Showing 514 results

File consists of records related to the George Wood Exhibition, held at the Dalhousie Art Gallery from June 5 to 30, 1973.

Records consist of condition reports, a list of paintings, a packing list and instructions, and correspondence between Mark Holton (Curator, Dalhousie Art Gallery) and staff of the Memorial University of Newfoundland Art Gallery regarding transferring the exhibition.

File consists of records related to the Models and Michelangelo exhibition, held at the Dalhousie Art Gallery from August 9 to 31, 1973. The exhibition was sponsored by Rothman's of Pall Mall Canada Ltd.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and staff of Halifax School for the Blind regarding the sale of the art catalogues and staff of Maritime Telegraph and Telephone Co., Ltd. regarding the opening ceremony, and staff of Rothman's of Pall Mall Canada Ltd. regarding installation and security arrangement for the exhibition. In addition records include a tour schedule, historical background to the collection of models in the exhibition, media release, exhibition invitation list, newspaper clippings, and a floor plan designed by Golden Miller at the Vancouver centennial museum in November 1972. Records also contain a copy of an Impetus magazine, published in April 1973, and photographic prints of the three terracotta models of the right hand, torso, lower back and left thigh.

File consists of records related to the Tom Forrestall exhibition held at Dalhousie Art Gallery in November 1973.

Records consist of fine arts policy and a handwritten list of drawings.

File consists of records related to the Kim Ondaatje exhibition held at Dalhousie Art Gallery in November 1973.

Records consist of correspondence requesting exhibition loan from the Confederation of Art Gallery and Museum, handwritten letters from Kim Ondaatje, press release, condition report, and a copy of a paper titled 'Ondaatje's paintings scary' written by Lenore Crawford. Records also include two postcards.

File consists of records related to the Suburbia exhibition featuring works by photographer Bill Owens, organized and circulated by the Western Association of Art Museum in Oakland. The exhibition was held at Dalhousie Art Gallery from December 9, 1975 - January 4, 1976.

Records consist of draft press releases, reviews, contract documents, correspondence, and a floor plan.

File consists of two catalogues for an exhibition of photographs by Guenter Karkutt, organized and presented jointly by the Atlantic Museum of Photographic Art and Dalhousie Art Gallery.

Catalogues contain images of Karkutt's work, a C.V., and and artist statement.

File consists of a catalogue for 'Joe Plaskett and his Paris : in search of time past', organized by the Fine Arts Gallery of the University of British Columbia to be circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery in March 1972.

Catalogue contains a biography of Plaskett, diary excerpts, photographs of Plaskett's studio and artworks, list of artworks in the show, and a variety of other texts structured like a novel (prologue, prelude, epilogue, etc.).

File consists of a catalogue for the exhibition 'Flag Set' of artworks of George Wood, organized and circulated by Memorial University Art Gallery. The exhibition was presented at Dalhousie Art Gallery in October 1972.

Catalogue contains a biography of Wood, a preface written by Peter Bell, a list of paintings in the exhibition and some images of them, and poetry.

File consists of records related to plans for the Dalhousie Art Gallery to present an exhibition of Contemporary Canadian Printmakers.

Records consist mainly of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and various Canadian galleries requesting their recommendations for notable printmakers to connect with.

File consists of records related to an exhibition of work by Roy K. Kiyooka (Head of Painting Division, NSCAD University), titled 'StoneDGloves - Photographs, poems by Roy Kiyooka' circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery from January 1-31, 1972. Kiyooka presented a reading event on February 1, 1972 at the Dalhousie Art Gallery as a part of the exhibition.

Records consist of invitations to the February 1st reading event, an exhibition loan agreement, correspondence of the Dalhousie Art Gallery, an artist statement, and invoices.

File consists of records related to the exhibition 'Rodin and His Contemporaries', sponsored by Rothmans of Pall Mall Canada. The exhibition was presented at Dalhousie Art Gallery from March 15 to April 9, 1972.

