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The problem of the bridge : [manuscript]

File contains an undated (presumably 1913 or 1914, while a student at the University of Nebraska) typed manuscript entitled "The problem of the bridge", written by Kenneth Leslie, and submitted to his professor as part of a course in philosophy. The "bridge" of which Leslie writes is discussing the "problem of metaphysical knowledge". File discusses the Eleatics, Aristotle, Descartes, Spinoza, Locke, Berkeley, Hume and Kant in relation to metaphysical knowledge.

Magic : [manuscript]

File contains a typed manuscript essay entitled "Magic", written by Kenneth Leslie on October 8, 1913, when he was a student at the University of Nebraska. File addresses the role of sympathetic magic and mimetic magic in "modern scientific methods and principles". File discusses the notions of "post hoc ergo propter hoc", "similia similibus", and "Homo mensura", with examples.

Correspondence of Daniel C. Harvey

  • MS-2-30, SF Box 16, Folder 4
  • File
  • 1913-1928
File consists of correspondence to Harvey from Dr. A. MacMechan and his wife, a recommendation letter from MacMechan to Edwin Laftus, and a letter from George W. Robinson to Dr. MacMechan.

Harvey, Daniel Cobb, Dr.

The continuity between instinct and intelligence : [manuscript]

File contains a typed manuscript of an essay entitled "The continuity between instinct and intelligence", written by Kenneth Leslie while he was a student at Harvard University, likely in 1915. File also contains handwritten notes and remarks from Leslie's professor, "E.B.H.", presumably Edwin Bissett Holt, lecturer in Psychology.

The social aspect of the idea of truth and reality : [manuscript]

File contains an undated typed manuscript entitled "The social aspect of the idea of truth and reality", presumably written in 1915, by Kenneth Leslie, when he was a student at Harvard University. File addresses Leslie's notions of perception, conception, and interpretation.

Assorted documents and photographs of Joyce Barkhouse

File includes a letter to children's author Claire MacKay and copies of publications that include stories by Joyce Barkhouse, including Hi Venture magazine and the Canadian Children's Literature journal. The file also includes photographs of Blomidon, King's County, Nova Scotia and the Town of Lunenburg, Nova Scotia, in addition to copies of poems, birthday invitations, an edited biography of Joyce Barkhouse from the Writers' Federation of Nova Scotia website, and family history documents.

Legal essay offprints, correspondence, and other records

File includes offprints of Policy controlled state interest analysis in choice of law, measure of damages, tort cases, by Moffatt Hancock; Biblical atonement and modern criminal law, by Jerome Hall, "No distant millennium: the international law of human rights, by John Humphrey, Trials and tribulations of a bluenose barrister, by R.A. Kanigsberg, Constitutionalism and the treaty, by James M. Henry; La capacite internationale des etats: l'exercice du jus tractatuum, by Andre Patry; three typescripts of Dalhousie Law School, 1945-1950; The constitutional framework of the international community and The evolution of international law 1945-1985; a letter dated 3 May 1919 addressed to the secretary of the Civil Service Commission of Canada; Kluwer Law International newsletter, vol. 1(2); a transcript of a conversation between Ronald St. John Macdonald and Elisabeth Mann Borgese dated June 30, 1999; a draft version Niki Tobi's Judge Taslim Olawale Elias; the Canadian Council on International Law membership directory and 34th annual conference programme; and the European Court of Human Rights meeting minutes and reports.

Music notebook

File contains a bound notebook used by Kenneth Leslie for the purposes of writing musical notations and scores, presumably from the 1930s. The notebook is largely blank, with only four pages used by Leslie. The first page contains an untitled melody fragment four bars long in the F-major key, written in pencil, with notations in both bass and treble. The second page contains a fragment of a song entitled "Sheep and Lambs", with music by Kenneth Leslie and words by Katharine Tynan (misspelled "Katherine"), with treble notations, in 3/4 metre and the F-major key. The third entry is a song entitled "So It Rises So It Soars", with words and music by Leslie, written in G-major key, the first two lines being "Builder of my growing soul / Found in deeply as you must". The fourth and final entry is an eight-bar fragment, in G-major, following a leaf that was torn out.

