- MS-5-21, Box 15, Folder 10
- Item
- [19--]
Part of Paul Cram fonds
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Part of Paul Cram fonds
Part of Paul Cram fonds
The magic order : [score and parts]
Part of Paul Cram fonds
Part of Paul Cram fonds
Item is an annotated score of a work first performed by Upstream Orchestra in memory of Steve Lacy on May 18, 2013 at the International Festival de Musique Actuel, which commissioned the work, in Victoriaville, Quebec. The piece was played alongside "Convoy HFX" and "Witch Gong Gang II/10." The Upstream Orchestra included Jeff Reilly, conduction; bass clarinet, Tena Palmer; voice, Rick Waychesko; trumpet, Chris Mitchell; soprano sax/flute, Paul Tynan; trumpet, Kenny MacKay; alto sax, Danny Martin; trombone, Paul Cram; tenor sax/clarinet, Tom Walsh; trombone, Dawn Hatfield; baritone sax, flute, Geordie Haley; guitar, Scott McMillan; guitar, Tim Crofts; synthesizer, Steven Naylor; piano, Lukas Pearse; contrabass-electronics, David Burton; drums, Danny Parker/contrabass, Doug Cameron; drums; and Erin Donovan, percussion.
The top of the score pages are in standard notation and provide the music for different instruments. The bottom half of each page is in graphic notation with symbols noting improvisational cues and solos for each instrument. There also parts for B, Bb, Eb, bass, and drums. There are two pages of smaller visual notations. The score was composed for voice; 2 trumpets; 2 trombones; soprano sax/flute; alto sax; tenor sax/clarinet; baritone sax; piano; synthesizer; 2 guitars; 2 basses; 2 drum sets; and percussion.
Part of Upstream Music Association fonds
Bauer, Bob
Part of Upstream Music Association fonds
Reilly, Jeff
Part of Upstream Music Association fonds
Ellis, Lisle
Fonds consists of records created by Symphony Nova Scotia in the course of its regular business activities. The majority of the records were created during the process of concert-planning, including special concerts, annual concerts, tours, and concert series. These records include artist contracts, marketing and development documents, internal memos, and correspondence with artists and sponsors.
Records also consist of internal management records, including personnel records, office management files, and the files of the Board of Directors, Executive Director, and Chief Executive Officer. The financial administration of the Symphony is documented though budgets, statements, ledgers, and tickets sales data.
The fonds also contains concert programs and promotional material such as posters, advertisements, flyers, newsletters, and other publications. The final section of the fonds consists of audiovisual and graphic material. There are audio recordings of performances and interviews of Symphony personnel as well as video recordings of advertisements and performances. The graphic material includes promotional photographs and photographs of the orchestra.
Symphony Nova Scotia
Ronald St. John Macdonald fonds
Macdonald, Ronald St. John, 1928-2006
Echoes of time weeping : a dramatic solo for soprano and tape : [score]
Part of Upstream Music Association fonds
Moore, Sandy
Part of Paul Cram fonds
Ronald St. John Macdonald’s personal records
Part of Ronald St. John Macdonald fonds
Part of Paul Cram fonds
Ronald St. John Macdonald’s memorabilia
Part of Ronald St. John Macdonald fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
Scores catalogued by the Canadian Music Centre (CMC)
Part of Paul Cram fonds
Trouble in paradise / Paul Cram
Part of Paul Cram fonds
Part of Paul Cram fonds
Trouble in paradise / by Paul Cram
Part of Paul Cram fonds
Part of Upstream Music Association fonds
Subseries contains the conductor’s score, instrumental, and vocal parts used for the premiere performance of Nasca Lines by Barry Guy. Nasca Lines is a one-hour, seven-part work that was commissioned by the Upstream Ensemble and premiered in collaboration with the Symphony Nova Scotia on June 3, 2001 at the Scotia Festival with conductor and composer, Barry Guy.
The composition is named after and inspired by the geoglyphs in the Nazca Desert, Peru, which include outlines of animals and various geometric shapes. Graphical representations of a selection of these geoglyphs are used in the graphic notation of this score, particularly in parts 3 and 7.
Nasca Lines is an atonal work that uses a combination of composed material, based on tone rows and pitch class sets, and guided improvisation. There are twenty instrumental parts and one vocal part.
Part of Upstream Music Association fonds
Cram, Paul
Part of Paul Cram fonds
Part of Paul Cram fonds
Drum parts from the PCO "Campin Out" tour
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
Pedersen, Stephen Alan
Part of Upstream Music Association fonds
Reilly, Jeff
Part of Upstream Music Association fonds
Reilly, Jeff
Part of Paul Cram fonds
Part of Upstream Music Association fonds
Cram, Paul
Corridors of power / Paul Cram
Part of Paul Cram fonds
March of the Philistines : saxophone in E-flat and clarinet in B-flat
Part of Upstream Music Association fonds
Cram, Paul
Part of Upstream Music Association fonds
Cram, Paul
Riffs a la rondo : [for piano]
Part of Upstream Music Association fonds
Palmer, Chris
Part of Upstream Music Association fonds
Reilly, Jeff
Part of Upstream Music Association fonds
Reilly, Jeff
Mountains of madness : concert pitch
Part of Upstream Music Association fonds
Part of Paul Cram fonds
Cheap seats : C and B-flat instruments
Part of Upstream Music Association fonds
Cram, Paul
Part of Upstream Music Association fonds
Cram, Paul
Unnamed improvisational composition : [piano score]
Part of Upstream Music Association fonds
Cram, Paul
Fantasy island : [B-flat and C parts]
Part of Upstream Music Association fonds
Part of Upstream Music Association fonds
Part of Upstream Music Association fonds
Part of Paul Cram fonds
Part of Upstream Music Association fonds
Cram, Paul
Part of Upstream Music Association fonds