Records consist of handwritten condition notes, a condition report, a biographical essay of Rodin, biographies of artists working during the same time period as Rodin, correspondence of the Dalhousie Art Gallery, documents related to the opening event (March 14) and two photographs of Henry D. Hicks (President, Dalhousie University) and unidentified colleagues.

File consists of records related to the Exhibition of Rubbings from Ancient Egyptian, Mesopot. and Hittite Reliefs by Nelly B. Gray, organized and presented at Dalhousie Art Gallery from August 30 to September 24, 1972.

Records consist of lists and pricelists of artworks and insurance files.

File consists of records related to the 'Artario 72' exhibition, organized by Ontario Arts Council and presented at Dalhousie Art Gallery in October 1972.

Records consist letters from William Poole (Co-ordinator, Ontario Arts Council), Frank Michael (Acting Press Officer, Ontario Art Council), Peeter Sepp (Visual Art Officer, Ontario Art Council) to E.W. Smith (Dalhousie Art Gallery), newspaper clippings, invitations, a pamphlet, and instructions for the assembly of the Artario exhibition.

File consists of records related to the exhibition 'Baker Lake drawings', organized and circulated by the Winnipeg Art Gallery and presented at Dalhousie Art Gallery from October 2nd to October 30th, 1972.

Records consist of correspondence between Doris Mitchell (Winnipeg Art Gallery, Extension Service) and Mark B. Holton (Assistant Curator, Dalhousie Art Gallery). Additional records have a shipping contract and a condition report.

File consists of records related to the Molinari exhibition, held at Dalhousie Art Gallery in October 1972. The following year, the exhibition was presented at Memorial University Art Gallery, St. John's, Newfoundland, from January 5 to 29, 1973.

Records consist mainly of correspondence between Mark B. Holton (Assistant curator, Dalhousie Art Gallery) and Guido Molinari, Frank Lapointe (Curator, Memorial University Art Gallery) and Ernest W. Smith (Director, Dalhousie Art Gallery). Records also include biographical information about Guido Molinari, lists and pricelists of paintings, insurance files, shipping notes, a condition report, and newspaper clipping.

File consists of records related to the Augustus John exhibition organized and circulated by the National Gallery of Canada. The exhibition was shown at Dalhousie Art Gallery in November 1972.

Records consist mainly of correspondence between Caspar John, son of Augustus John and Ernest Smith (Director, Dalhousie Art Gallery) and between Ernest Smith and Ann Chudleigh (Assistant Director, National Gallery of Canada Extension Service). In addition, records include exhibition loan agreement letters and forms from the National Gallery of Canada, draft letters from Ernest Smith to Danielle Corbeil (Director of National Gallery of Canada Extension Services), lists of proposed works, and xerox copies of John's drawings.

File consists of records related to the Augustus John exhibition organized and circulated by the National Gallery of Canada. The exhibition was shown at Dalhousie Art Gallery in November 1972.

Records consist of a copy of press clippings, attendance reports, loan agreement forms, catalogue orders, lists of artworks, and correspondence between Ernest Smith (Director, Dalhousie Are Gallery), Mark Holton (Curator, Dalhousie Are Gallery) and Ralph Allen (Director, Agnes Etherington Art Centre, Queen's University). In addition, records also include a photograph of a painting "On the Slopes of Arling Jack."

File consists of related to the Augustus John exhibition organized and circulated by the National Gallery of Canada. The exhibition was shown at Dalhousie Art Gallery in November 1972.

Records consist mainly of biographical notes, photocopies of articles, clippings, and a photocopy of the catalogue from the National Gallery of Canada,

File consists of two catalogues for the exhibition 'Leonardo da Vinci: Engineer' sponsored by IBM.

catalogues contain an essay, image of da Vinci's 'Self Portrait (red chalk)', and photographs and descriptions of models from the exhibition.

File consists of a catalogue for the exhibition 'Paintings by Guido Molinari', organized by Dalhousie Art Gallery for circulation through the Atlantic Provinces Art Circuit (APAC). The exhibition was presented at Dalhousie in 1972.

The catalogue contains a photograph of Molinari, a biography, a catalogue of works, and an artist statement.

