Showing 446 results

Items are catalogues for a juried exhibition of printed matter from an selection of international artists, organized by the Owens Art Gallery, Mount Allison University. The exhibition was presented at Dalhousie Art Gallery in April and May 1975.

Catalogues contain images of work in the exhibition, an introduction by Christopher Youngs (Director, Owens Art Gallery), and short biographies for artists included in the show.

Item is a catalogue for an exhibition of recent artworks by Julia Schmitt Healy, organized by and presented at the Dalhousie Art Gallery from February 24 to March 12, 1976.

Catalogue contains full-page photographs of Healy's artworks and a biography. Catalogues also contain a sleeve inside the back cover holding a list of recent works and a colour postcard showing one of Healy's paintings.

Item is a catalogue for an exhibition of paintings by Nicolas Poussin, selected from the National Gallery of Canada. The exhibition was circulated and presented at Dalhousie Art Gallery in October and November 1975.

Catalogue contains an essay by Jane Costello, photographs of Poussin's paintings, a bibliography, and a fold-out full-colour photograph of Poussin's Martyrdom of Saint Erasmus (1628).

Item is a catalogue for an exhibition of recent artwork by Douglas Bentham, titled 'Enclosures and Opens', organized by the Art Gallery of York University. The exhibition circulated and was presented at Dalhousie Art Gallery from December 2, 1976 to January 5, 1977.

Catalogue contain a forward and acknowledgements written by Michael Greenwood (Curator of Art, York University), a statement by Bentham, an essay by Robert Christie, list of artworks, photographs of Bentham's sculptures, and a biography.

Item is a catalogue for an exhibition of artwork by Eric Fischl (Assistant Professor, Nova Scotia College of Art and Design), organized at and presented by Dalhousie Art Gallery from October 2-29, 1975.

Catalogue contains text written by Fischl, including poetry and prose, images of Fischl's work, and a list of artworks in the exhibition.

Item is a catalogue for an exhibition of prints by Karl McKeeman, presented at the Dalhousie Art Gallery from September 4-28, 1975.

Catalogue contains an excerpt from McKeeman's notebook, two images of artworks, and a list of artworks.

Item is a catalogue of a travelling exhibition of 20th century folk artists from Nova Scotia, organized and circulated by the Art Gallery of Nova Scotia with funding from the National Museums of Canada and the Canada Council. The exhibition was presented at Dalhousie Art Gallery in 1978. Artists in the exhibition included Charles Atkinson, Samuel Bollivar, Ralph Boutilier, Eli Croft, Evelyn dickie, Ellison Eagles, Collins Eisenhauer, Sidney Howard, Everett Lewis, Maud Lewis, Albert Lohnes, Clarence Moores, Joseph Norris, Emery Nowlan, Joseph Sleep, Charlie Suttle, Charlie Tanner, Fred Task, Ernest Harland Turner, Eli Whiteway, and Harry Wile.

Catalogue contains a foreword and acknowledgements by Bernard Riordon (Curator, Art Gallery of Nova Scotia), list of lenders, an introduction by Marie Elwood (Chief Curator of History, Nova Scotia Museum), image plates of artworks in the exhibition, biographies for each artist, and an index.

File consists of a catalogue for the exhibition 'Models & Michelangelo' presented by Rothmans of Pall Mall Canada Limited. The exhibition was presented at Dalhousie Art Gallery in 1973.

Catalogue contains colour photographs of terracotta models by Michelangelo, a note written by John H. Devlin (Board Chairman, Rothmans), accompanying exhibition text, and a tour schedule.

File consists of catalogues for the exhibition 'kim ondaatje', presented at Dalhousie Art Gallery in November 1973.

Catalogue contains an exhibition itinerary, b&w images of kim and her paintings, a biography, list of artworks, and a full-size fold-out colour poster. Folder 2 contains the catalogue in it's foldered format while OS Folder 8 contains the flat-lay poster.

File consists of records related to 22nd annual student, staff and alumni exhibition held at Dalhousie Art Gallery from February 1 to February 14, 1976.

