File consists of a poster for the world premiere of Scott Macmillan's "The Three that Seek My Heart," performed by the Halifax Camerata Singers as part of the St. Cecilia Concert Series at St. Andrew's United Church in Halifax, Nova Scotia.
File contains a book, given to John Daniel Logan and inscribed for the "D.W. Logan Library of Canadiana." The book contains information on each music festival held in Canada in 1903, organized by city.
File contains nine annotated copies of Jeff Reilly's composition, "Flight 752" in piano score format. The composition includes horns, cello, bassoon, drums, tenor saxophone, bass clarinet, and piano, and is notated in common music notation.
File contains four annotated copies of Jeff Reilly's composition, "Flight 753" in piano score format. The composition is a shortened version of "Flight 752."
File contains a program, flyer, and two copies of a poster for a performance by the Halifax Camerata Singers at St. Andrew's United Church in Halifax, Nova Scotia.
File contains a score for flute, violin, trumpet, tenor sax, bass clarinet, guitar, bass; drums and grand piano; two different trumpet parts; and bass clarinet, alto sax part and flute parts. There is also a facsimile handwritten concert part with lyrics.
File contains two original handwritten scores for Paul Cram's "Free Fear," which is written in form of graphic notation. Page 4 is missing from the ink version and the final page of the pencil copy is a photocopy.
File contains the dice used in the creation of Stephen Pedersen's Game of Chance as well as photographs of the dice rolls that generated the composition.
File contains pages 1-36 and 57-108 of a score for clarinet solo, grand piano, and solo cello; and parts for clarinet solo, grand piano, and solo cello.
File contains annotated parts for Reilly's composition "Ghost Tracks," for concert, E-flat, and B-flat instruments. According to one of the annotations, the composition was performed as an octet at the Pier 21 Museum in Halifax, Nova Scotia.
File contains two annotated copies of the score for Jeff Reilly's "Ghost Tracks," one in concert pitch and one in B-flat. The concert pitch score was used by Susan (Sue) Sayles, a violist with the Upstream Ensemble. The score is in three large sections, each of which have various musical phrases notated in common music notation. The pitch material for the composition is derived from seven notes: F-sharp, G, G-sharp, B, C-sharp, D, and E (at concert pitch).
File is an audio cassette tape with recordings of Sheila Piercey performing in opera "Orphée" on February 2, 1988, recorded by Dr. Welch. Handwritten notes on the label inserted in the case read: Dalhousie Chorale (choirs) SNS members: Elvira Gonnella, Sheila Piercey, and Jane Howlette.
File contains the programme book from the 1957 Glyndebourne Festival Opera season, which Anthony Pugh attended. He likely kept the program for future reference and research.
File contains the sheet music for Edith J. Archibald's "God Bless Our Canada" and a manuscript version of the English lyrics for the anthem by Archibald. The song is written in F Major for four-voice chorus (soprano, alto, tenor, and bass) and piano with lyrics in English and French.
File contains scores, textual notes and a letter addressed to "Daedalus" acknowledging his entry—"Gonfalons for Two Flutes"—in the Centennial Competition for Canadian Student Composers.
File includes the second, third, fourth, fifth and tenth albums, dedicated to Julieta d'Almeida Strutt, Arnaldo Estrella, Magdalena Tagliaferro, Tomas Teran, and Ellen Ballon. The albums are copies of handwritten scores completed in New York and Rio between 1948 and 1949.
File includes a set list for Guerrilla Vacation, which was a 2007 concert by the Guerrillas (Paul Cram on clarinet and tenor; Dawn Hatfield on baritone sax; Rick Waychesko on trumpet; Lee Park on electric violin; Toni Pigot on vocals; Dave Burton on drums; Lukas Pearse on bass and electronica; and Jeff Torbert on guitar and electronica. The file includes guitar and concert parts for "Jungle Trek"; "Factory Overload"; "Black Dog"; "Vanishing"; "Free Fear"; "Underwater Highway"; "Out and About"; "Ruminations"; "Home Free"; "Ohmygod!"; "Side Order from Bb Restaurant"; "Bb Restaurant Redux"; "Round One"; "Telescope"; "Silent Movies"; and "Ambulatory."
File contains guitar parts for the Paul Cram Orchestra's second Canadian tour in September 2001 in support of the band’s debut CD on the Victo Label: “Campin Out.” The group played Halifax, Ottawa (National Library of Canada), Guelph (Guelph Jazz Festival), Vancouver (Western Front), and Montreal (Sala Rossa). Works included are: "Trouble in Paradise"; "Kafka's Chair"; "Eye of the Storm"; "High Ground"; "Have a Heart"; "Tip of the Iceberg"; various works from "B flat Restaurant"; "March of the Philistines"; various works from "Thunder"; "Urban Desperado"; "Campin' Out"; "Life of Crime"; "Taiwanese Bootleg"; "Zebra Zone"; and "Immortal Coil." File also contains a tour itinerary and a handwritten note to Jeff from Paul Cram.
