File contains set designs for Neptune Theatre's production of "Gypsy," directed by Ron Ulrich with set designs by Art Penson and light designs by Leigh Ann Vardy. The designs are drawn to the scale of 1/2" = 1'.
File contains set designs for Neptune Theatre's production of "Gypsy," directed by Ron Ulrich and designed by Art Penson. The file includes original drawings and colour sketches by Penson as well as annotated copies.
File contains set designs for "Copenhagen," directed by Diana LeBlanc and designed by Doug Paraschuk. The designs are drawn to two different scales: 1/4" = 1' and 1/2" = 1'. The file includes Paraschuk's original drawings and annotated copies. The technical director for this production was Eleanor Creelman.
File contains original and annotated copies of set, prop, and lighting designs for Neptune Theatre's production of "Kilt," directed by Scott Burke and designed by Denyse Karn. Eleanor Creelman was the technical director. The designs are drawn to the scale of 1/2" = 1'.
File contains set designs for Neptune Theatre's production of "Sleeping Beauty," directed by Jean Morpurgo and designed by Patrick Clark. The technical director of this production was Eleanor Creelman. The file includes Clark's original drawings and annotated copies of the originals.
File contains original and annotated copies of set designs for Neptune Theatre's production of "Sylvia," directed by Lorne Pardy and designed by Denyse Karn.
File contains original and annotated copies of set and lighting designs for Neptune Theatre's production of "Collected Stories," directed by Carol Rosenfeld and designed by D'Arcy Morris-Poultney. Eleanor Creelman was the technical director. The designs are drawn to the scales of 1/4" = 1' and 1/2" = 1'.
File contains set designs for Neptune Theatre's production of "Anne Frank," directed by Ted Dykstra and designed by Patrick Clark. The designs are drawn to two different scales: 1/2" = 1' and 1" = 1'.
File contains original and annotated copies of set designs for Neptune Theatre's production of "Death of a Salesman," directed by Neil Monroe and designed by Peter Hartwell. Eleanor Creelman was the technical director. The set designs are drawn to the scale of 1/2" = 1'.
File contains original and annotated copies of the set and lighting designs for Neptune Theatre's production of "Proof," directed by Ron Ulrich and designed by Art Penson (set) and L. Wilkinson (lighting). Eleanor Creelman was the technical director. The designs were drawn to the scale of 1/4" = 1'.
File contains original and annotated copies of set designs for Neptune Theatre's production of "Bugsy Malone Jr.," directed by Jean Morpurgo and designed by Corey Mullins. Robbin Cheesman was the technical director. The designs were drawn to the scales of 1/2" = 1' and 3/4" = 1'.
File contains original and annotated copies of set designs for Neptune Theatre's production of "The Love List," directed by Ron Ulrich and designed by Corey Mullins. Eleanor Creelman was the technical director.
File contains annotated copies of set designs for Neptune Theatre's production of "Who's Afraid of Virginia Woolf?," directed by Ron Ulrich and designed by Art Penson.
File contains annotated copies of set and light designs for Neptune Theatre's production of "The Price," directed by Marcia Kash and designed by Patrick Clark (set) and Leigh Ann Vardy (lights). The designs are drawn to the scales of 1/4" = 1' and 1/2" = 1'.
File contains set designs for Neptune Theatre's production of "Beauty and the Beast," directed by Ron Ulrich and designed by John Dinning. Leigh Ann Vardy was the lighting designer for this production. The set designs are drawn to the scales of 1/4" = 1' and 1/2" = 1'. The file includes a colour drawing of the set.
File contains original and annotated copies of set and light designs for Neptune Theatre's production of "Beauty and the Beast," directed by Ron Ulrich and designed by John Dinning (set) and Leigh Ann Vardy (lights). Eleanor Creelman was the technical director. The file includes several coloured drawings of the props and set.
File contains set designs for Neptune Theatre's production of "The Producers," directed by Ron Ulrich and designed by John Dinning. The lighting for this production was designed by Lesley Wilkinson. The set designs are drawn to the scale of 1/2" = 1'.
File contains set and prop designs for Neptune Theatre's 2009 production of the "Christmas Carol." The designer and director of the production are not indicated on the designs, but were completed by Geofrey Dinwiddie, according to the set design contract (see MS-3-1, Box 540, Folder 32).
