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North America Visual artists
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Object show

Item is a poster for a group exhibition by William Brent Ritchie, Douglas Kirton, Lorinda Moreau, and Martha Townsend held in July 1978 at Eye Level Gallery. The image on the poster is credited to Hartling.

Women's bookworks

Item is a poser for a survey exhibition of contemporary artists' books by Canadian women, including unique book-objects and printed edition works. The exhibition was held from January 12-31, 1981 at Eye Level Gallery.

Splicing dice / choreography by Sheilagh Hunt

Item is a poster for a performance choreographed by Sheilagh Hunt held at Saint Mary's Boys' School Auditorium on Grafton Street, Halifax on March 1-2, 1985. The image on the poster is credited to George Steeves Design: M. Bell.

Audio by artists festival 85

Item is a poster for Audio By Artists Festival 1985, held from March - April 1985. The Audio By Artists Festival 1985 was organized and administrated by David Craig, Andy Dowden, Paula Fairfield, Gordon Laurin, and Micah Lexier.

Gerard Ferguson's choral reading

Item is a poster for Gerard Ferguson's choral reading held on March 9, 1986, at the Sculpture Court, Dalhousie Arts Centre. This event was a restaging of Gerald Ferguson’s 1972 sound performance Choral Reading presented as part of Audio by Artists Festival 1986.

Dreams Come True Art Auction

Item is a poster for Dreams Come True, an art auction held in support of Eye Level Gallery on November 27, 1987. Chris Huntington was auctioneer and donating artists included Brent Ash, Bruce Barber, Beth Biggs, Robert Bean, Reith Blake, Wayne Boucher, Bruce Campbell, John Clark, Gerard Collins, Alvin Comiter, David Craig, Jane Donovan, Nancy Edell, Leya Evelyn, Cliff Eyland, Gerald Ferguson, Michael Fernandes, Tom Forrestall, Dawna Gallagher Susan Gibson, Martha Glenny, John Greer, Stephen Horne, Alexander Irving, Garry Neill Kennedy, Gordon Laurin, Peter Lawrence, Janice Leonard, Vera Lemecha, Alex Livingston, Barbara Lounder, Glen MacKinnon, Rita McKeough, Robin E. Muller, John Murchie, Wilma Needham, Jane Plant, Vita Plume, Robert Pope, Ed Porter, Bernice Purdy, Felicity Redgrave, Pam Ritchie, Robert Rogers, Leslie Sampson, Rick Sanderson, Roger Savage, Ruth Scheuing, Kristen L. Scholfield-Sweet, Ron Shuebrook, Jim Smith, George Steeves, Kim Truchan, Nicholas Wade, Eric Walker, Ken Ward, Brenda Webster, Gary Wilson, and Chris Woods.

On the periphery

Item is a poster for a public performance art series presented by Eyelevel Gallery from October 1-3, 2005. This performance art series showcases Canadian artists exploring voyeurism, surveillance, critical action, entertainment and subtle intervention, and the participating artists question nature and our use of public urban spaces. The event includes performances by the Halifax Scavenger Society (Dennis Hale, Adam Kelly, Dustin Pritchard and Will Robinson), Andrew Forster, Diane Borsato and Eleanor King.

Where have all the radicals gone? / by Tanya Mars

Item is a poster for the public lecture by Tanya Mars as part of Eyelevel's lecture and exhibition series held on May 22, 2009, at the Nova Scotia College of Art and Design Bell Auditorium. Tanya Mars is a feminist performance and video artist who has been involved in the Canadian art scene since 1973.

Photographs of artwork of Mary Celeste

File includes photographs of artwork of the Mary Celeste by Rudolph Ruzicka, Leslie Victor Smith, and John Worsley; a painting of the Amazon ship; and models of the Mary Celeste held at the Atlantic Companies, Mariners Museum, and Mystic Museum.

Eyelevel Gallery fonds

  • MS-3-35
  • Fonds
  • 1968-2020
Fonds consists of documents created and collected by Eyelevel Gallery that reflect all aspects of the gallery’s management. The fonds includes artist files, slides, administrative files, publicity files (including press releases), correspondence, publications, financial documents, contracts, minutes of board of directors meetings, photographs, fundraising files and membership lists, audio and videocassettes, CDs, DVDs, books, and programmes, catalogues, posters, reviews, guest books, and miscellaneous files regarding exhibitions and events. Some digital records in this collection have been migrated from CD's.

Eyelevel Gallery.

The handweavers' loom / University of the Air

Item is program two of University of the Air's "Textiles: Their Development and Effects" series, recorded on February 4, 1983 and broadcast on CJCH-TV. The episode was presented by Dr. Robert Doyle, Director of Costume Studies for the Department of Theatre, Dalhousie University. Production staff included Charles Doucet, director and producer, and Nancy Fraser, national series coordinator.

Dalhousie Art Gallery fonds

  • UA-36
  • Fonds
  • 1953-2009
Fonds consists of records pertaining to Dalhousie Art Gallery publicity, exhibitions, collections, openings and events, and administration. Types of materials include press releases, brochures, tickets, a poster, photographs, course information, programs, calendars, catalogues, reports, financial records, notes, correspondence, newspaper clippings, minutes and agendas, and other materials.

Dalhousie University. Dalhousie Art Gallery

Alan Creighton fonds

  • MS-2-701
  • Fonds
  • 1845-2001

Fonds includes Alan Creighton's diaries, which cover many of the years from 1920 to 2000. Writings from the period 1920 to 1954 (many undated) are mainly short stories and poems. These writings include handwritten and typed, complete and incomplete, and published and unpublished works. There is also some correspondence throughout as well as copies of his two books of poetry. The fonds includes writings with titles such as "About Poetry," "Poetry Courses," "Thoughts," "Music & Art," and "Bedford Basin." His notebooks include evidence of a variety of courses taken, including French and Greek, music, poetry, and art (both practice and history, including Chinese art). There is also a record of his art sales from 1964 to 1999. Personal and family documents are included in the fonds.

Alan Creighton's artwork is extensive and primarily in the form of sketches and watercolours, with a few oil paintings. Many of his sketches are in albums, many of which are used exclusively for one particular aspect of his studies. For example, album labels include "People," "Trees," "Skies," "Rock Formations," "Buildings," "Railway Sketches" (scenes from train journeys), and "Outdoors." Others identify a place and time and include such labels as "At the Zoo," "Nova Scotian Sketches 1951," "South Shore 1982," and "Toronto 1996." Still others contain a mixture of styles and themes. There are also numerous loose sketches and watercolours which have been loosely arranged into similar groupings such as "Clouds," "Boats," "Flowers," and so forth. Photograph albums include photos of family and of scenes taken by Alan as a reference for future paintings.

Included with Alan Creighton’s personal items are papers, writings, art, and memorabilia belonging to his friend and roommate Christine Eyles, who died without heirs. Some relate to her employment as a violinist in England and in Toronto, Ontario and some contain her poetry, plays, and artwork (in sketchbooks and on loose paper). Published and handwritten music scores, mostly for the violin, are also included. A photograph album contains many formal portraits of family and friends taken in England in the early 20th century. Records also include papers by and about her father, Charles Eyles, a famous violin-maker. Such materials include advertisements, brochures, and letters attesting to the high quality of his craftsmanship.

Creighton, Alan

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