File contains drafts of program notes by Anthony Pugh pertaining to works by Domenico Scarlatti. The file includes Pugh's chronological analysis of Scarlatti's extant sonatas, annotated copies of the incipits for the sonatas, and correspondence with P. Joan Hymans of the British Broadcasting Corporation about the numbering of the Scarlatti sonatas.
File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Felix Mendelssohn. The file includes a complete program with notes by Pugh for a performance by the Brunswick String Quartet and Arlene Nimmons Pach, and two programs used by Pugh in his research, from the Liverpool Philharmonic and Saison Musicale de Radio France.
File contains research and program notes by Anthony Pugh on Frederick Delius. The file also includes a program for a performance of Delius's "A Mass for Life," performed by the Liverpool Philharmonic Society, conducted by J.E. Wallace, which Pugh collected and used in his research.
File contains research notes and drafts of program notes by Anthony Pugh concerning the music of Johannes Brahms. The file includes a draft of a program for a performance by the University of New Brunswick Resident Musicians (April 3 and 5, 1973). The file includes notes written by Pugh while he was teaching at the University of London King's College and, later, at the University of New Brunswick.
File contains program notes, a short essay, and a handout on Hector Berlioz's Symphonie Fantastique. The file also includes correspondence from David F. Bell regarding Pugh's submission to a Nineteenth-Century French Studies Colloquium at Duke University (Durham, North Carolina) and from Professor H.W.W. Warman of the University of Lancaster inviting Pugh to deliver a lecture on Berlioz's Symphonie Fantastique.
File contains drafts of program notes and research notes for concerts containing works by Ludwig van Beethoven, including piano sonatas, symphonies, concertos, string quartets, piano trios, and overtures. Most of the program notes were written while Anthony Pugh was in Fredericton, New Brunswick, with the exception of those for Beethoven's Quartet in F major, op. 59 no. 1, which were written while he was at Pembroke College in Cambridge, England, and which include handwritten analytic excerpts from the quartet, written by Pugh. The file also includes Anthony Pugh's analysis of Beethoven's Piano Sonata in C minor, op. 111, for which he also wrote program notes, and programs (with notes by Anthony Pugh) for performances by the Atlantic Symphony Orchestra and Anton Kuerti (presented by the Creative Arts Committee of the Universities of New Brunswick and Saint Thomas). The file also includes extensive handwritten notes by Pugh on Beethoven's Fidelio and an analysis of one of its recitatives and duets by "Mark," which was sent to Pugh from Seaford, East Sussex, England.
File contains drafts of program notes, research notes, and programs for concerts containing music by Johann Sebastian Bach. The file is organized by type of music, including choral, instrumental, piano, solo violin and cello, concertos, and suites. Most of the program notes were written for concerts in Fredericton, with the exception of some notes from when Pugh was at Pembroke College in Cambridge, England. The file includes programs for performances at Christ Church Cathedral (Fredericton Chamber Players and Chamber Choir, directed by David Adams and Jeffrey Campbell); Wilmot United Church (Fredericton Choral Society and Chamber Orchestra, conducted by Douglas Hodgkinson); Edinburgh International Festival of Music and Drama (used for research, program notes not written by Pugh); and Memorial Hall, University of New Brunswick (Fredericton Chamber Orchestra conducted by Harrison Roper). The file also includes longer essays on the Saint Matthew Passion by Pugh.
File contains the sheet music for "Dear Old London" with words by D. Eardley-Wilmot and piano music by Kathleen Heron-Maxwell. The score is inscribed to Ellen Ballon and dated June, 1935. The score was published in two keys, B minor and D minor. This version is in D minor.
File contains the sheet music for "Keep on Hopin'" with words by Frank Stanton and piano music by Kathleen Heron-Maxwell. The score is inscribed to Ellen Ballon and dated June 18, 1935. The score was published in three keys, C Major, E-flat Major, and F-Major. This version is in E-flat Major.