File consists of records related to the exhibition 'Christian Gaudernack Jewellery,' held at the Dalhousie Art Gallery in October 1972.

Records consist of biography, lists of jewellery, newspaper clipping, and an invitation.

File consists of records related to the exhibition of Owen Fitzgerald's photographs organized and presented by Dalhousie Art Gallery in November 1972.

Records consist mainly of correspondence between Owen Fitzgerald and Mark Holton (Assistant Curator, Dalhousie Art Gallery), a list and pricelist of 25 photographs, and handwritten notes from Owen Fitzgerald. Records also include insurance files and a newspaper clipping.

File consists of records related to the exhibition 'Lawren Phillips Harris Retrospective', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery in December 1972.

Records consist mainly items of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and others. Including loan agreement forms, condition reports, insurance files, and others. Correspondents include: staff at the National Gallery of Canada, Lawren P. Harris, Christopher Gabriel-Lacki (Curator, Sir George Williams University Art Gallery) and other galleries. File additionally contains four photographs of paintings.

File consists of two catalogues for 'Exhibition of rubbings from ancient Egyptian, Mesopotamian and Hittite reliefs by Nelly B. Gray', organized and presented at Dalhousie Art Gallery in August 1972.

The catalogue in Folder 21 is a draft while Folder 22 contains the final draft. Contents include a biography of Gray, catalogue of works, and exhibition essay. Catalogue in Folder 22 also contains a photograph of Gray.

File consists of catalogues for the exhibition 'Lawren P. Harris 37/72', organized and circulated by the Dalhousie Art Gallery. The exhibition was presented at Dalhousie in 1972.

Catalogues contain a portrait photograph of Harris, an introduction by Ernest W. Smith (Director, Dalhousie Art Gallery), catalogue of works in the exhibition, 21 p. of b&w image plates, and C.V.

File consists of a catalogue for the exhibition 'Progress in conservation'. The exhibition was presented at Dalhousie University in May 1974.

Catalogue contains a table of contents, acknowledgements, introduction, col. and b&w photographs, list of artworks and notes, and an itinerary. The catalogue contents are divided into six sections.

File consists of records related to the exhibition 'Vera Frenkel: Printmaking Plus', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery from January 6-30, 1972

Records consist of exhibition loan agreement forms, a newsletter and announcement from the National Gallery of Canada, a box list, C.V. for Frenkel, condition report, and correspondence between Dalhousie Art Gallery and the National Gallery.

File consists of records of submissions and and the selection of prize winners for the 18th Annual Student Staff and Alumni Exhibition, presented at Dalhousie Art Gallery from February 15-29, 1972.

Records consist of lists of artworks, prize winners and awards, and a blank submission form.

File consists of records related to the exhibition 'Drawings by Carol Fraser', organized and presented by Dalhousie Art Gallery in March 1972.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and Carol Fraser, a list of drawings for the exhibition, a copy invoice, and correspondence regarding insurance.

File consists of a catalogue for the exhibition 'Eric Freifield', arranged by Bruno Bobak of the University of New Brunswick Art Center and toured through the Atlantic Provinces Art Circuit. The exhibition was presented at Dalhousie Art Gallery in April 1972.

Catalogue contains a list of artworks in the exhibition, the exhibition itinerary, two essays by Tom Lapierre and Doris Shadbolt, and a C.V. for Freifield.

File consists of three catalogues for the exhibition 'Peter Bell: The Greenhouse & After' organized and presented by Dalhousie Art Gallery in May 1972.

Catalogues contain a list of works in the exhibition, a biography of Bell, and an artist statement.

File consists of catalogues for the exhibition 'Augustus John', organized by Dalhousie Art Gallery for circulation by the National Gallery of Canada for the period of 1972-1973. The exhibition was presented at Dalhousie in November 1972.

Catalogues contain an essay by Dalhousie Art Gallery Director, Ernest W. Smith, 32 p. of b&w image plates, a catalogue of works in the exhibition, a biographical chronology of Augustus John, an a select bibliography. All text is included in English and French.

