File contains original set designs for Neptune Theatre's production of "Plaid Tidings," directed by David Connolly and designed by D'Arcy Morris-Poultney.
File contains annotated copies of set designs for Neptune Theatre's production of "Possible Worlds," directed by Daniel Brooks and designed by Julie Fox (set) and Andrea Lundy (lights). The designs were drawn to the scale of 1/4" = 1'.
File contains set designs for Neptune Theatre's production of "Present Laughter," directed by Tom Kerr with designs by Jim Guedo. The file includes Guedo's original drawings and annotated copies.
File contains set designs for Neptune Theatre's production of "Private Lives," directed by John Neville and Don Allison with set designs by Art Penson. The file includes original drawings and annotated copies of the originals.
File contains original set designs for Neptune Theatre's production of "Problem Child," a studio theatre production directed by Jean Morpurgo and designed by Brian Perchaluk. Scott Miller was the technical director. The designs were drawn to the scales of 1/4" = 1' and 1/2" = 1'.
File contains original set designs for Neptune Theatre's production of "Problem Child," a studio theatre production directed by Jean Morpurgo and designed by Brian Perchaluk. Scott Miller was the technical director and Leigh Ann Vardy did the lighting design. The designs were drawn to the scales of 1/4" = 1', 1/2" = 1', and 1" = 1'.
File contains annotated copies of the set and light plot designs for Neptune Theatre's studio production of "Problem Child," directed by Jean Morpurgo and designed by Brian Perchaluk (set) and Leigh Ann Varady (lights).
Item is a program from an exhibit called "Design is a Six Letter Word: Works of Robert Doyle." The exhibit ran from March 25th 1988 to June 26th 1988 at the Dalhousie Art Gallery. The program features a black and white reproduction of a set design painted by Robert Doyle.
File contains original and annotated copies of the set and lighting designs for Neptune Theatre's production of "Proof," directed by Ron Ulrich and designed by Art Penson (set) and L. Wilkinson (lighting). Eleanor Creelman was the technical director. The designs were drawn to the scale of 1/4" = 1'.
File contains light plot design for Neptune Theatre's production of "Puss 'n Boots," directed by Graham Whitehead and designed by Vicki Marsdon and Jim Moore (set) and Brian Pincott (lights).
File contains set and light designs for Neptune Theatre's production of "Rabbit Hole," directed by Daryl Cloran and designed by D'Arcy Morris-Poultney (set) and Leigh Ann Vardy (lights).
File contains set and lighting designs for Neptune Theatre's production of "Riot," directed by Richard Donat and designed by Steven Osler (set) and Leigh Ann Vardy (lights). Scott Miller was the technical director. The designs are drawn to the scales of 1/4" = 1' and 1" = 1'.
File contains annotated copies of the set designs for Neptune Theatre's studio production of "Riot," directed by Richard Donat and designed by Steven Osler.
File contains annotated copies of set designs for Neptune Theatre's production of "Romeo and Juliet," directed by Linda Moore and designed by Brian Perchaluk. The file also contains an original drawing of the light design by Paul Mathiesen and Ruth Leggett for the Neptune Tour 1995.
File contains annotated copies of set designs for Neptune Theatre's production of "Rough Waters," directed by Richard Donat and designed by Kim Nelson. The technical director for the production was Scott Miller. The designs are drawn to the scale of 1/2" = 1'.
File contains annotated copies of set designs for Neptune Theatre's production of "Rough Waters," directed by Richard Donat and designed by Kim Nelson.
File contains set designs and original light plot drawings for Neptune Theatre's production of "Safe Haven," directed by Linda Moore and designed by Stephen Osler (set) and Bonnie Beecher (lights).
File contains original and annotated copies of set designs for Neptune Theatre's production of "Salt Cod and Pork Scraps," directed by Hans Boggild and designed by Lesley Preston.
Item is an oil pastel sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 1, "The Weaver's Ecstasy at the Discovery of a New Colour." The sketch shows three male figures and two female figures standing in a tent made of colourful materials. One male figure appears to be wearing a military uniform with his face covered by a scarf, and one of the female figures is wearing a veil over her face while putting her arms around the other three figures.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 10, "Not Him." The sketch shows two female figures and one male figure. The male figure is holding a bag of severed heads.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 10, "...Not Him." The sketch shows one male figure in an elaborate uniform standing beside two female figures wearing robes and veils over their faces.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 2, "Kiss my Hands." The sketch shows six figures, three of whom are wearing military uniforms and holding weapons. The other three figures are wearing pajamas and appear to be a mother, father, and son. The father's hands are bound and he is being led away by one of the military people.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 3, "Necessity for Prost. in Advanced Societies." The sketch shows one male figure and three female figures standing together.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 4, "Reasons for the Fall of Emperors." The sketch shows three male figures in different military uniforms. The figures are standing together with a desert and a tent in the background.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 6, "The Dumb Woman's Ecstasy." The sketch shows one female figure and two male figures standing together and wearing costumes. One of the male figures is holding a bag that says "La Coutlier de la Torture."
