Fonds consists of Patricia Monk's records regarding the research and writing process of her book The Gilded Beaver: An Introduction to the Life and Work of James De Mille (Toronto: ECW Press, 1991). Fonds includes photographs, correspondence, research notes, transcripts, and other textual records.
Fonds comprises the records of William Edward Maclellan and his family's records, including those of including William Edward and Margaret Jane (Mackenzie) Maclellan; Edward Kirkpatrick and Helen Stewart (Mackay) Maclellan; Robert (Bob) William and Delphine Caroline (Wallace) Maclellan; Jean Stewart Maclellan; Robert William Maclellan; and David Kirkpatrick Stewart Maclellan. Record types include correspondence, photographs, films, newspaper clippings, poems, certificates, booklets, periodicals, notebooks and genealogical charts.
Fonds consists of materials regarding the Charles Walmsley's academic life and his activities as a faculty member of Dalhousie University, including notebooks, lectures notes and a manual of the first year of the Dalhousie course of mathematics. The fonds also contains correspondence sent to Mr. and Mrs. Charles Walmsley and others textual records.
Fonds consists of correspondence (1943-1975), publications (1946-1970), addresses and forewords (1944-1977), unpublished documents (1952-1978), material collected for reference and other purposes, newspaper cuttings, memorabilia (1934-1977), and black and white photographs (1946-1975), written or collected by Guy Henson. Reference and other materials pertain to a wide variety of topics, including golf, education in Nova Scotia, political movements and current affairs, social causes, labour, management, and the activities of many local, provincial and national societies.
Series consists of Henry Orenstein's materials regarding his professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds contains several of Henry Orenstein's art pieces and sketches, including related to the "Sudbury Industrial Landscape" project. In the 1950s, Henry Orenstein was commissioned by the Mine, Mill and Smelter Workers of Sudbury to paint a mural for the local union hall, which was the centre of a broad-ranging cultural role of Mine Mill Local 598 in the Sudbury area. At that time, Mine Mill was in the midst of a series of raids by the United Steelworkers.
Fonds consists of Joan and Henry Orenstein's materials regarding their professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds includes several photographs of Joan Orenstein acting, Henry Orenstein's art pieces and sketches, and Joan and Henry Orenstein's family photographic negatives.