File contains unsorted correspondence with different individuals, including Franklin Berman, Hebert Petzold, Wilbur F. Bowker, Jianming Shen, Timothy T. Daley, Charlotte Ku, Ian M. MacKeigan, Ivan L. Head, John E. Read, John K. Akpalu, Emile K.M. Yakpo, Bozidar Bakotic, Donald S. MacDonald, W. Andrew MacKay, Eileen Janzen, B.A. Pollard, W.A. Charles, Ganshof van der Meersch, J. King Gordon, Kurt Herndl, Pierre Elliot Trudeau, Horace E. Read, C. Trevor Anderson, Thomas R. Berger, Dawn Russel, Arnold W. Zeman, C. Rhodes Smith, Susan Mann, Wang Tieya, Niki Tobi, Sienho Yee, A. Kolodkin, Frank Milligan, M.L. Friedland, Brian Dickson, George C. van Roggen, D.H.N. Johnson, Lun S. Wong, Allan J. MacEachen, J. Zourek, Pierre Charpentier, John E.C. Brierley, Henry D. Hicks, Sandra Liebel, Marcel Cadieux, Alfred E. von Overbeck, Philip Girard, T.H.B. Symons, Edward McWhinney, Philip C. Jessup, Edward.G. Lee, E.E. Appiah, M. Jean Houston, David L. Johnston, John J. Quinn, Charles B. Bourne, L. Ferrari Bravo, John M. Davison, Edgar Gold, James C. Gervais, Ko Swan Sik, D.P. Verma, G.A. Klassen, Kathleen Fisher, Peter Malanczuk, Michael D. Harris, Alexander Marschik, Manfred Lachs, Thea E. Smith, J.S. Castel, Paul E. Martin, R.M. Warren, Hideo Takabayshi, and others, regarding a wide range of topics. File includes a transcript of an interview with Innis Christie in 1988, the Halifax Club pamphlet, a United Nations Economic and Social Council report of 1991, the British Institute of International and Comparative Law director's report for 1989, the Africa Society of International and Comparative Law supplement to the application for funding submitted to the Canadian International Development Agency of June 1988, the Africa Society of International and Comparative Law annual report of 1989, University of Western Ontario Faculty of Law newsletter vol. 1, no. 2, of May 1977, and vol. 5, no.1, of January 1981, Osgoode Hall Law School Continuum periodical, vol. 2, no. 1, of 1974, the American Society of International Law newsletter vol. 21, issue 4, of August/ October 2005, the World Academy of Art and Science newsletter of winter/spring 1999, the International Ocean Institute Across the Oceans newsletter, vol. 1, issue 1, of January 1982, Cyprus Bulletin, vol. 34, no. 23 and 24, of November 1996, University of Toronto Nexus periodical of February 1991, Dalhousie University Hearsay of January 1976, Amnesty International bulletin, vol. 1, no. 1, of January 1974, McGill University Quid Novi periodical, vol. 4, no. 9, of November 1983, Dalhousie Faculty Association Dialogue, vol. 3, no. 8, of March 1990, Dalhousie Law School programme for indigenous, blacks, and Mi'kmaqs of January 1994, Dalhousie University Marine Affairs Program, Dalhousie University Faculty of Graduate Studies meeting minutes, Dalhousie University Faculty of Law special meeting minute of January 1973, Council of Europe 67th plenary administrative session meeting minute of March 1989, Lester B. Pearson College Board of Trustees meeting minute of February 1979, Council of Europe report on the functioning of the organs of the European Convention on Human Rights of 1984, the editor's agreement between Koninklijke Brill NV., Douglas M. Johnson, and Ronald St. John Macdonald regarding the book "towards world constitutionalism: issues in the legal ordering of the world community" of 2003, photograph of John E.C.B. in front of Killam Memorial Library in 1985, a photograph of John Peters Humphrey possibly in 1995, two photographs of Ronald St. John Macdonald with a group of unidentified individuals in Calgary in 1974, a photograph of Ronald St. John Macdonald with Bozidar Bakotic and an unidentified man possibly in the late 1970s, a photograph of Charles B. Bourne in 1995, three photographs of Dalhousie University Law School Students of 1982-1983, a drawing of an unidentified man - possibly a judge, a transcript of an interview with Myres S. McDougal in 1994, a transcript of an interview with Charles B. Bourne in 1992, annotated typescripts, handwritten notes, newspaper clippings, and other materials. File includes a letter from Bozidar Bakotic to Ronald St. John Macdonald reporting that censorship forbade him to contribute to the development of one of Ronald St. John Macdonald's book.