Davis, Mary

File contains a typed letter unsigned by Kenneth Leslie, written on March 19, 1931 to be sent to Mary Davis of Summit, New Jersey. File addresses outlining an evening of Gaelic dance and music, organized by Kenneth and his first wife, Elizabeth Moir, mentioning the potential of his three young daughters assisting in the dancing. The goal of the program is to display the "instrumental music, song, and dance, expressive of the classic culture of Gaeldom. File also contains a facsimile of Leslie's letter.

My love she walks not with me : [manuscript]

File contains a handwritten manuscript of a song entitled "My love she walks not with me", with words and music by Kenneth Leslie, undated (but written presumably in the mid-1930s, after the collapse of his first marriage). The song is written in F-major, contains 24 bars of music in treble, and begins with the lines "The fragrance of the hawthorn and the rose after rain / Makes my misery completer". Music and words are written on only one page.

Self-portrait of Kenneth Leslie

File contains an undated and incomplete self-portrait, drawn and painted by Kenneth Leslie, likely from the late-1930s. Leslie's head has been fully painted while the rest of his body and the background remain unpainted, a penciled drawing. On the verso of the painting, Leslie has written the following: "This is a self-portrait of / myself when in misery from / the loss of my family. / Ken". It relates to the collapse of his first marriage, wherein his first wife, Elizabeth Moir, left Leslie, taking their children with her.

Kenneth Leslie's sketchbook

File contains an undated No. 7191 "Monterery" drawing spiral sketch book, containing pencil drawings by Kenneth Leslie, with artwork created presumably in the late 1930s or early 1940s. The sketchbook is largely blank, however, there are pencil drawings on the first three pages. The first is a 45° side-on portrait of "R. Currie" signed by Leslie. The second is an untitled study of a woman's face as she leans forward. The third is also untitled, the beginnings of a rural scene with a cabin at the end of a roadway.

Landscape painting

File contains a watercolour painted and signed by Kenneth Leslie, presumably in the late-1930s. The painting depicts a rural setting -- quite likely of somewhere in Pictou County -- with a brown fence in the fore-ground, a narrow peninsula stretching into a river, with low hills in the distance.

Promotional materials for poetry readings

File contains two undated promotional leaflets (likely from the late 1930s or early 1940s, promoting Kenneth Leslie poetry readings and discussions. The earliest of the two leaflets, on off-white paper, is entitled "Kenneth Leslie / Poetry Readings -- Discussions / Mr. Leslie / Reads His Own Poetry / Discusses Contemporary Poetry / Helps you Develop Your Poetry" and contains a small portrait of a youthful Leslie wearing a fedora. It contains testimonials from Charles G.D. Roberts, Robert Norwood, and Lawrence H. Conrad on the verso. The second leaflet, printed on yellow paper, also undated, but after 1938, is entitled "Kenneth Leslie : Singer-Composer / Poet", contains a portrait of Leslie to the upper left corner, with a short bibliography (ending in "By Stubborn Stars". The front contains words promoting Leslie's talent from 'Voices', 'London Times', Sir Charles Roberts, 'N.Y. Herald Tribune', 'Halifax Chronicle', Reverend Sister Maura, 'Charlottetown Guardian', and Shaemas O'Sheel, while the verso has further testimonials under the heading "What they say of Kenneth Leslie's poetry...." with the sub-headings "In London, England", "In Toronto", "In New York", and "In Charlottetown".

Such a din! : poems

File contains Kenneth Leslie's personal copy of his collection of poems, 'Such a din!', published in 1936. Leslie used this copy as a working copy when compiling his anthology of poems, 'O'Malley to the Reds and other poems" in 1972. File contains inked corrections, additions, and excisions in Leslie's hand (addition of dedications -- largely to Robert Norwood -- for a few poems, as well as a few title and spelling changes, with poems not be included in the anthology crossed out).