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 7, "She Sees the Argument - But..." The sketch shows three female figures in grey work uniforms standing together.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 8, "The Unforeseen Consequences of a Patriotic Act." The sketch shows two figures in red-brown robes and one female figure in a white and gold robe with a parasol.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 9, "The Philosophical Lieutenant and the Three Village Women." The sketch shows one male figure sitting in a chair with three women in black around him. One of the woman is threatening him with a knife behind him. There is also another male figure in the distance.
File contains set designs for Neptune Theatre's production of "Scrooge," directed by Jean Morpurgo and designed by Patrick Clark. The designs are drawn to the scale of 1/2" = 1'. The file includes some of Clark's original drawings and annotated copies. The lighting design for this production was done by Daryl Shaw.
File contains original and annotated copies of set designs for Neptune Theatre's production of "Scrooge," directed by Jean Morpurgo and designed by Patrick Clark. The technical director for the production was Scott Miller. The designs were drawn to the scale of 1/2" = 1'.
File contains set designs for Neptune Theatre's production of "Sea Horse," directed by Tom Kerr and designed by Ted Roberts. File contains original drawings and annotated copies.
File contains original and annotated copies of set and light plot designs for Neptune Theatre's studio production of "Seduced," directed by B. MacDonald and designed by Brock Lumsden (set and lights).
Item is a watercolour set design for Dalhousie Theatre's production of the Taming of the Shrew. The sketch shows on large illustration of the stage surrounded by four smaller illustrations of the stage, each with a different set.
File contains a sketch of a set for an unidentified Neptune Theatre production. The sketch shows two rooms facing each other with a cityscape background.
File contains annotated copies of set designs for Neptune Theatre's production of "Sexy Laundry," directed by Marcia Kash and designed by D'Arcy Morris-Poultney.
File contains the original set designs and copies of the light plot designs for Neptune Theatre's production of "Sexy Laundry," directed by Marcia Kash and designed by D'Arcy Morris-Poultney (set) and Leigh Ann Vardy (lights).
File contains original and annotated copies of set designs for Neptune Theatre's production of "Shape of a Girl," directed by Samantha Wilson and designed by Corey Mullins. Eleanor Creelman was the technical director. The designs are drawn to the scale of 1" = 1'.
File contains set designs for Neptune Theatre's production of "Sherlock Holmes: A Curse of the Sign of Four," directed by Richard Ouzounian and designed by S.J. Degenstein. The file includes Degenstein's original drawings and some annotated copies.
File contains set designs for Neptune Theatre's production of "Shine Boy," directed by Lorne Kennedy and designed by W. Chesney with lighting by Steve Ross.
File contains light and set designs for Neptune Theatre's production of "Shirley Valentine," directed by Alan MacInnis and designed by Stephen Osler (set) and Leslie Wilkinson (lights). The file includes the original designs by Osler and Wilkinson and a copy of a second light design by Wilkinson.
File contains set designs for Neptune Theatre's production of "Sincerely, a Friend," directed by Bryden MacDonald and designed by M. Buntrock. The file includes Buntrock's original drawings and annotated copies.
File contains the set design for Neptune Theatre's studio production of "Sincerely, A Friend," directed by Bryden MacDonald and designed by Ian Rye. The copy is annotated and was used by stage management.
Item is a pencil sketch of a set design for Dalhousie Theatre's 1984 production of Grease. The design is for the cafeteria in act I, scene II. The sketch shows a table with chairs around it. There are notes about the design on the front and back of the sketch.
Item is a pencil sketch of a set design for Dalhousie Theatre's 1984 production of Grease. The design is for Jan's basement in act II, scene IV. The sketch shows a large poster of a rock star with several seats and cushions in front of it. There are notes about the design on the front and back of the sketch.
Item is a marker sketch of a set design for Dalhousie Theatre's 1984 production of Grease. The design is for the Rydell High gym decor in Act I scene I. The sketch shows a large sign that says "Rydell High Welcomes Class of '59."
