Fonds contains records that document the activities of the Halcon/Hal-Con Science Fiction Society, primarily Halcon festivals presented in Halifax, Nova Scotia. Materials include correspondence, meeting minutes, membership lists, posters, newsletters, program books, membership cards, and press clippings. Fonds includes materials on Halcon 2 (held in 1979), Halcon 3 (held in 1980), and Halcon 4 (held in 1981). Fonds also includes materials from Hal-Con 2015, Hal-Con 2016, and Hal-Con 2017.
Fonds consists of records documenting the history of the Ecology Action Centre, both internal and outreach activities, and include correspondence, annual reports, administrative records, committee files, subject files, and an extensive library of audiovisual materials on a variety of environmental and ecological topics.
Fonds includes circulars issued by Dalhousie University to recruit members for the Canadian Union of Public Employees as well as circulars issued by the Canadian Union of Public Employees to the existing Dalhousie University members. Also included in the fonds is a poster highlighting guest speaker Grace Hartman.
Fonds consists of records pertaining to the administrative, operational, financial, and artistic activities of the ASO. Included are materials documenting the Board of Directors, box office operations (including ticket sales), financial affairs, fundraising, general administration, guest artists, orchestra members, public relations and publicity, and the union. Also included is the photograph series which presents a visual record of various aspects of the orchestra's activities, including performances and women's auxiliary events as well as publicity shots of musicians, conductors, staff, and guest artists.
Fonds consists of Richard Lewis Evans' records regarding Dalhousie Law School's applications for the Emil Gumpert Award of the American College of Trial Lawyers, including the applications submitted for the award, correspondence, newspaper clippings, photographs, and related news releases and periodicals.
Fonds consists of Allan Currie Dunlop's records documenting his student years at Dalhousie University, including materials regarding the Dalhousie Alumni Association, Dalhousie Student Council, Dalhousie Student Union, Dalhousie University men's residence, and student political activities. Fonds contains correspondence, photographs, reports, programmes, meeting minutes, newspaper clippings, student newspapers, Dalhousie University residences' administrative records.
Fonds consists of records created for and as a result of the performance activities of the Halifax Camerata Singers. Records include posters and programs from concerts\ and administrative and financial records from the Board of Directors of the not-for-profit society.
Fonds consists of Janet M. Eaton's materials regarding her professional involvement with the Canadian Association for Adult Education and the Continuous Learning Association of Nova Scotia. Fonds includes meeting minutes, reports, correspondence, conference programmes, and other textual records.
Fonds consists of Marjorie Stone's records illustrating her professional involvement with the Dalhousie University English Department, Dalhousie University Graduate Faculty Review Committee, Dalhousie Women Faculty Organization, and the Women's Action Coalition of Nova Scotia. Record types include correspondence, meeting minutes and reports.
Series consists of Janet M. Eaton's materials regarding her professional involvement with the Canadian Association for Adult Education. Series includes correspondence, reports, clippings, conference programmes, meeting minutes, and other textual records.
Fonds documents the management and theatrical productions of Two Planks and a Passion Theatre Company from 1992-2016. Series include Administrative, Education and outreach, and Production records, the latter being divided into subseries reflecting the types of materials generated by theatrical productions, including prompt books, posters and programs, photographs and reviews. A sousfond, Ross Creek Centre for the Arts, contains records illustrating the development of the Centre , which was founded by Two Planks' artistic directors, Chris O'Neill and Ken Schwartz.
File contains a poster regarding the Mary Celeste from Walter De Wolfe's Craft Shop (undated) and a pamphlet titled "The Mary Celeste - The Odyssey of an Abandoned Ship" by The Atlantic Companies (1942).
File contains two undated promotional leaflets (likely from the late 1930s or early 1940s, promoting Kenneth Leslie poetry readings and discussions. The earliest of the two leaflets, on off-white paper, is entitled "Kenneth Leslie / Poetry Readings -- Discussions / Mr. Leslie / Reads His Own Poetry / Discusses Contemporary Poetry / Helps you Develop Your Poetry" and contains a small portrait of a youthful Leslie wearing a fedora. It contains testimonials from Charles G.D. Roberts, Robert Norwood, and Lawrence H. Conrad on the verso. The second leaflet, printed on yellow paper, also undated, but after 1938, is entitled "Kenneth Leslie : Singer-Composer / Poet", contains a portrait of Leslie to the upper left corner, with a short bibliography (ending in "By Stubborn Stars". The front contains words promoting Leslie's talent from 'Voices', 'London Times', Sir Charles Roberts, 'N.Y. Herald Tribune', 'Halifax Chronicle', Reverend Sister Maura, 'Charlottetown Guardian', and Shaemas O'Sheel, while the verso has further testimonials under the heading "What they say of Kenneth Leslie's poetry...." with the sub-headings "In London, England", "In Toronto", "In New York", and "In Charlottetown".
