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Letters and poems of Molly Beresford sent to Andrew Merkel

File contains 71 handwritten letters sent from poet Molly Beresford to Andrew Merkel between 1922 and 1936; three postcards; one Christmas card; and four poems, including "The Philosophy of a Would-Be Poet," "Moon Shadows," "To a Fair Lady on returning to her a Pair of Rubber Shoes."

The Song Fishermen's Song Sheets

File contains 15 issues of a periodical "issued every so often," edited and published by Andrew Merkel out of his Halifax office of the Canadian Press. In addition to publishing the poems of The Song Fishermen, a Halifax literary group that included Andrew Merkel, Kenneth Leslie, Charles G.D. Roberts, Molly Beresford, Bliss Carman, Charles Bruce, and Robert Norwood, it became a vehicle for members to keep in touch with each other, especially those who lived outside of Halifax. Issue numbers 1-4 and 10 were published as "The Song Fishermens' Song Book"; the possessive apostrophe was corrected in the remaining numbers. Number 12 is missing and number 13 took the form of a short book of poems published by Abenaki Press in tribute to Bliss Carman after this death.

Poetry manuscripts by Molly Beresford

File contains handwritten manuscripts of poems including "Amaranth"; "The Mystery of Love"; "Wot ye What Love is, I Will Not Leave You Comfortless"; "Ballad of Young Jesus and his Father"; "A Wandering Islemen's Song"; "A Good-night"; "Rainbow Haven"; and "A Flint Arrow."

Andrew Merkel's poetry notebook

Item is a soft cover student notebook containing poems written by Andrew Merkel between 1909 and 1910, including "The Beatification of Joan of Arc" and "Death of King Edward VII."

Andrew Merkel's student poetry notebook

File contains a notebook probably dating from Merkel's student years at King's College, which features handwritten poems and illustrations or doodles, as well as three inserts of printed poems. There is also a copy of King's College Record, Vol XXVI, No. 224 (Windsor, NS, February 1905). The first page contains "On Joining the Haliburton Club," October 1905.

Hausa poem, religion interview questions

File consists of a range of research materials compiled by James Morrison from 1973-1975 in the Jos Plateau, Nigeria. The research materials include an empty envelope addressed to James Morrison at the Department of History at the University of Ibadan. The file contains a photocopied version of a poem written in Hausa, and a series of interview questions about Muslim identity written in blue pen on loose leaf lined paper. The file contains a letter written to James Morrison from Musa Borodo regarding a translation that is attached to the letter. The translation is handwritten on lined loose leaf paper and is followed by the original Hausa in the form of a typed document.

Notes, articles and clippings related to fluoridation

File contains research notes and articles collected by Kenneth Leslie in the mid-1960s related to fluoridation. File contains correspondence written by Miss Jean M. Ross submitted to The Rt. Hon. L[ester] B. Pearson and The Hon. Judy LaMarch, as well as Dr. G.D.W. Cameron [Deputy Minister of National Health], a copy of Miss Ross's 12-page publication 'The fluoridation fraud', as well as pamphlets and articles from the the Fraser Burgh Herald, the New York Times, Pure Water Association of Santa Clara County, and the Greater Milwaukee Committee Against Fluoridation.

The problem of the bridge : [manuscript]

File contains an undated (presumably 1913 or 1914, while a student at the University of Nebraska) typed manuscript entitled "The problem of the bridge", written by Kenneth Leslie, and submitted to his professor as part of a course in philosophy. The "bridge" of which Leslie writes is discussing the "problem of metaphysical knowledge". File discusses the Eleatics, Aristotle, Descartes, Spinoza, Locke, Berkeley, Hume and Kant in relation to metaphysical knowledge.

Open publicity is the weapon of democracy : confused liberals get unconfused, now let them get going : [manuscript]

File contains a draft typed manuscript, undated (but probably from 1943) written by Kenneth Leslie. File consists of a letter to American liberals and those who wish "the world had joined together against Fascism", rallying them to join the Protestant's Textbook Commission to Eliminate Anti-Semitic Statements in American Textbooks.

Tunnicliffe, John

File contains handwritten correspondence dated March 19th, 1972, written by John Tunnicliffe (Warwickshire, England) and sent to Kenneth Leslie. File expresses appreciation of the recent receipt of an issue of New Man, as well as remarking on his church work, having been ordained in 1910, and efforts at working on a memoir. He also remarks that one of his sons "is [now] vicar of a large new (pagan) parish not far from here" as well as relating a humorous anecdote about his son getting jam on his nose, and how he couldn't lick it off, while an elder brother suggested that "there's a chap at our school who can lick jam off his nose but he is a Roman Catholic."