File contains set and light designs for Neptune Theatre's production of "Rabbit Hole," directed by Daryl Cloran and designed by D'Arcy Morris-Poultney (set) and Leigh Ann Vardy (lights).
File contains set designs for Neptune Theatre's production of "Beauty and the Beast," directed by Jean Morpurgo and designed by Patrick Clark. The designs are drawn to the scale of 1/2" = 1'.
File contains set designed and computer-generated renderings for Neptune Theatre's production of 'West Side Story," designed by Geofrey Dinwiddie of Dinwiddie Designs (Toronto, Ontario).
File contains annotated copies of the set designs for Neptune Theatre's studio production of "Glengarry Glen Ross," directed by R.H. Thomson and designed by S. Osler.
File contains annotated copies of the set and light designs for Neptune Theatre's studio production of "Jest in Time Meet Beckett," directed by Linda Moore and designed by Brock Lumsden (set and lights).
File contains annotated copies of the set and light plot designs for Neptune Theatre's studio production of "Problem Child," directed by Jean Morpurgo and designed by Brian Perchaluk (set) and Leigh Ann Varady (lights).
File contains annotated copies of set designs and lighting schedules for Neptune Theatre's production of "Divinity Bash," directed by Bryden MacDonald and designed by Brock Lumsden. Scott Miller was the technical director.
File contains annotated copies of the set designs and light plot for Neptune Theatre's production of "Hosanna," directed by Richard Donat and designed by Stephen Osler (set) and Leigh Ann Vardy (lights). The designs were drawn to the scale of 1/4" = 1'.
File contains the set design for Neptune Theatre's studio production of "Sincerely, A Friend," directed by Bryden MacDonald and designed by Ian Rye. The copy is annotated and was used by stage management.
File contains annotated copies of set designs for Neptune Theatre's production of "Possible Worlds," directed by Daniel Brooks and designed by Julie Fox (set) and Andrea Lundy (lights). The designs were drawn to the scale of 1/4" = 1'.
File contains original and annotated copies of set designs for Neptune Theatre's lunchtime production of "The End of the Beginning," directed by Denise Coffey and designed by Trevor Parsons.
File contains annotated copies of set designs for a production of "Patience" by the Gilbert and Sullivan Society at Neptune Theatre. The production was directed by John Bunsworth and designed by Stephen Osler.
Item is a pen and marker sketch of a design for Dalhousie Theatre's production of the Good Woman of Setzuan. The left side of the sketch is for scene 7 and shows an empty thought bubble. The right side of the sketch is for scene 4 and also shows an empty thought bubble. The left side of the sketch is folded underneath the rest of the sketch.
Item is a pen and marker sketch of a set design for Dalhousie Theatre's production of the Good Woman of Setzuan. The design is for scene 4A and the sketch shows a female figure who is being manipulated like a marionette by a male figure. There is a speech bubble coming from the male figure which says "You are free to do anything you wish... as long as you do what I say!!!" There is also a female figure, probably a prostitute, who is leaning against a lamppost and has the word "Cheap!!!" next to her head.
Item is a pen and marker sketch of a set design for Dalhousie Theatre's production of the Good Woman of Setzuan. The design is for scene 9, in Yan Sun's office. The scene is mostly blank except for a framed portrait hanging on a wall.
Item is a pencil sketch of a set design for Dalhousie Theatre's 1984 production of Grease. The design is for Sandy's bedroom in act I, scene IV. The sketch shows a bed with a heart-shaped headboard and a canopy. There are additional sketches and notes on the back of the sketch.
Item is a marker sketch of a set design for Dalhousie Theatre's 1984 production of Grease. The design is for the Rydell High gym decor in Act I scene I. The sketch shows a large sign that says "Rydell High Welcomes Class of '59."
Item is an oil pastel sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 1, "The Weaver's Ecstasy at the Discovery of a New Colour." The sketch shows three male figures and two female figures standing in a tent made of colourful materials. One male figure appears to be wearing a military uniform with his face covered by a scarf, and one of the female figures is wearing a veil over her face while putting her arms around the other three figures.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 8, "The Unforeseen Consequences of a Patriotic Act." The sketch shows two figures in red-brown robes and one female figure in a white and gold robe with a parasol.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 9, "The Philosophical Lieutenant and the Three Village Women." The sketch shows one male figure sitting in a chair with three women in black around him. One of the woman is threatening him with a knife behind him. There is also another male figure in the distance.
