File includes an article about Mildred MacDonald's time at Dalhousie University, newspaper clippings of a poem by E. Anne Ryan and of an advertisement of the opening of the Park Lane building in Halifax, three art pieces regarding Canada's landscape, invitations, a Dalhousie University programme of a symposium on undergraduate education, and other materials.
Subseries consists of handwritten and typescript drafts of Budge Wilson's children's book "The Best/Worst Christmas Present Ever." The book was previously titled "The Gift." Subseries also contains a sketch for an illustration by Terry Roscoe.
File contains student artwork given to Budge Wilson from various presentations that she gave at elementary schools. The artwork relates to her books, including "Manfred the Unmanageable Monster," the Lorinda Dauphinee book series, "The Long Wait," "Mystery Lights at Blue Harbour," "A House far from Home," and "The Worst Christmas Present Ever."
Subseries contains handwritten and typescript drafts of Budge Wilson's children's book "Mr. John Bertrand Nijinsky and Charlie." Subseries also contains a sketch of Mr. John Bertrand Nijinsky by Wilson, which was not used in the published version of the book.
File contains student artwork given to Budge Wilson from various presentations that she gave at elementary schools. The artwork includes thank you cards and drawings related to her books, including Mr. John Bertrand Nijinsky and Charlie," and "The Best/Worst Christmas Present Ever." The file also includes thank you letters from elementary school classes, including from the Lady Eaton School in Omemee, Ontario, and a class list for an unidentified class and school.
File contains thank you cards hand drawn and written by students, given to Budge Wilson on her school tours, including those from the Lady Eaton School in Omemee, Ontario.
Item consists of notes and assembly diagrams for exhibits at the Black Wimmin: When And Where We Enter exhibition at Eye Level Gallery, September 1989.
File contains set and lighting designs for Neptune Theatre's 1992 production of "Goodnight Desdemona," directed by Mary Vingoe and designed by Stephen Osler (set) and Leslie Wilkinson (lights).
File contains original botanical drawings by Gary Hicks. These drawings are also present in Gary Hicks' textbooks, "Land Plants : A Survey" and "Plant Development".
Subseries consists of handwritten and typescript drafts of Budge Wilson's children's book "Harold and Harold." Subseries also contains illustrations for the book by Terry Roscoe.
File contains original botanical drawings by Gary Hicks. These drawings are also present in Gary Hicks' textbooks, "Land Plants : A Survey" and "Plant Development".
File contains original botanical drawings by Gary Hicks. These drawings are also present in Gary Hicks' textbooks, "Land Plants : A Survey" and "Plant Development".
Subseries consists of handwritten and typescript drafts for Budge Wilson's book "Cassandra's Driftwood," previously titled "Belinda's Driftwood." Subseries also contains drafts of drawings for the book's illustrations, by Terry Roscoe.
File contains correspondence regarding Budge Wilson's book "Harold and Harold," between Wilson and various people involved in its publication, including Lesley Choyce of Pottersfield Press, Terry Roscoe, the editor (including sketches of possible illustrations), and Sheila Dalton, Wilson's copy editor. The file includes incoming correspondence and copies of Wilson's outgoing correspondence.
Subseries contains handwritten and typescript drafts of Budge Wilson's book "The Long Wait," previously titled "The Incredible Wait." Subseries includes Budge Wilson's ideas for illustrations for the book and a typescript of its French translation, "Une Incroyable Attente," translated by Florence Treadwell.
File contains three drawings by Budge Wilson (one pencil sketch and two coloured drawings with textual excerpts from the story) that she created for her children's story "The Long Wait." The published version of the story is illustrated by Eugenie Fernandes.
File contains correspondence from Euguene Fernandes, illustrator of Budge Wilson's book "The Long Wait," including copies of sketches for the illustrations.
Subseries consists of handwritten and typescript drafts of Budge Wilson's children's book "The Cat that Barked." Subseries also contains illustrations for the book by Terry Roscoe.
Subseries consists of drafts and proofs for Budge Wilson's children's book "A Fiddle for Angus," previously titled "A Fiddle for Luther" and "Luther's Fiddle." The subseries also contains four colour slides with illustrations by Susan Tooke.
File contains cartoon on LGBT subjects collected by Ross Boutilier. Materials include one photocopy of the article "For better or worse, we're on this planet together" by Joe Murray; cartoons from the series For Better or For Worse, Dilbert, and Doonsbury; and a political cartoon by Bruce MacKinnon for the Chronicle Herald.
File consists of several newspaper articles collected by Ross Boutilier about Nova Scotia Member of Parliament Roseanne Skoke and her controversial remarks regarding homosexuality. File also contains political cartoons by Bruce Mackinnon for the Chronicle Herald and Theo Moudakis for the Daily News.
File contains two drafts of Budge Wilson's book "Duff's Monkey Business" and related correspondence with the publisher, Formac Publishing Company Limited, which include early proposed drawings by the illustrator Kim LaFave.
File contains a letter from Terry Roscoe, the illustrator of Budge Wilson's book "The Cat that Barked" and a copy of one of the illustrations for the book.
File includes a copy of Budge Wilson's response to the grade three class at Westmore Academy in Liverpool, Nova Scotia, and four drawings by the children of scenes from Wilson's books.
File contains three sets of drawings for the Central Services parkade produced by Chebucto Engineering Limited Consulting Engineers, Brandys McBride Richardson Engineering, and Rendan Fabricators.
File contains a incoming correspondence from Eugenie Fernandes, the illustrator for Budge Wilson's book "The Fear of Angelina Domino," and copies and drafts of Wilson's outgoing correspondence. The file also contains some of Fernandes' drawings and sketches for the book.
