Dalhousie Theatre : The Possibilities
- Subseries
- 1991
Part of Robert Doyle fonds
Dalhousie Theatre : The Possibilities
Part of Robert Doyle fonds
Dalhousie Theatre : The Tempest
Part of Robert Doyle fonds
Dalhousie Theatre : A Lie of the Mind
Part of Robert Doyle fonds
Dalhousie Theatre : The Trojan Women
Part of Robert Doyle fonds
Dalhousie Theatre : The Lucky Chance
Part of Robert Doyle fonds
Part of Robert Doyle fonds
Dalhousie Theatre : The Good Woman of Setzuan
Part of Robert Doyle fonds
Dalhousie Theatre : Mandragola
Part of Robert Doyle fonds
Part of Robert Doyle fonds
Dalhousie Theatre : Mary Stuart
Part of Robert Doyle fonds
Helen Stewart (Mackay) Maclellan's records
Delphine Caroline (Wallace) Maclellan's records
Robert (Bob) William Maclellan's records
Edward Kirkpatrick Maclellan's records
Margaret Jane (Mackenzie) Maclellan's records
William Edward Maclellan's records
Raw source files for Rock Meets Bone
Part of Rock Meets Bone fonds
Neptune Theatre : William Schenk and Arthur Who?
Part of Robert Doyle fonds
Grand Theatre London : The Wizard of Oz
Part of Robert Doyle fonds
Manitoba Theatre Company : Dames at Sea
Part of Robert Doyle fonds
Nova Scotia Royal International Tattoo 1983
Part of Robert Doyle fonds
L.D. Dexter's collection of family records
Part of Lucius Dill Dexter fonds
Part of Lucius Dill Dexter fonds
Correspondence with organizations
Part of Kenneth Leslie fonds
The Dominion of Canada Rifle Association (DCRA)
Part of Richard J.P. Ventham fonds
Part of Upstream Music Association fonds
Subseries contains the conductor’s score, instrumental, and vocal parts used for the premiere performance of Nasca Lines by Barry Guy. Nasca Lines is a one-hour, seven-part work that was commissioned by the Upstream Ensemble and premiered in collaboration with the Symphony Nova Scotia on June 3, 2001 at the Scotia Festival with conductor and composer, Barry Guy.
The composition is named after and inspired by the geoglyphs in the Nazca Desert, Peru, which include outlines of animals and various geometric shapes. Graphical representations of a selection of these geoglyphs are used in the graphic notation of this score, particularly in parts 3 and 7.
Nasca Lines is an atonal work that uses a combination of composed material, based on tone rows and pitch class sets, and guided improvisation. There are twenty instrumental parts and one vocal part.
Audiovisual material from the production of "The Other Side of the Pole"
Part of imX Communications Inc. fonds
Part of Brian Hall fonds
Part of Upstream Music Association fonds
Part of Rock Meets Bone fonds
Records from the Africville relocation project
Nova Scotia Royal International Tattoo : n.d.
Part of Robert Doyle fonds
Nova Scotia Royal International Tattoo 2002
Part of Robert Doyle fonds
Nova Scotia Royal International Tattoo 2001
Part of Robert Doyle fonds
Nova Scotia Royal International Tattoo 1998
Part of Robert Doyle fonds
Nova Scotia Royal International Tattoo 1997
Part of Robert Doyle fonds
Nova Scotia Royal International Tattoo 1996
Part of Robert Doyle fonds
Nova Scotia Royal International Tattoo 1995
Part of Robert Doyle fonds
Nova Scotia Royal International Tattoo 1994
Part of Robert Doyle fonds
Nova Scotia Royal International Tattoo 1993
Part of Robert Doyle fonds
Nova Scotia Royal International Tattoo 1984
Part of Robert Doyle fonds
Nova Scotia Royal International Tattoo 1982
Part of Robert Doyle fonds
Nova Scotia Royal International Tattoo 1980
Part of Robert Doyle fonds
Nova Scotia Royal International Tattoo 1987
Part of Robert Doyle fonds
Ship's Company Theatre : Tiger's Heart
Part of Robert Doyle fonds
Theatre Antigonish : The Glass Menagerie
Part of Robert Doyle fonds
Maritime Marionettes : Molly and the Oak Island Treasure
Part of Robert Doyle fonds
National Arts Centre : The Torch-Bearers
Part of Robert Doyle fonds
Gilbert and Sullivan Society : The Pirates of Penzance
Part of Robert Doyle fonds