Records consist of insurance documents, a list of photography prize winners, letters to prize winners, a blank exhibition entry form, correspondence regarding insurance, invoices, invitations and envelopes purchase order, interdepartmental memos, a short bio of Peter van S. Lange (photographer/filmmaker), list of alumni association board of directors 1975-76 with contact information, and lists of artworks including paintings, sculptures, photographs, jewellery, and slides. Also includes some documents from the previous student, staff and alumni photographic exhibition in 1971, including a list of selected slides for exhibition and press release for University News.

The file consists of records related to the exhibition 'Miserere by Rouault' organized and circulated by the National Gallery of Canada and shown at Dalhousie Art Gallery from January 4-28, 1968.

Records consist mainly of contractual documents between Dalhousie Art Gallery and the National Gallery of Canada, including packing and mounting instructions, floor plans, packing lists, agreement forms, exhibition text, and a list of accompanying slides (not included in the file).

File consists of records related to the travelling exhibition 'Miniature Portraits of the Fathers of Confederation' presented at Dalhousie Art Gallery from October 11-21, 1967, through the Centennial Commission. The portraits were created by Juliette de Lavoys and commissioned by Samuel L. Bronfman, who donated the collection to Canada.

Records consist of an exhibition itinerary, a Dalhousie newsletter, correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and the Centennial Commission, and Roy King (Manager, New Bureau; representative of Mr. Bronfman), a shipping invoice, and exhibition instructions.

File consists of records related to the exhibition 'B.C. Paintings '66', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery in October 1967.

Records consist of condition reports, correspondence between Evelyn Holmes and Bert Henderson (Curator, University of Guelph), and D. E. Campbell (Curator, New Brunswick Museum), a packing list, list of works, and exhibition information from the National Gallery of Canada.

File consists of records related to the exhibition 'Paintings - Jack Wise' presented at Dalhousie Art Gallery in November 1967 through the Atlantic Provinces Art Circuit.

Records consist of a draft press release and correspondence between Evelyn Holmes (Acting curator, Dalhousie Art Gallery), and Peter Bell (Curator, Art Gallery, Memorial University).

File consists of records relating to the 'Atlantic Graphics' exhibition organized by the University of New Brunswick Art Center for the Atlantic Provinces Art Circuit (APAC). The exhibition was presented at Dalhousie Art Gallery from January 6-24, 1969.

Records consist of correspondence regarding the purchase of an artwork in the exhibition by Brigid Toole, a list of artworks, two condition reports and attached correspondence regarding artwork damage due to poor quality crates.,

File consists of records related to the exhibition 'Hart House Collects: Recent Acquisitions' organized by the National Gallery of Canada and presented at Dalhousie Art Gallery from March 28 - April 20, 1969.

Records consist of a condition report and attached packing list and booking agreement, descriptive exhibition text, and two photocopied journal articles: 'The Hart House Collection' by Donald Buchanan, published in Canadian Art Volume 5, No. 2, and 'The Hart House Collection of Canadian Art' by Ian Montagnes, published in Canadian Art Volume 20, No. 4.

File consists of records related to the exhibition 'Rorke's Drift: Woven Tapestries' arranged by the Art Gallery, Memorial University, St. John's, in collaboration with Gallery 101, Johannesburg. The exhibition was presented at Dalhousie Art Gallery in November 1969.

Records consist of a photocopy of the article 'Rorke's Drift: A New Fame' published in Fair Lady, April 17, 1968, a list of artworks and an itinerary, a Dalhousie newsletter, and correspondence between Evelyn Holmes (Curator, Dalhousie Art Gallery) and curators of other galleries involved in the presentation of the exhibition.

File consists of records related to the exhibition 'Graphics of South Africa' shown att he Dalhousie Art Gallery in February 1968.

Records consist of correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and staff of the Glenhyrst Arts Council.

File consists of records related to 'Toni Onley, a partial retrospective' circulated through the Atlantic Provinces Art Circuit and displayed at Dalhousie Art Gallery in January 1968.

