File contains annotated copies of set designs for Neptune Theatre's school production of "Snowsuits, Birthdays, and Giants," directed by Jennette White and designed by D. Dolliyer.
File contains the original drawing of the ground plan for Neptune Theatre's lunchtime production of "Workhouse Ward." The director and designer of the production is not indicated.
File contains original and annotated copies of set designs for Neptune Theatre's production of "Salt Cod and Pork Scraps," directed by Hans Boggild and designed by Lesley Preston.
File contains set designs for Neptune Theatre's lunchtime productions of "Andrew's Tree" and "Two Weeks, Twice a Year," designed by J. Cooke. The file includes some original drawings and copies of the set designs for "Andrew's Tree."
File contains set designs for Neptune Theatre's lunchtime series production of "The Flattering Word," directed by John Dunsworth and designed by Lesley Preston.
File contains annotated copies of set designs for the Neptune North production of "Warm Wind in China," directed by E. Steiner and designed by P. Perina. R. Reinholdt was the lighting designer for this production.
File contains a sketch of a set for an unidentified Neptune Theatre production. The sketch shows two rooms facing each other with a cityscape background.
Item is a pen and marker sketch of a set design for Dalhousie Theatre's production of the Good Woman of Setzuan. The design is for scene 1 and the sketch shows the inside of a tobacco shop.
Item is a pen and marker sketch of a set design for Dalhousie Theatre's production of the Good Woman of Setzuan. Some sort of rub-on coloured film and dots have also been used. The sketch is of the inside of a courthouse.
Item is a pen and marker sketch of a set design for Dalhousie Theatre's production of the Good Woman of Setzuan. The sketch shows a male figure in a pilot outfit standing on top of a pile of people. There is a speech bubble coming from the male figure that says "I'd like to thank all the little people!!!" There is a caption next to the figures that says "The road to success is paved with well-intentioned people!!!"
Item is a pen and marker sketch of a set design for Dalhousie Theatre's production of the Good Woman of Setzuan. The sketch shows a field with two trees and a trash can. Some portions of the sketch are photocopied from an original. There are some portions of the sketch which have been cut out and reattached or covered with other pieces of paper.
Item is a pen and marker sketch of a set design for Dalhousie Theatre's production of the Good Woman of Setzuan. The sketch shows a figure sitting on a bench in a field with a trees and a trash can. The figure is holding a can.
Item is a pencil sketch of a set design for Dalhousie Theatre's 1984 production of Grease. The design is for the cafeteria in act I, scene II. The sketch shows a table with chairs around it. There are notes about the design on the front and back of the sketch.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 7, "She Sees the Argument - But..." The sketch shows three female figures in grey work uniforms standing together.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 10, "...Not Him." The sketch shows one male figure in an elaborate uniform standing beside two female figures wearing robes and veils over their faces.
File contains original and annotated copies of set, prop, and lighting designs for Neptune Theatre's production of "Kilt," directed by Scott Burke and designed by Denyse Karn. Eleanor Creelman was the technical director. The designs are drawn to the scale of 1/2" = 1'.
File contains set designs for Neptune Theatre's production of "Sleeping Beauty," directed by Jean Morpurgo and designed by Patrick Clark. The technical director of this production was Eleanor Creelman. The file includes Clark's original drawings and annotated copies of the originals.
File contains original and annotated copies of set designs for Neptune Theatre's production of "Sylvia," directed by Lorne Pardy and designed by Denyse Karn.
File contains original and annotated copies of set and lighting designs for Neptune Theatre's production of "Collected Stories," directed by Carol Rosenfeld and designed by D'Arcy Morris-Poultney. Eleanor Creelman was the technical director. The designs are drawn to the scales of 1/4" = 1' and 1/2" = 1'.
File contains set designs for Neptune Theatre's production of "Anne Frank," directed by Ted Dykstra and designed by Patrick Clark. The designs are drawn to two different scales: 1/2" = 1' and 1" = 1'.
File contains original and annotated copies of set designs for Neptune Theatre's production of "Death of a Salesman," directed by Neil Monroe and designed by Peter Hartwell. Eleanor Creelman was the technical director. The set designs are drawn to the scale of 1/2" = 1'.
File contains original and annotated copies of the set and lighting designs for Neptune Theatre's production of "Proof," directed by Ron Ulrich and designed by Art Penson (set) and L. Wilkinson (lighting). Eleanor Creelman was the technical director. The designs were drawn to the scale of 1/4" = 1'.
File contains original and annotated copies of set designs for Neptune Theatre's production of "Bugsy Malone Jr.," directed by Jean Morpurgo and designed by Corey Mullins. Robbin Cheesman was the technical director. The designs were drawn to the scales of 1/2" = 1' and 3/4" = 1'.
File contains original and annotated copies of set designs for Neptune Theatre's production of "The Love List," directed by Ron Ulrich and designed by Corey Mullins. Eleanor Creelman was the technical director.