File contains an annotated one-page score for "Halifax—i," written for clarinet, bass clarinet, soprano sax, baritone sax, trumpet in Bb, drums, guitar, piano, violin and bass, and a transposed score for "Halifax—iii." There are also Bb parts for "Halifax—ii", "Halifax iv," and "Halifax v,"; and a drum part for "Halifax—ii."
File contains two copies of a poster for a concert by the Halifax Camerata Singers in collaboration with the Rhapsody Quintet and Jeremy Webb, which took place at the Paul O'Regan Hall in the Halifax Central Library.
File contains notes, a script, correspondence, and newspaper clippings regarding a Halifax Explosion Memorial Evening held at St. George's Anglican Church, Halifax, with musical direction by Stephen Pedersen.
File is an audio cassette tape recorded by Sheila Piercey on November 22, 1985, with handwritten notes on the label inserted in the case that reads: "Handel - music for St. Cecilia Day, side 1: 1 to 7 side 2: 8 to 12, St Andrew's United Church, November 22, 1985, soprano soloist Sheila Piercey."
File contains a poster for a concert by the Halifax Camerata Singers in collaboration with Symphony Nova Scotia, which took place at the Rebecca Cohn Auditorium in Halifax, Nova Scotia.
File contains two programs for two performance of Handel's Messiah by Symphony Nova Scotia, conducted by Georg Tintner, with the Halifax Camerata Singers and Truro Cantabile Singers, directed by Jeff Joudrey. The concerts took place at the First United Church in Truro, Nova Scotia and at the Rebecca Cohn Auditorium in Halifax, Nova Scotia. The file also includes a newspaper review of the concert.
File contains a program for a performance by Symphony Nova Scotia, conducted by Georg Tintner, with the Halifax Camerata Singers and Truro Cantabile Singers, directed by Jeff Joudrey. The file also contains two newspaper clippings advertising the concert.
File contains two copies of a program for a concert by Symphony Nova Scotia, conducted by Georg Tintner, with the Halifax Camerata Singers and Cantabile Singers of Truro, directed by Jeff Joudrey. The programs also include flyers for upcoming concerts by Symphony Nova Scotia and the Halifax Camerata Singers.
File contains two programs for two performances of Handel's Messiah by Symphony Nova Scotia, conducted by Georg Tinter, with the Halifax Camerata Singers and Cantabile Singers of Truro, directed by Jeff Joudrey. The concerts took place at the DeCoste Entertainment Centre in Pictou, Nova Scotia and at the Rebecca Cohn Auditorium in Halifax, Nova Scotia. The file also contains two newspaper clippings of concert reviews.
File contains a poster for a concert by the Halifax Camerata Singers in collaboration with Symphony Nova Scotia at the Rebecca Cohn Auditorium in Halifax, Nova Scotia.
File contains a poster for a concert by the Halifax Camerata Singers in collaboration with Symphony Nova Scotia, which took place at the Rebecca Cohn Auditorium in Halifax, Nova Scotia.
File contains a poster for a concert by the Halifax Camerata Singers in collaboration with Symphony Nova Scotia at the Rebecca Cohn Auditorium in Halifax, Nova Scotia.
File consists of records relating to talks that Anthony Pugh gave on sonata form, music in New Brunswick, musical interpretation, Tchaikovsky's fourth symphony, and the performance and style of works by Mozart.
File contains eleven harmony workbooks used by Ellen Ballon, including notes and exercises. Two books are labelled "Mr. Goldmark Harmony Book," in reference to her harmony teacher in New York, Rubin Goldmark. Another book includes an inserted repertoire list of piano compositions, composers, and times, presumably related to her piano lessons with Rafael Joseffy.
File contains annotated parts for "Have a Heart," written by Paul Cram for the Paul Cram Orchestra. Parts include piano; alto saxophone; trombone; bass; trumpet; clarinet; guitar; cello; and drums.
File contains annotated parts for "Have a Heart," composed by Paul Cram for the Paul Cram Orchestra and performed on their May 2000 concert tour in Halifax, Toronto, Victoriaville, Quebec, and Ottawa. The composition was created in 1987 and revised in 1998. Parts include guitar, piano, trombone, bass, clarinet, drums, cello, reed 1 (alto sax); and reed 2 (tenor sax). File also contains a press release with tour details.
File contains parts for "Have a Heart," written by Paul Cram for the Paul Cram Orchestra. Parts include piano; alto saxophone; trombone; bass; trumpet; clarinet; guitar; cello; and drums.
File contains an original handwritten four line part — with a CAPAC copyright — annotated with: "Changes not written in blood, feel free to change / also blowing can be out also. Octave displacement may be necessary in melody." The second part is for Bb instruments and copyright 2005.
File contains published music scores used in Heritage Trust of Nova Scotia concerts, which were performed in historic settings. Scores include Sweet Polka Kiss; H.M.S. Pinafore; Polonaise from "Maignon"; Minute Waltz; We Sail the Ocean Blue; and El Capitan. There is also a handwritten score for Dickens in North America, with music by Stephen Pedersen and lyrics by Mark DeWolf. It was first performed in the Red Room, Province House, on August 24, 1979.
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