Item is a catalogue for the exhibition of William Townsend Paintings 1964-1968 organized by Dalhousie Art Gallery for circulating through A. P. A. C. 1972-1973.

Catalogue includes an introduction, descriptions of each painting, and biographical notes.

File consists of records related to the exhibition 'TOYS TOYS TOYS by Denis LePage', organized and circulated by Memorial University Art Gallery. The Exhibition was presented at Dalhousie Art Gallery in April 1972.

Records consist of an exhibition report, exhibition statement, photocopy of a newspaper clipping containing a review title 'Toy exhibition turns art gallery into playhouse' by Gretchen Pierce, correspondence between the Dalhousie Art Gallery and other APAC member galleries, and between Dalhousie Art Gallery and Le Page, and a catalogue for 'High-speed Signals', containing a biography for Le Page.

File consists of records related to the 'People of eight seasons' exhibition, organized by the Memorial University Art Gallery and circulated by the Art Gallery of the University of Manitoba and presented at Dalhousie Art Gallery in August 1972.

Records consist mainly of correspondence amongst Ernest Smith (Director, Dalhousie Art Gallery), Professor V. Hammock (Director, The University of Manitoba Art Gallery), and Mr. Peter Bell (Curator, Memorial University Art Gallery). Additional records consist of an invoice, three copies of the article "The Lapps in Sweden"(published in August 1971), and correspondence between Barbara Leaman (Secretary, Memorial University Art Gallery) and Mrs. Alberta Mayo (Secretary, Dalhousie Art Gallery).

File consists of records relating to the Exhibition of William Townsend Paintings 1964-1968 organized by Dalhousie Art Gallery for circulating through A. P. A. C. 1972-1973.

Records consist mainly of correspondence of Ernest Smith (Director, Dalhousie Art Gallery) and handwritten letters from William Townsend and Charlotte Townsend (the daughter of William Townsend). Additional records include shipping receipts, insurance certificates, newspaper clippings, a photograph of the painting 'Cascade VIII' and condition reports.

File consists of records related to the North American Black Artists exhibition organized by Dalhousie Art Gallery. The exhibition was shown at Dalhousie in November 1972.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and directors at Brockman Gallery, lists of slides, and letters to the artists requesting samples of artworks in slide form. Records also include four slides of artworks from Manuel Hughes (Professor Art Department, Florissant Valley Community College) and four from Benny Andrews.

File consists of records related to the Augustus John exhibition organized and circulated by the National Gallery of Canada. The exhibition was shown at Dalhousie Art Gallery in November 1972.

Records consist of exhibition loan agreement letters and forms from the loaners of John's portraits and drawings for the exhibition and correspondence between Karen Wilkin (Curator, Edmonton Art Gallery) and Ernest Smith (Director, Dalhousie Art Gallery). In addition, records include a photocopy of a paper titled 'Artists and eccentrics' from the book called 'Times thievish progress: Autobiography III' by Rothenstein, John (1970).

File consists of a catalogue for the exhibition 'Scrapbook Oddities', organized and circulated by the Confederation Art Gallery and Museum, Charlottetown, P.E.I.. The exhibition was presented at Dalhousie Art Gallery from February 28 to March 20, 1972.

Catalogue contains an introduction by Moncrieff Williamson (Curator, Confederation Center Art Gallery), list of artworks, exhibition schedule, and an accompanying text to the exhibition's 'riddles'.

File consists of catalogues for the exhibition 'Notations in Passion, 1970: Photographs by Nathan Lyons from the collection of the National Gallery of Canada', circulated by the National Gallery of Canada between 1971-1972. The exhibition was presented at Dalhousie Art Gallery in August 1972.

Catalogues contain an exhibition statement by Lyons, an introduction essay by James Borcoman, a catalogue, 12 b&w plates of Lyon's photographs, a chronological biography and C.V., and a selected bibiography. All text is provided in both English and French.

File consists of records related to the annual exhibition of works by student, staff, and alumni of Dalhousie University.

Records consist of lists of entries and subsequent lists of artworks chosen for the exhibition and for prize winners.