File contains annotated copies of set designs for Neptune Theatre's production of "Who's Afraid of Virginia Woolf?," directed by Ron Ulrich and designed by Art Penson.
File contains annotated copies of set and light designs for Neptune Theatre's production of "The Price," directed by Marcia Kash and designed by Patrick Clark (set) and Leigh Ann Vardy (lights). The designs are drawn to the scales of 1/4" = 1' and 1/2" = 1'.
File contains set designs for Neptune Theatre's production of "Beauty and the Beast," directed by Ron Ulrich and designed by John Dinning. Leigh Ann Vardy was the lighting designer for this production. The set designs are drawn to the scales of 1/4" = 1' and 1/2" = 1'. The file includes a colour drawing of the set.
File contains original and annotated copies of set and light designs for Neptune Theatre's production of "Beauty and the Beast," directed by Ron Ulrich and designed by John Dinning (set) and Leigh Ann Vardy (lights). Eleanor Creelman was the technical director. The file includes several coloured drawings of the props and set.
File contains set designs for Neptune Theatre's production of "The Producers," directed by Ron Ulrich and designed by John Dinning. The lighting for this production was designed by Lesley Wilkinson. The set designs are drawn to the scale of 1/2" = 1'.
File contains set and prop designs for Neptune Theatre's 2009 production of the "Christmas Carol." The designer and director of the production are not indicated on the designs, but were completed by Geofrey Dinwiddie, according to the set design contract (see MS-3-1, Box 540, Folder 32).
File contains set and light designs for Neptune Theatre's production of "Rabbit Hole," directed by Daryl Cloran and designed by D'Arcy Morris-Poultney (set) and Leigh Ann Vardy (lights).
File contains set designs for Neptune Theatre's production of "Beauty and the Beast," directed by Jean Morpurgo and designed by Patrick Clark. The designs are drawn to the scale of 1/2" = 1'.
File contains set designed and computer-generated renderings for Neptune Theatre's production of 'West Side Story," designed by Geofrey Dinwiddie of Dinwiddie Designs (Toronto, Ontario).
File contains annotated copies of the set designs for Neptune Theatre's studio production of "Glengarry Glen Ross," directed by R.H. Thomson and designed by S. Osler.
File contains annotated copies of the set and light designs for Neptune Theatre's studio production of "Jest in Time Meet Beckett," directed by Linda Moore and designed by Brock Lumsden (set and lights).
File contains annotated copies of the set and light plot designs for Neptune Theatre's studio production of "Problem Child," directed by Jean Morpurgo and designed by Brian Perchaluk (set) and Leigh Ann Varady (lights).
File contains annotated copies of set designs and lighting schedules for Neptune Theatre's production of "Divinity Bash," directed by Bryden MacDonald and designed by Brock Lumsden. Scott Miller was the technical director.
File contains annotated copies of the set designs and light plot for Neptune Theatre's production of "Hosanna," directed by Richard Donat and designed by Stephen Osler (set) and Leigh Ann Vardy (lights). The designs were drawn to the scale of 1/4" = 1'.
File contains the set design for Neptune Theatre's studio production of "Sincerely, A Friend," directed by Bryden MacDonald and designed by Ian Rye. The copy is annotated and was used by stage management.
File contains annotated copies of set designs for Neptune Theatre's production of "Possible Worlds," directed by Daniel Brooks and designed by Julie Fox (set) and Andrea Lundy (lights). The designs were drawn to the scale of 1/4" = 1'.
File contains original and annotated copies of set designs for Neptune Theatre's lunchtime production of "The End of the Beginning," directed by Denise Coffey and designed by Trevor Parsons.
File contains annotated copies of set designs for a production of "Patience" by the Gilbert and Sullivan Society at Neptune Theatre. The production was directed by John Bunsworth and designed by Stephen Osler.
File contains the set designs for the Neptune Theatre production of "Taming of the Shrew," directed by D. Coffey with set designs by Robert Doyle. The file includes Doyle's original drawings as well as an annotated copy of Sheet A.
File includes the set designs for Neptune Theatre's production of "How the Other Half Loves," directed by Leslie Yeo with designs by Arthur Penson. The file includes an original drawing of the rigging plot by "T.P." and annotated copies of the set plans by Penson.
File contains the set designs for Neptune Theatre's production of "Night of the Iguana," directed by John Neville with drawings by Phillip Silver and S. LePage.
File contains set designs for Neptune Theatre's production of "Ever Loving," directed by Tom Kerr with set designs by Ted Roberts. File includes Roberts's original drawings and annotated copies. File also contains copies of wartime posters that were used in the production.
File contains set designs for Neptune Theatre's production of "Private Lives," directed by John Neville and Don Allison with set designs by Art Penson. The file includes original drawings and annotated copies of the originals.