Documents include programs, ephemera, correspondence, magazine clippings, and newspaper clippings related to Black Focus magazine, Linda Carvery receiving an honourary degree at Saint Mary's University in 1998, Halifax Festival of the Arts, Halifax Jazz Festival, East Coast Music Association awards, Neptune Theatre productions, Ladies in Blue concerts, Martin Luther King concerts with the Nova Scotia Mass Choir, Linda Carvery’s appointment to citizenship judge, the album release for “Yesterday / Today”, election campaign material, and others.
The file contains draft copies of exhibition schedules and descriptions, newspaper clippings, a list of paintings, a list of works in permanent collection, and course descriptions for African studies.
File contains programs for The Banff School of Fine Arts (Hansel and Gretel and The Festival Orchestra, 1970) and for the Atlantic Symphony Orchestra Choral Concert Series, 1970/71.
File contains several programs and calendars for events held at the Dalhousie Arts Centre as part of the Dalhousie cultural activities series between September 1971 and April 1974. Information includes schedules for exhibitions, films, concerts, and lunch-hour events.
File contains drafts of program notes by Anthony Pugh pertaining to string quartets by Ludwig van Beethoven, Wolfgang Amadeus Mozart, and Franz Joseph Haydn.
The file contains Dalhousie Art Gallery calendars from 1973-1979, with one or two copies of each issue arranged chronologically. Information includes schedules for exhibitions, films, lectures, concerts, lunch-hour events, and gallery hours. Missing 1976 and 1977. Several seasons/issues are missing.
Subseries contains records that were created and used in the partnership project with the Nova Scotia Agricultural College (NSAC) and the Universidad Francisco de Paula Santander (Columbia) in the development of a 'Training Program in Sustainable Agriculture' at UFPS for both the undergraduate and graduate levels. The program ran between 1997 and 2002. The Universidad Francisco de Paula Santander (UFPS) was asked to play a key role in “El Salto Social”, the social leap forward, in the Santander region of Colombia. New curricula was to be introduced at UFPS, faculty being upgraded and new extension and outreach programs being established with the assistance of NSAC through this project. Other project partners were the Universidad de la Republica Uruguay (URU) of Uruguay and Saint Mary’s University (SMU). This was an Association of Universities and Colleges of Canada (AUCC) University Program for Cooperation in Development (UPCD) Tier 2 project led by NSAC. NSAC Personnel involved were Norman Goodyear, Bonnie Waddell, Sam Asiedu, and Leanne French.
File contains miscellaneous program notes by Anthony Pugh and programs for concerts presented by the Creative Arts Committee of the University of New Brunswick and Saint Thomas University.
Subseries consists of Ronald St. John Macdonald's records regarding events such as the conference on the Canadian and the United States strategic concerns in the Arctic held at the University of California in 1990. Subseries include pamphlets and typescripts.
File contains reports, correspondence, bulletins, handwritten notes, lists, meeting minutes, and other materials related to the subject. File includes three issues of the American Society of International Law newsletter from the period between 1975 to 1978.
Fonds primarily consists of documentation related to publicity, personnel, equity, and the Canada Council for the Arts as well as scripts, production-based records, administrative files, correspondence, PACT files, contracts, annual meeting notes, ROADies records, financial statements and information, board meeting notes, brochures, audio tapes, photographs, and production posters.
File contains research notes and drafts of program notes by Anthony Pugh concerning the music of Johannes Brahms. The file includes a draft of a program for a performance by the University of New Brunswick Resident Musicians (April 3 and 5, 1973). The file includes notes written by Pugh while he was teaching at the University of London King's College and, later, at the University of New Brunswick.
File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Wolfgang Amadeus Mozart. The file also contains a letter from Stanley Sadie to Pugh regarding the entry for Mozart in the New Grove Dictionary of Music and Musicians, and three programs for concerts at the University of New Brunswick, Fredericton.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's productions of The Insect Comedy. The costume is for a character named Iris and the sketch shows a female figure wearing the costume.
