Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Jaquenetta and the sketch shows one figure wearing the costume.
File contains two programs for two concerts by the Halifax Camerata Singers in collaboration with the Maritime Conservatory Faculty Brass Quintet. The concerts took place at St. Andrew's United Church in Halifax, Nova Scotia and in Antigonish, Nova Scotia. The file also includes a newspaper clipping of an advertisement for the concert.
File contains a program for the 1995-1996 Saint Cecilia concert series, which included a performance of Mendelssohn's Elijah by the Halifax Camerata Singers, Cantabile Singers of Truro, Cape Breton Chorale, and Kings Chorale, conducted by Jeff Joudrey, with Symphony Nova Scotia at the Rebecca Cohn Auditorium in Halifax, Nova Scotia. The file also includes a copy of the Nova Scotia Choral Federation's magazine Chorus, and newspaper clippings advertising the concert.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Costard the Clown and the sketch shows one figure wearing the costume. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for a scholar and the sketch shows one figure wearing the costume.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Jaquenetta and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for the King of Navarre and the sketch shows one figure wearing the costume. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for three ladies in waiting and the sketch shows three figures wearing the costumes. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Boyet and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
File contains two copies of the first annual Maritime Science Fiction Festival program book. File also contains two copies of a pamphlet from the festival.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for the Forester and the sketch shows one figure wearing the costume. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Mercade and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for a constable named Dull and the sketch shows one figure wearing the costume and holding an umbrella. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for Dumaine, Loganvialle, and Berowne and the sketch shows three figures wearing the costumes. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for princesses named Rosaline, Katherine, and Maria and the sketch shows three figures wearing the costumes. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for a page named Moth and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.
File contains the Mail Star's review of the Dalhousie production of "Love's Labour Lost." The review was written by Elissa Barnard. The article is torn from the newspaper and features a black and white photograph of Andre Davey ad King Navarre and Ben Stone as Berowne. The article mentions Robert Doyle's costume design.
Series contains programs, advertisements, and reviews for concerts by the Halifax Camerata Singers, sometimes in collaboration with other musicians and ensembles.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for two characters named Bonville and Madame Bonville. The sketch shows one male figure and one female figure wearing the costumes.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Evaline. The sketch shows one female figure wearing the costume.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for three characters named Henry, Sabine, and Mother Metz. The sketch shows Henry and Mother Metz leaning on a cart full of corpses while Sabine sits on top of it.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Le Grue. The sketch shows one male figure wearing the costume and holding a staff.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Sonnerie. The sketch shows one figure wearing the costume.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for two characters named Father Toulon and Archbishop Monselet. The sketch shows two male figures wearing the costumes.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for two whores or courtesans named Camille and Marie. The sketch shows two female figures wearing the costumes.
File consists of records for the 1994-1995 concert season of the Halifax Camerata Singers, including programs, correspondence, newspaper clippings about performances, and member lists. The file includes records relating to the Camerata Singers CD project and a distribution agreement with Duckworth Distribution Limited/ Atlantica Music and Distribution Limited.
File contains a program for a concert by the Halifax Camerata Singers, performed at St. Andrew's United Church in Halifax, Nova Scotia, and featuring several arrangements by Scott MacMillan.
File contains a program for a concert by Symphony Nova Scotia, conducted by Georg Tintner, with the Halifax Camerata Singers and the Cantabile Singers of Truro, directed by Jeff Joudrey. The file also includes a newspaper clipping about the concert.
Series contains records related to Novacon, a science fiction convention that took place in Halifax, Nova Scotia. Record types include programs, pamphlets and registration forms.
File contains a program and outline of the event for a performance by the Halifax Camerata Singers in the Great Hall of the University Club at Dalhousie University. The file also contains a memorandum from Bertrum MacDonald to Jeff Joudrey with details about the venue.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Bigod. The sketch shows one figure wearing the costume.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for one of the Boutros Brothers, who is missing his right leg. The sketch shows one figure wearing the costume and leaning on a crutch.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Pope Clement VI. The sketch shows one figure wearing the costume and holding a scepter.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for two characters named Scarron and Druce, the Raven Corpse Bearers (Bekrers?). The sketch shows two figures wearing the costumes and holding crooks.
Fonds is primarily comprised of artistic programs from musical and theatrical events held predominantly in Nova Scotia, specifically in the Halifax area. Fonds also includes some music school syllabi, event competition forms and regulations, newspaper clippings, and correspondence.
Series consists of Leslie E. Haley's materials regarding his involvement in the Gambia project, Dalhousie University's Gambia College Development Program. Series includes a financial statement, legal release forms, event programmes, correspondence, and other textual records.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Sir Charles Rochefort. The sketch shows one male figure wearing the costume and holding a sword.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for three lepers. The sketch shows three figures wearing the costumes, two standing and one kneeling.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for three townspeople. The sketch shows two male figures and one female figure wearing the costumes. One of the male figures is mooning the audience.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Viennet, a lawyer plague victim. The sketch shows one male figure wearing the costume.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for characters called the Flotes. The sketch shows three figures wearing the costumes. One of the figures is playing a horn and another is sitting on the ground.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for two characters named Lefranc and Pellico. The sketch shows two male figures standing behind a cart full of gold.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Marguerite Delair. The sketch shows one female figure wearing the costume.