Reading notes on seminar on Romanticism

File contains a plain green notebook with red plastic spiral binding, used by Kenneth Leslie -- likely in the early 1940s (after 1936) -- for the purposes of compiling reading notes related to a seminar on Romanticism and the Romantic movement in literature. File largely contains Kenneth Leslie's densely-handwritten reading notes relating to his close study of Irving Babbitt's book 'Rousseau and romanticism'. File also contains a short bibliography of works on Romanticism (the latest entry dated 1936, with a reminder to purchase "the Modern Library giant -- Hawthorne" which was first published in 1937.

Kenneth Leslie's Protestant Digest and Textbook Commission letter book

File contains Kenneth Leslie's letter book from the early years of The Protestant Digest, and the Textbook Commission to Eliminate Anti-Semitic Statements in American Textbooks, dated 1938 to 1943. File contains full correspondence as well as snippets from Kenneth Leslie's letters, Protestant Digest documentation, favourable testimonials about The Protestant Digest, as well as Leslie's efforts to attract scholars to join the editorial board of The Protestant Digest.

The letter book is divided into the following sections:
- Textbook Commission: with a "general invitation to join the Textbook Commission to Eliminate Anti-Semitic Statements in American Textbooks as well as Leslie's letters to Richard E. Gutstadt, Samuel Radbill, Joseph Barth, E. George Payne, Chas. Feltman, Sol Tekulsky, Brigadier-General Chaplain William R. Arnold, St. Anthony Guild Press, the Confraternity of the Precious Blood, E.E. Wheeler, Louis Broido, and Abraham A. Neuman;

- Released Time: responding to critiques from the Editor of Commonweal, the editor of the Friends of the Public Schools of America, Harriet V. Postman, Simon Certner, Mrs. Yorke Allen, Mark Starr, and James King;

- Anti-Semitism: letters and support to Isaac Rosengarten, Marion B. Sulzberger, Joseph Gorelik, Dr Albert W. Palmer, Rabbi Stephen S. Wise, Hon. Fiorello LaGuardia, Senator James E. Mead, Margaret Lee Southard, Philip Slomovitz, Rabbi Jerome Unger, and Mrs. Louis L. Browne;

- Social Action and Negro: letters to the editor of the New York Post, John T. McManus, the Women's National Radio Committee, Dr Benjamin E. Mays, Donald West, Hon. Sumner Welles, Patrick Malin, Dr A. Clayton Powell Jr., Donald Young, Robert Searle, Bridget Clark, Mrs Franklin D. [Eleanor] Roosevelt, Sylvia Loomis, Annette Smith Lawrence, Mrs. Julius O. Adler, Harold Rosswell, Philip Murray, Chaim Weizmann, Meyer Weisgal, Samuel McCrea Cavert, Dr Adolf Meyer, Eugene R. Shippen, Attorney General Francis Biddle, and the text of a "statement for the special Negro issue of New Masses, October 1, 1942";

- The Protestant Digest, later The Protestant: with subheadings for Documents, Beginnings -- Motif -- Aim -- Purpose, Epigrams (to Nora Bateson, John L. Lewis, Edward T. Friendly, American League for Peace and Democracy, John Temple Graves II, Walter Winchell, Paul Vincent Carroll, Carl W. Shaver, Dr J.H. Rushbrook, Rev. J.T. Widner, Bishop Ralph A. Ward, Sara Graham Mullhall, Maurice Rosenblatt, Mrs. A. Goshawk, Hon. Henry A. Wallace, Cyrus S. Eaton, and Mrs. Leonard K. Elmhirst;

