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Nova Scotia File
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Manuscripts, correspondence, and contract for film adaptation of Letter from Matt Arthur's Fishpond

File contains multiple drafts of a teleplay adapted by Chris Heide from the short story published in Canadian Fiction Magazine, as well as correspondence, a contract, and a chronology of events beginning with the submission to CBC Television Drama and ending with a cancelled contract with National Film Board.

With Sirens Wailing — CBC produced

File contains four drafts copies of The Sound of Sirens, broadcast three times by CBC Radio, the first time as "With Sirens Wailing." File also contains a contract, correspondence and a chronology outlining the evolution of the script and its production.

The 100 Year Old Man — CBC produced

File contains an original manuscript draft of The One Hundred Year Old man, first produced for radio by CBC Halifax. File also contains a contract, correspondence and a chronology outlining the evolution of the script including various submissions, rejections, acceptances and prizes.

I Ain't Dead Yet — Mermaid Theatre original production

File includes correspondence, notes, manuscripts, a contract, evaluations forms, reviews and a chronology outlining the project from its conception as "Grandmother's Story" through to Christopher Heide's residency at Mermaid Theatre and the company's workshop production of "I Ain't Dead Yet."

Adjudicators

File contains applicant correspondence and biographies and a shortlist of adjudicators for the May 2006 Liverpool International Theatre Festival.

Administrative and publicity records for Pogie, by Christopher Heide and Al MacDonald

File contains a joint copyright agreement between Christopher Heide and Al MacDonald; publishing contract and correspondence with Borealis Press; correspondence, contract and reviews for the 1998 Tantramar Theatre Festival production; notes, reviews and advertisements for the 1994 Lunenburg Dinner Theatre Company production; correspondence, contract and reviews for the 1980 Stages production; correspondence, contract and reviews for the 1984 Kam Theatre (Thunder Bay) production; and an annotated copy of the published script. There is also correspondence between Chris Heide and Rosemary Gilbert about the possibility of converting Pogie and No More Gasoline into television scripts. File also contains a chronology of events documenting the genesis and evolution of the script development and production.

Under the Map administrative and publicity records

File includes meeting agendas and notes, correspondence, budgets, schedules and project reports for the Port Hawkesbury Centennial Community Performance Project. Also enclosed are script development records, production reviews and an article by Christopher Heide published in Integare: Recreational Council on Disability in Nova Scotia's Winter 1990 newsletter.

Correspondence, notes and playwright's agreement re. Bring Back Don Messer!

File includes correspondence between Christopher Heide, Michel Fahey and Ed McKenna of the Mulgrave Road Co-op. There is also a letter written from Heide to Larry Lillo, at Tamahnous Theatre, Vancouver, as well as a chronology of events between September 1970 and March 1983 regarding the script's creation and possible remounting.

The Promised Land administrative records

File contains project grant applications and correspondence for Christopher Heide's "Poor People," which evolved into "The Promised Land," produced by Mulgrave Theatre in 1988. File also contains a tour schedule and contract between Christopher Heide and Mulgrave Road Co-op Theatre.

Working Theatre Project administrative records

File includes records documenting Mulgrave Road Co-op Theatre's Working Theatre Project, which used theatre structures and methodologies with an adult education approach to literacy upgrading. Records include correspondence; reports; notes; a contract with Christopher Heide; budgets; project summary; and a program for "Time Out," the play produced by program's participants.

Guild of Canadian Playwrights

File contains records created and collected by Christopher Heide in the course of his work as a Founding Committee member of the Guild of Canadian Playwrights and as chair of the Collective Creation Contract Committee. Record types include correspondence, reports, meeting minutes and notes.

Dramatists' Co-op of Nova Scotia records

File contains records created and collected by Christopher Heide in the course of his association with the Dramatists' Co-op of Nova Scotia. Record types include correspondence, listings, funding applications, reports, meeting minutes, and an incomplete run of the Dramatists' Co-op Newsletter between 1984 (vol. 4, no. 4) and 1988 (vol. 6, no. 11).

Gethsemane's Comfort — a pastoral project serving the victims of family violence

File contains the final report for a project of the Services to Parishes and Regions Committee of the Anglican Diocese of Nova Scotia funded through a grant from the Victims' Services Division of the Nova Scotia Department of Justice. Christopher Heide served as a project facilitator and the folder includes his correspondence and workshop materials.

