File contains untitled prints of three ink sketches of an unidentified man, two unidentified b&w art pieces, and two b&w paintings of a man playing the flute.
File contains slides of multiple works, including lithographs, charcoal sketches, paintings, pencil sketches, court room sketches, and those titled "Music Series," "Types of Art Media," and "Out of Order."
File contains photographs of works including "Ukrainian Dancers," "Self-portrait of a Fur Worker," "Portrait of Who — Music Series," "Tenement" and others.
File contains photographs used in the course of Henry Orenstein's creative process in the concept development of the "Sudbury Industrial Landscape". File also contains a photograph of the mural.
File contains sketches of various persons and scenes, including Joan rehearsing "La Sagouine," "Purcell's Cove Social Club, 1960s," "Extinct Species, Fisherman 1960s," "Do you know Anyone who Wants A Man?" "Musicians," "Instruments," "Masks," and three sketches of unidentified persons. File also contains a copy of the sketch "Juno & the Paycock" and a photograph of the "Masks" exhibition attached to the sketch.
File contains sketches produced by Henry Orenstein in the course of his creative process in the concept development of the Sudbury Industrial Landscape, a 1950s commission by the Mine, Mill and Smelter Workers of Sudbury for a mural on the local union hall.
File contains Rosemary Donegan's catalogue from the 1987 exhibition of Industrial Images at the Art Gallery of Hamilton. The copy is signed by Henry Orenstein.
Fonds consists of Joan and Henry Orenstein's materials regarding their professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds includes several photographs of Joan Orenstein acting, Henry Orenstein's art pieces and sketches, and Joan and Henry Orenstein's family photographic negatives.
File contains two copies of a pamphlet containing information about the visual artist Steve Walker, whose work features romantic images of gay men; one poster featuring images of Walker's art; and one page of accompanying correspondence.
Item consists of a photograph taken by Peter Dykhuis in August 2010, of the sculpture "20th Century Student" by Reg Dockrill. The sculpture was erected on the corner of University Avenue and Seymour Street in 1968 and removed in 2012 after an engineering report concluded that the six-metre-high steel sculpture had corroded on the inside and was “structurally damaged beyond repair."
Item consists of a photograph taken by Peter Dykhuis in August 2010, of the sculpture "20th Century Student" by Reg Dockrill. The sculpture was erected on the corner of University Avenue and Seymour Street in 1968 and removed in 2012 after an engineering report concluded that the six-metre-high steel sculpture had corroded on the inside and was “structurally damaged beyond repair."
Item consists of a photograph taken by Peter Dykhuis in August 2010, of the sculpture "20th Century Student" by Reg Dockrill. The sculpture was erected on the corner of University Avenue and Seymour Street in 1968 and removed in 2012 after an engineering report concluded that the six-metre-high steel sculpture had corroded on the inside and was “structurally damaged beyond repair."
Item consists of a photograph taken by Peter Dykhuis in August 2010, of the sculpture "20th Century Student" by Reg Dockrill. The sculpture was erected on the corner of University Avenue and Seymour Street in 1968 and removed in 2012 after an engineering report concluded that the six-metre-high steel sculpture had corroded on the inside and was “structurally damaged beyond repair."
File contains four photographs taken by Peter Dykhuis of the sculpture "20th Century Student" by Reg Dockrill. The sculpture was erected on the corner of University Avenue and Seymour Street in 1968 and removed in 2012 after an engineering report concluded that the six-metre-high steel sculpture had corroded on the inside and was “structurally damaged beyond repair."
File consists of correspondence records between Ernest Smith and William (Bill) Lovell spanning August 1970 to October 1971.
Records consist of letters between Lovell and Smith (Director ,Dalhousie Art Gallery) regarding plans to have a showing of Lovell's prints at the art gallery in 1971.
File consists of correspondence records between Ernest Smith (Director, Dalhousie Art Gallery) and Bill Fett spanning August 1970 to May 1971.
Records consist of letters, postcards, and newspaper clippings. Content of the letters refers to planning to host Fett's works in the Dalhousie Art Gallery some time in 1972.
Item consists of minutes from a Board of Directors meeting where Prentiss, Greer, Savage, Conway and Hanson were present. Issues discussed at the meeting included "old business" from the last meeting and new topics such as: funding, membership, core meetings, press releases, and facilities.
Fonds consists of correspondence; printed material, including exhibition pamphlets; research and correspondence pertaining to silver, heraldry; manuscripts; family papers; Mackay's own artwork; artist files; and reference materials.
File contains photographs, invitations, and other documentation about Eyelevel Gallery artists and programming from the late 1970s and early 1980s. Artists documented in the file include Kenneth Coutts-Smith, Richard Robertson, Michael Fernandes, Jan Meyerowitz, James MacSwain, Rita McKeough, and others. File also includes small scrapes of paper and sticky notes with references to the original location of the documentation in the Gallery.
Series consists of Henry Orenstein's materials regarding his professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds contains several of Henry Orenstein's art pieces and sketches, including related to the "Sudbury Industrial Landscape" project. In the 1950s, Henry Orenstein was commissioned by the Mine, Mill and Smelter Workers of Sudbury to paint a mural for the local union hall, which was the centre of a broad-ranging cultural role of Mine Mill Local 598 in the Sudbury area. At that time, Mine Mill was in the midst of a series of raids by the United Steelworkers.
Item is a contact sheet with eighteen b&w photographs from the 1985 Arts and Culture Assembly at the Dalhousie Arts Centre in Halifax, Nova Scotia. Sixteen of the photographs show Cathy Quinn's performance during the event and two photographs photographer Mark Simkins (1954 - 19 November 2022) with a camera.
File contains a poster for an exhibition featuring works by Ryan Arnott, Gary Conway, Michael Fernandes, John Greer, Donald Lindblad, Susanne Paquette, Felicity Redgrave, Roger Savage, and Julia Schmitt-Healy. The exhibition opened Eye Level Gallery's 1977/78 season of exhibitions, performances, and events.
File contains a poster for Quick Change, an exhibition of photography by David MacKenzie presented at Eye Level Gallery from December 8, 1977 to January 7, 1978. The exhibition featured black and white photographs, sound and a slide show of colour images of people at Peggy's Cove, Nova Scotia.
File contains two copies of the poster for the fourth Audio by Artists festival, presented by the Centre for Art Tapes and Eyelevel Gallery. Events were held at The Other Space, 5238 George Street, Halifax, Nova Scotia, from April 1- May 13, 1983.