Records consist of correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and other APAC member galleries regarding transport, damage to, and condition reports of the exhibition.

File consists of records related to an exhibition of sketches and drawings by Tony Urqhart, organized by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery in April 1970.

Records consist of exhibition agreement forms, a condition report and handwritten condition notes, photocopy of an excerpt from Canadian Art, Volume 18, No. 1 titled 'Urqhart', an excerpt from Ontario Library Review, December 1966 containing an entry on Urqhart in 'Who's Who in Ontario Art', a packing list and list of artworks, a biography in English and French, and exhibition descriptive text.

File consists of records related to the exhibition 'Plaskett', a collection of pastel drawings by Joseph Plaskett organized by the Art Center of the University of New Brunswick for the Atlantic Provinces Art Circuit (APAC). The exhibition was presented at Dalhousie Art Gallery in May 1970.

Records consist of two condition reports and an accompanying drawing depicting areas of damage, and correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and curators of other APAC member galleries .

File consists of records related to the exhibition 'Paintings, Drawings, Sculpture by David Paton and Alex Tissington' organized by and presented at the Dalhousie Art Gallery from April 1-18, 1968. This exhibition was a part of the Know Your Artist Series.

Records consist of correspondence with Evelyn Holmes (Acting Curator, Dalhousie Art Gallery), and Curators of other galleries in the Atlantic Provinces Art Circuit, a photocopy of a newspaper article titled 'Perspectives in Art' by Rae Perlin, two newspaper clippings promoting the exhibition, a packing list, a guest list, biographies for Paton and Tissington with handwritten notes, and a draft exhibition pamphlet.

File consists of records related to the exhibition 'Didactic Prints' organized by the Confederation Art Gallery and presented at Dalhousie Art Gallery in October 1968.

Records consist of a list of artworks including descriptive texts, an exhibition schedule, and correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and Mrs. H. Kennedy (Registrar, Confederation Art Gallery).

File consists of records relating to the exhibition 'The Venus Suite' of works by J. Carl Heywood. The exhibition was organized by Dalhousie Art Gallery under the direction of the new Director, Ernest Smith. The exhibition was presented in October 1970.

Records consist mainly of correspondence between Smith and Heywood, in addition to a C.V. and resume for Heywood.

File consists of records related to the Suburbia exhibition featuring works by photographer Bill Owens, organized and circulated by the Western Association of Art Museum in Oakland. The exhibition was held at Dalhousie Art Gallery from December 9, 1975 - January 4, 1976.

Records consist of draft press releases, reviews, contract documents, correspondence, and a floor plan.

File consists of records related to the J. Frederick McCulloch retrospective exhibition held at Dalhousie Art Gallery from April 10-20, 1975.

Records consist of insurance documents and correspondence.

File consists of records related to the Printed Matter exhibition, organized by the Owens Art Gallery, Mount Allison University in Sackville, New Brunswick. The exhibition was presented at Dalhousie Art Gallery from April 22-May 11, 1975.

Records consist of an invoice, correspondence, a newspaper clipping, condition reports, and a price list.

File consists of records related to a travelling exhibition of 85 Canadian paintings representing 46 artists from across the country. The exhibition was initiated and sponsored by Time Canada Ltd., and was presented at Dalhousie Art Gallery from November 6 to December 4, 1975.

Records consist of box list, correspondence, condition reports, unpacking and repacking instructions, installation instructions, shipping receipts, catalogue and sales list, contractual documents, magazine and newspaper clippings, interdepartmental memos, and a list of expenses.

File consists of records related to a poetry reading by Leona Gom, held at Dalhousie Art Gallery on October 27, 1975.

Records consist mainly of correspondence between Bruce W. Ferguson (Director, Dalhousie Art Gallery) and Leona Gom. File also includes interdepartmental memos, invitation cards, and a copy of a report to The Canada Council on the Public Reading.