This collection consists of tools, artifacts, textiles, photographs, pencil sketches, pamphlets, posters, and a video cassette that were collected by Nova Scotia Agricultural College staff through their travels via partnerships with universities and organizations around the world. Materials reflect agricultural and rural traditions from the areas they were collected in. The artifacts were collected from and photographs taken in Kenya, The Gambia, Ghana, Ethiopia, The Sudani, New Guinea, Angola, Nepal, Malaysia, Thailand, China, Czechoslovakia, Melanesia, Columbia, The Caribbean, and Jamaica.
Fonds consists of records that document every aspect of Neptune Theatre as an organization, including various textual records and graphic and audio-visual material pertaining to productions, events, personnel, and the administration of the Theatre. Types of records include correspondence, meeting minutes, reports and newsletters, financial records, box office records, applications, licenses, contracts, scripts, posters, newspaper clippings, production notes, programs, press kits, videocassettes, audiocassettes, negatives, contact sheets, slides, photographs, and other materials.
This collection contains materials related to the administration and productions of Theatre 1707 as well as the Bit Players society. The records include administrative documents, reports, programs, posters, proposals, newspaper clippings, reviews, and photographs.
This fonds consists of records regarding the administration, membership, and productions of the Upstart Theatre Company. Types of records include press releases, press clippings, and other promotional materials, photographs, financial material, meeting minutes, reports, scripts, among others.
Fonds primarily consists of documentation related to publicity, personnel, equity, and the Canada Council for the Arts as well as scripts, production-based records, administrative files, correspondence, PACT files, contracts, annual meeting notes, ROADies records, financial statements and information, board meeting notes, brochures, audio tapes, photographs, and production posters.
Fonds consists of documents created and collected by Eyelevel Gallery that reflect all aspects of the gallery’s management. The fonds includes artist files, slides, administrative files, publicity files (including press releases), correspondence, publications, financial documents, contracts, minutes of board of directors meetings, photographs, fundraising files and membership lists, audio and videocassettes, CDs, DVDs, books, and programmes, catalogues, posters, reviews, guest books, and miscellaneous files regarding exhibitions and events. Some digital records in this collection have been migrated from CD's.
File contains programs from awards ceremonies from awards that Budge Wilson was nominated for and/or won, including the City of Dartmouth Book Ward (for Cordelia Clark, 1995); the Ann Connor Brimer Award (for Sharla, 1998); and the Children's Book Week Gala (at which Wilson gave the Ann Connor Brimer Keynote Address in 1999).
File includes incoming correspondence and copies of Budge Wilson's outgoing correspondence. The file also contains some promotional materials, including a poster for Wilson's appearance at the Winnipeg Public Library and a copy of "Children's Book News" advertising the festival.
File contains two copies of a poster for the Edmonton International Choral Festival, one of which is autographed by many of the performers in the Halifax Camerata Singers, the Rhapsody Quintet, the Chair of the Camerata Board, and the Manager. The Festival featured performances by Pro Choro Canada (Edmonton), Voces Noricae (Sweden), the Halifax Camerata Singers, and the Festival Choir.
File contains three copies of a poster for two concerts by the Halifax Camerata Singers in collaboration with Nova Voce, Nova Scotia's provincial men's choir, and Shimon Walt on cello. The concerts featured the world premiere of "Crimson Stain" by Larry Nickel and took place at the Knox United Church in Lower Sackville, Nova Scotia and the First Baptist Church in Halifax, Nova Scotia.
File contains three copies of a poster for two concerts by the Halifax Camerata Singers in collaboration with the Sirens (Kelsea McLean, artistic director). They performed at the Park Royal United Church in Charlottetown, Prince Edward Island and at the First Baptist Church in Halifax, Nova Scotia.
File contains two copies of a poster for a concert by the Halifax Camerata Singers in collaboration with the Rhapsody Quintet and Jeremy Webb, which took place at the Paul O'Regan Hall in the Halifax Central Library.