Sampson, Ronald

File contains a typed letter dated January 10, 1973, written by Ronald Sampson (of Bath, UK), and mailed to Kenneth and Nora Leslie. The file expresses Sampson's appreciation at the receipt of a copy of 'O'Malley to the Reds', which he "read with very great pleasure". After pointing out some of his favourite lines, Sampson singles out the line "God has gone under for a little bit" as being relevant today, given the "Christmas saturation bombing of Hanoi" which "gives [him] terrible pause to think. Contemporary culture is, to Sampson, indicative of "the total collapse of true religious understanding of the nature of man's relation to the beasts, the physical universe and his brother man".

Lord, David B.

File contains seven letters (three typed and four hand-written), written between 1972 and 1973, by David B. Lord (from Jacksonville, FL). Five of the letters are addressed to Kenneth Leslie, while one is addressed to his wife, Nora, and another addressed to Kurt Anderson (New York, NY), with Kenneth Leslie and George Bilankian carbon-copied.

The first letter, dated March 25, 1972, addresses Lord's appreciation of Leslie's poetry, discusses the passing of Lord's acquaintance Harold Cohn and a misdeed the Cohn had done to Lord, as well as a request for more copies of the previous issue of New Man.

The following two letters are dated June 12, 1972. The first, addressed to Nora, expresses his closeness to her despite Lord's not having met her, having heard good things from a mutual friend in California. The other letter, addressed to Kenneth but undated (same stationery and ink), expresses Lord's regret at taking so long to answer the previous message. Lord expresses his disgust with "the shame of Vietnam" and of "Tricky Dick [...] claiming to be a Quaker, with Billy Graham as his co-pilot" as being a "good example of religion at its lowest", but expressing admiration of the "young, protesting with their bodies, but [that] the sadistic pigs are having their field day."

The fourth letter, dated December 10, 1972 and addressed to Kurt Anderson, responds to Anderson's article "From life to money to body counts" which appeared in the October 1972 issue of The Churchman. It includes excerpts from Kenneth Leslie's and George Bilankian's responses to the same article.

The fifth is a postcard sent from France, dated January 12, 1973, expressing the view that "America has failed the world."

The sixth is a handwritten four-page letter of the same date, from Foix, Languedoc, draws comparisons between the present destruction of Vietnam with the past "attempted destruction" of the "Albigensian civilization", addressing how one should address to the "hopeless disaster" while living in a country that now seems "resigned to its fate". Lord also is reminded of an article he wrote for The Protestant "more than thirty years ago" entitled 'The spirit of crucified Spain'.

In the final letter, dated March 10, 1973, Lord expresses his pleasure at having returned from France to an awaiting copy of 'O'Malley to the Reds', recounts his visit with George Bilankian in London, and remarks on the "history of dissent" found while following his family trail through genealogical work. He mentions being "indebted to Rev. James B. Leslie, M.A. Rector of Kilsaran" for directing Lord's research efforts in the right direction.

Such a din! : poems

File contains Kenneth Leslie's personal copy of his collection of poems, 'Such a din!', published in 1936. Leslie used this copy as a working copy when compiling his anthology of poems, 'O'Malley to the Reds and other poems" in 1972. File contains inked corrections, additions, and excisions in Leslie's hand (addition of dedications -- largely to Robert Norwood -- for a few poems, as well as a few title and spelling changes, with poems not be included in the anthology crossed out).

Promotional materials for poetry readings

File contains two undated promotional leaflets (likely from the late 1930s or early 1940s, promoting Kenneth Leslie poetry readings and discussions. The earliest of the two leaflets, on off-white paper, is entitled "Kenneth Leslie / Poetry Readings -- Discussions / Mr. Leslie / Reads His Own Poetry / Discusses Contemporary Poetry / Helps you Develop Your Poetry" and contains a small portrait of a youthful Leslie wearing a fedora. It contains testimonials from Charles G.D. Roberts, Robert Norwood, and Lawrence H. Conrad on the verso. The second leaflet, printed on yellow paper, also undated, but after 1938, is entitled "Kenneth Leslie : Singer-Composer / Poet", contains a portrait of Leslie to the upper left corner, with a short bibliography (ending in "By Stubborn Stars". The front contains words promoting Leslie's talent from 'Voices', 'London Times', Sir Charles Roberts, 'N.Y. Herald Tribune', 'Halifax Chronicle', Reverend Sister Maura, 'Charlottetown Guardian', and Shaemas O'Sheel, while the verso has further testimonials under the heading "What they say of Kenneth Leslie's poetry...." with the sub-headings "In London, England", "In Toronto", "In New York", and "In Charlottetown".