File consists of records related to the exhibition of paintings by Nicolas Poussin, selected from the National Gallery of Canada. The exhibition was circulated and presented at Dalhousie Art Gallery from October 10 and November 2, 1975.

Records consist of correspondence, a biography, condition reports, insurance documents, loan agreement forms, a floor plan, and interdepartmental memos.

File consists of records related to a poetry reading by Fred Cogswell, held at Dalhousie Art Gallery on November 17, 1975.

Records consist mainly of correspondence between Bruce W. Ferguson (Director, Dalhousie Art Gallery) and Fred Cogswell. File also includes interdepartmental memos, professional biography of Cogswell, and a copy of report to The Canada Council on the Public Reading.

File consists of records related to a poetry reading by John Ditsky, a professor in the Department of English at the University of Windsor, held at Dalhousie Art Gallery on October 6, 1975.

Records consist mainly of correspondence between Bruce W. Ferguson (Director, Dalhousie Art Gallery) and John Ditsky. Many letters are handwritten. File also includes invoices and purchase orders, interdepartmental memos, an invitation card, and a blank form of a report to The Canada Council on the Public Reading.

File consists of records related to the exhibition of works by Eric Fischel , held at Dalhousie Art Gallery from October 2 to November 1, 1975.

Records consist of invoices and purchase orders, list of expenses, interdepartmental memo, a floor plan, and an invitation card.

File consists of records related to the exhibition of drawings by Frank Nulf, held at Dalhousie Art Gallery from October 2 to November 1, 1975.

Records consist of invoices and purchase orders, list of expenses, interdepartmental memos, correspondence, newspaper clipping, a floor plan, catalogue materials including an introduction, biography, list of works, and a copy of an article titled "All art is at once surface and symbol. Those who go beneath the surface do so at their peril." by Ron Shuebrook. File also includes a photographic print of Nulf's drawing (untitled) and an invitation card.

File consists of records related to the exhibition 'Shiryu Morita' organized by Mr. Tetsuo Yamada, Director of the Yamada Art Gallery, Kyoto, Japan, and circulated by the National Gallery of Canada. The Exhibition was presented at Dalhousie Art Gallery from October 13 - November 15, 1970.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and National Gallery staff, an exhibition agreement contract, a cumulative condition report, shipment invoice, and a packing list.

File consists of records related to the exhibition 'Man at Leisure and Play' organized and toured by the National Gallery of Canada and presented at Dalhousie Art Gallery in November 1970.

Records consist of a newspaper clipping, correspondence of Evelyn Holmes (Curator, Dalhousie Art Gallery) and Ernest Smith (Director, Dalhousie Art Gallery), a packing list, and a notice from the Maritime Art Association (M.A.A).

File consists of records related to the exhibition 'ESP', organized by the National Gallery of Canada and presented at Dalhousie Art Gallery in June 1971.

Records consist of exhibition contract agreements, correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and the artists, condition reports, a photocopy of a newspaper clipping regarding the exhibition, and a packing list.

File consists of records related to the exhibition 'Canadian Water-Colours of the 19th Century' organized by the National Gallery of Canada and resented at Dalhousie Art Gallery from February 15-March 15, 1971.

Records consist of condition reports, exhibition contract agreements, photocopies of newspaper clippings; some mounted on backing paper, correspondence of Ernest Smith (Director, Dalhousie Art Gallery) regarding the condition of artworks in the exhibition, and descriptive exhibition text provided by the National Gallery.

File consists of records relating to organization, planning, and preparation for the exhibition 'French Painting 1840-1924' organized and circulated by the National Gallery of Canada and presented at the Dalhousie Art Gallery in February and March of 1971.

Records consist of correspondence, condition reports from Dalhousie Art Gallery and others, accompanying texts for the exhibition including a bibliography, recommended film screenings, readings, and descriptive texts; an exhibition loan agreement, docent agreements, lists of artworks and biographical information, and a newspaper clipping.

File consists of records relating to the 'Walter R. Sickert Exhibition', organized and circulated by the Beaverbrook Art Gallery and presented at Dalhousie Art Gallery from October to December 1971.