Beaver study correspondence

File is loosely organized into two sections: Nova Scotia beaver and Norway beaver. Both sections contain correspondence to and from government officials, biologists, academics, and industry consultants regarding research for and publication of Alexander Leighton's study on beaver mental characteristics. The Norway section also contains excerpts from Norwegian newspapers. There is also a set of handwritten notes titled "Outline for study of the Beaver: D. Cross & A.H. Leighton."

Information policy student poster display

File consists of records related to the Information Policy student poster travelling exhibition held from Jan to April 2007.
Records consist of a letter from Dr. Margaret Ann Wilkinson from the Faculty of Law and Faculty of Information and Media Studies of the University of Western Ontario to the CLA Student Chapter Co-Chair at Dalhousie School of Information Management and a printed email correspondence with Dr. Wilkinson.

SLA materials

File consists of Special Libraries Association (SLA) meeting agendas, minutes, emails, and correspondence with the IWB committee. Also includes a thank you note to SLA from the 2016 IWB committee.

Press releases and correspondence related to Wendy Lill

File contains press releases and correspondence related to Wendy Lill's career as Dartmouth Member of Parliament.

File also contains a copy of the Fall 1998 issue of the Dartmouth Community Bulletin titled, "Keeping in Touch."

Art film programme files 1964-65 and 1965-66

File consists of records pertaining to the 'Art Film' series of screenings presented by the Dalhousie Art Gallery between 1964-1966.

Records consist of program schedules for art films and exhibitions and correspondence between Evelyn Holmes (Acting Curator) and Eric Wessman regarding projection costs.

Lectures 1968-69-70

File consists of records related to the planning and presenting of guest lectures, presentations, readings, and talks organized through the Dalhousie Art Gallery for the period of 1968-1970. Records primarily relate to the planning of a lecture by Andrew Hudson.

Records consist primarily of correspondence of Evelyn Holmes (Acting curator, Dalhousie Art Gallery). Additional records consist of a photograph of guest lecturer Russel Harper (Professor, author), an itinerary for Mr. Andrew Hudson, a newspaper clipping regarding Hudson's visit, three lecture outlines, and biographies and curricula vitae for Andrew Hudson, Joan M. Vastokas, and Russell Harper.

Films 1968-69

File consists of records related to the organizing, planning, and presenting of the Lunch Hour Series and Evening Series film screenings produced by the Dalhousie Art Gallery during the period of 1968-1969.

Records consist mainly of publicity notes including the date and times of each screening, the film, a short description, and list of coinciding exhibitions open at the gallery. Additional records consist of correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery).

Lectures 1967-68

Files consist of records related to the planning of guest lectures by the Dalhousie Art Gallery for the 1967-1968 academic period. These relate primary to two lectures, given by Nathan Lyons (Associate Director of Photography, George Eastman House) and Dr. R.H. Hubbard (Chief Curator, National Gallery of Canada).

Records consist of correspondence of Evelyn Holmes regarding the arrangement and planning of guest lecture events, Dalhousie newsletters, lecture summaries, publicity text, curriculum vitae and biographies, newspaper clippings, and lecture itineraries.

Lectures 1966-67

File consists of records related to the scheduling of guest lectures in connection with the Dalhousie Art Gallery for the 1966-1967 academic period.

Records consist mainly of correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) regarding organizing, planning, and presenting guest lectures. Additional records consist of a Dalhousie newsletter regarding a lecture presented by Stuart Allen Smith (Director, Beaverbrook Art Gallery), as well as Smith's biography and lecture summaries, lecturer itineraries, newspaper clippings, and publicity materials related to Ladislas Segy (Director, Segy Gallery, NY).

Art lectures 1965-66

File consists of records related to the planning of guest lectures by the Dalhousie Art Gallery for the 1965-1966 academic period.

Records consist of handwritten scheduling notes, copy of a correspondence between Moncrieff Williamson (Director, Confederation Art Gallery) and Jean-Rene Ostiguy (Director, Exhibition Services, National Gallery of Canada) regarding Atlantic Provinces Art Circuit programming, copy of a notice of the availability of booking Archie F. Key (Field Director, Canadian Museums Association) for a lecture, and a copy of 'The Canadian Art Fraud Case' by Nathan Stolow, reprinted from Canadian Art issue No, 64.

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