Item is a costume design for Dalhousie Theatre's production of The Insect Comedy. The sketch is executed in watercolour, coloured pencil, and gouache. The costume is for characters called "The Moths". The sketch shows one figure wearing the costume and singing into a microphone.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's production of The Insect Comedy. The costume is for a character named Larva. The sketch shows a figure wearing the costume.
Fonds consists of scripts of the puppet plays as well as correspondence, photographs and slides, newspaper clippings of reviews, programs, videocassettes, and some administrative papers.
Item consists of a public worship program from the Fairview United Church, Halifax, dated February 24, 1974, containing photographs and a brief biographical sketch of Florence Jessie Murray.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's production of The Insect Comedy. The costume is for a character called The Man. The sketch shows a male figure wearing the costume.
Item is a coloured pencil sketch of a costume design for Dalhousie Theatre's production of The Insect Comedy. The costumes are for characters named Mr. and Mrs. Beetle. The sketch shows a male figure and a female figure wearing the costumes.
Item is a coloured pencil sketch of a costume design for Dalhousie Theatre's production of The Insect Comedy. The costume is for a character called the Parasite. The sketch shows a male figure wearing the costume.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's production of The Insect Comedy. The costume is for a character named Chrysalis and the sketch shows a figure wearing the costume.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's production of The Insect Comedy. The costume is for Extra #1 and three other extras wearing different colours. The sketch shows a female figure wearing the costume.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's production of The Insect Comedy. The costume is for characters called the Red Ants. The sketch shows a figure wearing the costume.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's production of The Insect Comedy. The costume is for a character called the Professor. The sketch shows a male figure wearing the costume and holding a butterfly net.
Item is a coloured pencil sketch of a costume design for Dalhousie Theatre's production of The Insect Comedy. The sketch shows four men standing together and masturbating. File also contains a black and white photocopy of the sketch.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's production of The Insect Comedy. The costume is for a character called the Fly. The sketch shows a male figure wearing the costume.
File contains program notes, a short essay, and a handout on Hector Berlioz's Symphonie Fantastique. The file also includes correspondence from David F. Bell regarding Pugh's submission to a Nineteenth-Century French Studies Colloquium at Duke University (Durham, North Carolina) and from Professor H.W.W. Warman of the University of Lancaster inviting Pugh to deliver a lecture on Berlioz's Symphonie Fantastique.
File contains program notes and programs for a series of concerts by the Brunswick String Quartet, resident musicians at the University of New Brunswick. The concerts featured Ludwig van Beethoven's string quartets and were presented by the Creative Arts Committee of UNB and Saint Thomas University. The file also includes a program for a piano concert by Valerie Tryon (February 19, 1975) at The Fredericton Playhouse, presented by the Creative Arts Committee, which included Beethoven's Sonata in A major, op. 101.
File contains program notes and programs for concerts containing music by Ludwig van Beethoven, including piano trios, piano quartets, piano sonatas, violin sonatas, string quartets, and symphonies. The file includes programs for performances by the Brunswick String Quartet and Vladimir Levtov (piano), which were presented by the University of New Brunswick and Saint Thomas University Creative Arts Committee.
Fonds consists of Marjorie Stone's records illustrating her professional involvement with the Dalhousie University English Department, Dalhousie University Graduate Faculty Review Committee, Dalhousie Women Faculty Organization, and the Women's Action Coalition of Nova Scotia. Record types include correspondence, meeting minutes and reports.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's production of Twelfth Night. The costume is for a character named Maria. The sketch shows a female figure wearing the costume.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's production of Twelfth Night. The costumes are for serving ladies #1 and #2. The sketch shows two female figures wearing the costumes, as well as additional notes and sketches about the costumes.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's production of Twelfth Night. The costume is for a character named Sir Andrew Aguecheek.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's production of Twelfth Night. The costume is for a character named Orsino. The sketch shows a figure wearing the costume.
Item is a photocopy of a watercolour sketch of a costume design for Dalhousie Theatre's production of Twelfth Night. The costume is for a sea captain. The photocopy has some of Doyle's notes about the costume written on it.