- Comments on The Protestant Digest, later The Protestant, Favorable: with comments from Eleanor Roosevelt, The Christian Register, Zions Herald, Social Action Digest, Reinhold Niebuhr, Dr. W.K. Wilson, Mrs. Andrew Gardner, Presbyterian Tribune, Joseph Fort Newton, Upton Sinclair, Edward Holton James, George N. Falconer, Edward T. Friendly, Nora Bateson, O.R. Thome, Miss Ada L. Snell, A.W. Heinle, Clifford J. Laube, I.C. Thorgaard, Ellis Huntington Dana, Hamish Hamilton, H.A. Crossley, Clarence E. Wilson, Carl W. Shaver, Walter C. Leck, Rabbi Joseph S. Shubow, P.L. Howe, Kay Smith, Robert C. Harder, M. Milton Talkin, Arthur Settel, Robert H. Ellis Jr., I.M. Sholkin, Fred Eastman, Florence L. Cox, Rev. Robert H. Eads, Stephen S. Wise, Angie Wynn, John Granberry, Samuel L. Hamilton, Leon Wolf Levy, W. Edgar Gregory, Guy Henson, R. Lloyd Pobst, Don MacDiarmid, D. Arthur Bowman, Harry C. Steinmetz, Lester L. Greenbaum, the New York Post, R.O. Johnson, Maria Halberstadt, Pierre vanPaasen, Louis Adamic, Sam G. Johnson, Laird T. Hites, Frank Mlakar, C. Oumansky, George R. Bryant, Robert Ulich, Mrs. A.B. Cross, Rev. Hurley Begun, Horace T. Houf, Frank D. Graham, Ivy Litvinoff, Rev. Alfred V. Bliss, Peter Kamitchis, Rev. Edward Morris, Gerald M. Meyer, William Bouck, R.. Dundon, Edwin McNeil Poteat, Stanley High, Ione Riggs, Bishop James Cannon Jr., Olive Anderson, Robert Whitaker Edward H. Redman, John A. Lee, John A. MacKay, Walter M. Kraus, Theodore D. Jervey, Neason Jones, Sidney A. Goodman, Mrs. A. Allyn, Marion Neville, Albert F. Gilmore, Richard J. Davis, and Ralph W. Wescott;

- Invitations to join the Board of Editorial Advisors, epigrams: with letters to Albert Einstein, Sherwood Eddy, Bishop Edward L. Parsons, George Bernard Shaw, Rt. Rev. Malcolm E. Peabody, Charles Evans Hughes, Rt. Rev. Benjamin, Ralph Barton Perry, and Bishop G. Bromley Oxnam;

- The Protestant Digest Associates, epigrams: with letters to Martha Gelhorn [sic], Vilhjalmur Stefansson, Helen Lynd, William Jay Schieffelin, Rev. Edward Morris, Ida Pellar, Judge Benjamin Shaleck, and Cyrus Eaton.

Press clippings about The Protestant

File contains facsimiles of newspaper clippings collected by Kenneth Leslie, between 1939 and 1946, containing articles (complimentary or otherwise) about Leslie's periodical 'The Protestant'. File includes clippings from America: A Catholic Review, the Brooklyn Eagle, the Brooklyn Tablet, the Fayetteville (N.C.) Advocate, the International Jewish Press Bureau, the Jewish Advocate, the Jewish Examiner, the Memphis Press Scimitar, the New York Times, the New York World Telegram, the Southern Israelite, among others.

Translations of Aslaug Vaa poems : [draft manuscripts]

File contains three undated (likely in the 1940s) partial translations of poems originally written by the Norwegian poet Aslaug Vaa (b. Rauland,25 August 1889; d. Oslo, 28 November 1965) and translated by Kenneth Leslie.

File contains translations of the following poems:
- twenty-three lines of the poem "Skinnvengbrev," which begins "Eg tredde eingong du hadde gøymt deg, / at baade du og Gud ha gløymt meg, / og eg blei minst av dei skapte ting.", which Leslie has translated as "I thought one time you had forsaken me / that you and God had forgotten me / and I was least of created things." The header of this leaf has the title "So 6847 Pauline", and the English translation is written directly below the Norwegian original ;
- eight lines of translation of a fourteen line untitled poem, also presumably by Aslaug Vaa, which begins "A, so det vesle båmet reeddest / når det møter det ukjende. / Ein gong i eit framandt land, / sto eg og var dette ukjende for ein liten kropp", which Leslie has translated as "Of course a little child is frightened / when he meets with an unknown one. / Once upon a time on strange soil / I stood and was this unknown one for a little body." The Norwegian text and English translation are written on separate leaves ; and
- four stanzas of the poem 'Duva og Dropen,' which begins "Det kurra ei duve / med bekken Mahala / i skuggen av palmur / og driv kvite kala", which Leslie has translated as "A dove coos so warmly / where murmurs Mahala / In shade of the palm trees / and drifts of white kalla". This item also contains notes for a sermon about avarice written on the verso.

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