Records consist mainly of correspondence of Ernest Smith (Director, Dalhousie Art Gallery) and staff of the Beaverbrook Art Gallery. Additional records consist of insurance certificates, exhibition loan agreement forms, correspondence between Henry Hicks (President, Dalhousie University) and Wallace S. Bird (Chairman, Beaverbrook Art Gallery) requesting a loan of the Sickert paintings, shipping receipts, and a condition report.

File consists of records related to the planning of the exhibition 'André Biéler 50 years' organized by the Agnes Etherington Centre and presented at Dalhousie Art Gallery in March and April of 1971.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and staff of the Agnes Etherington Centre, a newspaper clipping, exhibition loan agreements, list of artworks, artwork condition notes, handwritten condition notes, and a letter from Smith to Biéler regarding the purchase of one of his artworks.

File consists of records related to the 'People of eight seasons' exhibition, organized by the Memorial University Art Gallery and circulated by the Art Gallery of the University of Manitoba and presented at Dalhousie Art Gallery in August 1972.

Records consist mainly of correspondence amongst Ernest Smith (Director, Dalhousie Art Gallery), Professor V. Hammock (Director, The University of Manitoba Art Gallery), and Mr. Peter Bell (Curator, Memorial University Art Gallery). Additional records consist of an invoice, three copies of the article "The Lapps in Sweden"(published in August 1971), and correspondence between Barbara Leaman (Secretary, Memorial University Art Gallery) and Mrs. Alberta Mayo (Secretary, Dalhousie Art Gallery).

File consists of records relating to the exhibition 'On the water's edge', consisting of facsimiles of 17th and 18th century Dutch drawings from the collection of the Teylers Museum, Haarlem. The exhibition was presented at the Dalhousie Art Gallery in April 1971.

Records consist mainly of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and staff of the Royal Netherlands Embassy, whom the exhibition was circulated through. One additional record consists of a paper outlining the historical background of the Teylers Museum and the collection of drawings.

File consists of records related to the exhibition 'Bruno Bobak's Humanism : an exhibition of figurative paintings' organized and circulated by The Owens Art Gallery, Mount Allison University for the Atlantic Provinces Art Circuit schedule 1970-1971. The exhibition was presented at the Dalhousie Art Gallery from April 1-5, 1971.

Records consist of correspondence of Ernest Smith (Director, Dalhousie Art Gallery), including letters between he and Bruno Bobak, a price list and insurance certificate, two condition reports, and an photocopied excerpt from 'Harper: Early Painters and Engravers'

File consists of records relating to the exhibition 'Massey Medals for Architecture 1970', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery from November 1-30, 1971.

Records consist of a condition report, exhibition agreement contract, descriptive exhibition text and packing lists, correspondence with the National Gallery, handwritten notes, and a press release from the Royal Architecture Institute of Canada (RAIC) regarding the finalists and winning entries for the Massey Medals Awards Competition.

File consists of records related to the planning of the exhibition ' The Photograph as Object', organized and circulated by the National Gallery of Canada. The Exhibition was presented at Dalhousie from April 15 to May 14, 1971.

Records consist of packing and artwork lists, loan agreements, a newspaper clipping titled 'The Photograph as Object, next Killam exhibition', a condition report, handwritten condition notes written on index cards, and correspondence between Dalhousie Art Gallery and the National Gallery of Canada Extension Service.

File consists of records related to the exhibition 'Duncan: Gift from the Douglas M. Duncan Collection and the Milne-Duncan Bequest', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery from August 1-31, 1971.

Records consist of artwork lists, a condition report, exhibition agreement contracts, insurance records, correspondence of the Dalhousie Art Gallery, descriptive exhibition text, and a newspaper clipping,

File consists of records related to an exhibition of ceramics by Walter Ostrom presented by the Dalhousie Art Gallery in November 1971.

Records consist of an invitation list for the exhibition opening, a biography and C.V. for Ostrom, and correspondence of the Dalhousie Art Gallery.