by the Brazilian pianist Arnaldo Estrella.
File contains correspondence with Alex Comfort, V. Dedijer, Da Capo Press Inc., Encyclopedia of the Sea, Rita Ettl, Fayard Editions, Peter Fricke, FAO (the Food and Agriculture Organization of the United Nations), Donald Gledhill, and Jay Goldburg Cousteau Society.
File contains correspondence with Landshoff of Harry N. Abrams, Inc., Kodansha Publishers Ltd, Encyclopedia Britannica, Aurelio Peccei (The Club of Rome), and La Nouvelle Agence. Most of the correspondence surrounds Mann Borgese's "The Drama of the Oceans," and securing the rights of various photographs for publication in that work. File also includes a mock-up of a brochure for the International Ocean Institute (IOI) and friends of the IOI ("What Can You Do to Save the Oceans?") as well as a newspaper clipping. See also MS-2-744, Box 95, Folder 2 and MS-2-744, Box 83, Folder 23 for more correspondence with Landshoff.
File contains correspondence with the Commission of the European Communities, Rallph Collier, Consumers Union of US Inc., Centre d'Architecture de la Mer, Jerrgen Claus, Mae Cullin, Rafael Castello-Valdis, Ray Canterbury, Jonathan Charney, CBS, Nigel Calder (on "The Blue Revolution"), Michelle Canterella, and "Conjunctions."
File contains correspondence with Pilkington Bros. Ltd., Princeton University Press, Alessandro Olschki, Claire McDonald, Sheila Martin, Boston Museum of Fine Arts, N. B. Marshall, Tom Mahnken, The Metropolitan Museum, Harry N. Abrams, Cyril Glasse, Judith Munns, Brian J. Rothschild, Donna D. Schwartz, A. M. Kennedy, Kjel Sandved, Srpoka Knizevna Zadruga, Flip Schulke, Professor Vigneaux, John Sylvester, Jack Drafahl, Deirdre Silberstein. Most of the correspondence relates to clearing pictures for inclusion in Elisabeth Mann Borgese's "The Drama of the Oceans."
File contains a speech by Ambassadr Pardo delivered to Subcommittee III of the Committee on the Peaceful Uses of the Sea-Bed and the Ocean Floor Beyond the Limits of National Jurisdiction. This version has handwritten comments and marking by Elisabeth Mann Borgese.
File includes correspondence with Alexandera Post, T.V.R. Pillay (Food and Agricultre Organization of the United Nations), Princeton University Press, O.S. Plue, Prentice-Hall of Canada Ltd, Les Presse de la Cité, Elaine Partnow, Praeger Publishers Inc., M. Piovene, and PHP Institute Inc. Also includes "The Implications of Change in Mining Finance and Participation" by Alexandra Post, excerpts from "Ocean mining" by Alexandra Post, a proposal on deepsea mining by Alexandra Post and a report from the Food and Agriculture Organization (FAO) of the United Nations, "Progress of Aquaculture" by T.V.R. Pillay.
File contains correspondence with Mike McCormack, Carol McCabe, McGraw-Hill Book Company (on a piece Mann Borgese wrote for "Today's Secretary"), Donald McDonald, and J.B. MacInnis. See also MS-2-744, Box 226, Folder 18 for additional correspondence between Mann Borgese and MacInnis.
File contains correspondence with the "Quarterly Review of Biology," Joyce Rosner, Mr. Ronning, and Plenum Publishing Corporation (the latter referring to pictures for inclusion in "The Mines of Neptune").
File contains an untitled draft article, correspondence with B. Foodagri, F. Hall, A. Biro, and P. Hendry, regarding "Ceres" and a copy of the journal "Ceres" (November-December 1974) cointaining the article "The Common Heritage" by Elisabeth Mann Borgese.
File contains correspondence with Dimitri Rebekoff, John Schaffner, University of Chicago Press, Phie van Ettinger. Also includes a Rebekoff Institute notice, advertising courses at the Institute.
File contains correspondence with Berudt Richter, Jacques Rougeru (of the Centre d'Architecture de la Mer et de l'Espace), Don Reed, Ruder and Finn, and Ruth Ross. Topics of discussion include Borgese's "The Drama of the Oceans," the International Ocean Institute (IOI), and a speech Borgese gave at the Henry Salvator Center (which includes a transcript, with handwritten annotations and corrections by Borgese).
File includes correspondence to/from: [Kirthisinga], Dale Krause (United Nations Educational, Scientific and Cultural Organization, or UNESCO), Martin Kaplan (World Health Organization, or WHO), Heimo Kellner, Birabhongse Karemrri, Johan Kaufman (The Permanent Representative of the Netherlands to the United Nations), Susan Kaeser (World College West), and Franz Koenig (Archbishop of Vienna), which discusses the Holy See's position on the Law of the Sea.