File includes a postcard with a black and white photograph of Pietro Mascagni (1863-1945), an Italian opera composer. The postcard has various signatures on the front, including Francesco Marconi (1855-1916, operatic tenor from Rome) and four other illegible signatures. The postcard is addressed to Frau Dr. Lehnsern(?) of Berlin. File also includes the incipits of three pieces by Ignaz Moscheles (1794-1870), signed at dated October 3, 1844. There are also five letters written by the following composers: Jacques Offenbach (1879), Gustav Mahler (1899), Edvard Grieg (1902), Maurice Ravel (1921), and Ignacy Paderewski (n.d., 1860-1941).
File contains a pamphlet with biographical information on the Aeolian Singers, commendations, and press reviews. The Aeolian Singers included Lynndale Byers (alto); Frank Odell (tenor); James Logue (baritone); and Jack George (bass).
File contains a photograph of the English composer Edward Elgar (1857-1934). It is in a matte stamped with the copyright of The Bell Piano & Organ Co., Limited.
File contains two autographed photographs of the English actor John Martin-Harvey, signed for John Daniel Logan following a performance in Halifax on May 19, 1921. One of the photographs shows him in costume for a role.
File contains a series of prints of paintings and photographs of the English actor Johnston Forbes-Robertson (1853-1937) in and out of costume. One of the prints is autographed by the actor.
File contains an autographed letter from the English dramatist William Schwenck Gilbert, addressed to the actress Mrs. Bernard Beere (Fanny Mary Whitehead). In 1897, she appeared as Lisa in Gilbert's play "Gretchen".
File contains two songs arranged by Kathleen Heron-Maxwell, "Dear Old London" (1926) and "Keep on Hopin'" (1915). Both scores are inscribed by the arranger.
File contains two copies of the program for an exhibition creation by the Cultural Section of the Brazilian Embassy in London (February 19-March 12, 1964). The program includes lists of exhibited items donated by Ellen Ballon.
File contains a newspaper article on Ballon's performance at the Prom concert series in London, England, and two pages of photocopied news articles on the same performance.
Item contains a letter from Mary Goldie, Princess Alice's private secretary, asking Ellen Ballon to forward an enclosed letter to Frank Cyril James in commemoration of the fiftieth anniversary of the McGill Conservatorium.
File contains letters concerning Ellen Ballon's performance of music by Heitor Villa-Lobos and the receipt of flowers. File also contains a letter to Ballon from Mary Goldie, Private Secretary to Princess Alice, concerning a letter from the latter and Lord Athlone to Dr. James (presumably Frank Cyril James) at the fiftieth anniversary of the founding of the McGill Conservatorium of Music.
File contains two programs from a series of "Popular Concerts" on Saturday afternoons, directed by S. Arthur Chappell. Each of the programs includes musical excerpts and analytical remarks. The concerts featured a variety of performers, all conducted by Mr. Benedict. Performers included M.M. Joachim, L. Ries, Straus, Piatti, Miss. Carola, Arabella Goddard, Annie Edmonds, Henry Blagrove, Zerbini, Paque, Edith Wynne, and Clara Schumann. The programs are from the ninth and twelfth seasons at St. James's Hall in London, England.
File contains two photographs of H. Harris Brown taken in Garden House in Chelsea, London. The photographs show Brown sitting in a room with sculptures and other artwork. The photographs were sent to Arthur Stanley MacKenzie as Christmas greetings.
Item is a photograph of Harris Brown taken in Garden House in Chelsea, London. Harris is sitting on a stool next to an ornate fireplace with a mirror and sculptures. The photograph was sent to Arthur Stanley MacKenzie as a Christmas and New Year greeting card.
File contains three copies of a photograph of Prof. H. A. Bumstead making a vacuum to split atoms at Cambridge University in the Cavendish Laboratory. A. S. MacKenzie is visible in the background, measuring a magnetic field.
Series contains newspaper clippings about Ellen Ballon. Clippings include articles about a variety of subjects, including Ellen Ballon's life in general, concerts, and her hobbies.