Correspondence of Nora Leslie

File contains correspondence sent to Nora Leslie (née Nora Steenerson Smith, Nora Totten), fourth wife of Kenneth Leslie, from the 1950s to the 1970s. File includes letters and cards sent by Emilie Laraway, Mary Lewis, Helene Mullins, and Elizabeth and John Robertson. File also includes an undated note written by Nora Leslie after Kenneth Leslie's death, regarding a disagreement with Kenneth's daughter Rosaleen. File also includes a photocopy of a clipping of Nora's obituary.

Aslaug Vaa translations : [manuscripts]

File contains several handwritten drafts of translations of two poems originally written by Aslaug Vaa and translated by Nora Steenerson Smith (later Nora Leslie), fourth wife of Kenneth Leslie. There are six handwritten drafts of a translation of Duva og dropen (with minor variations and corrections), and seven drafts of a translation of the Skinnvengbrev (with minor variations and corrections).

Sermon delivered at Abyssinian Baptist Church, Harlem, New York : [manuscript]

File contains an undated, untitled fragment (lacking the first of seven pages) of a sermon delivered by Kenneth Leslie at Abyssinian Baptist Church, Harlem, New York. The sermon was likely given October 24th, 1943, entitled "God -- Empty Church", a later version of which appeared in the December 1943 issue of The Protestant. File addresses the threat posed by both the Papacy and Martin Luther to the Baptists, stating that Luther was not "for the people" and that "Baptists ... were massacred with the people by both Luther and the Pope". File expresses the notion that since the success of the Russian Revolution and communism, "the opportunity for free religion is here, [...as] religion has not, nor can be free under capitalism". File also addresses the role in Leslie's 'The Protestant' (The pastor of Abyssinian Baptist Church, Adam Clayton Powell, Jr., was serving on the editorial board of 'The Protestant' at this time) in ensuring the opportunity for free religion in a American capitalist socioeconomic system that prevents it.

God and the intellectuals : [manuscript]

File contains a typed draft manuscript (with a few inked corrections) of a sermon delivered by Kenneth Leslie, likely in the early 1940s, entitled "God and the Intellectual". File addresses the role of colleges in teaching metaphysics, before moving on to the threat posed by "the sickness of America [and the] whole modern world. [...] Call it transcendentalism. Call it idealism" during the Second World War, wherein the motto "transcendentalism : greed' was the antiphonal change for the burying of [early] New England", much as it has been in the run-up to war, and the efforts to prevent the acceptance of "absolute ideas as substitutes for organic thinking", as in fascism, which demands "all or nothing" answers.

Translations of Aslaug Vaa poems : [draft manuscripts]

File contains three undated (likely in the 1940s) partial translations of poems originally written by the Norwegian poet Aslaug Vaa (b. Rauland,25 August 1889; d. Oslo, 28 November 1965) and translated by Kenneth Leslie.

File contains translations of the following poems:
- twenty-three lines of the poem "Skinnvengbrev," which begins "Eg tredde eingong du hadde gøymt deg, / at baade du og Gud ha gløymt meg, / og eg blei minst av dei skapte ting.", which Leslie has translated as "I thought one time you had forsaken me / that you and God had forgotten me / and I was least of created things." The header of this leaf has the title "So 6847 Pauline", and the English translation is written directly below the Norwegian original ;
- eight lines of translation of a fourteen line untitled poem, also presumably by Aslaug Vaa, which begins "A, so det vesle båmet reeddest / når det møter det ukjende. / Ein gong i eit framandt land, / sto eg og var dette ukjende for ein liten kropp", which Leslie has translated as "Of course a little child is frightened / when he meets with an unknown one. / Once upon a time on strange soil / I stood and was this unknown one for a little body." The Norwegian text and English translation are written on separate leaves ; and
- four stanzas of the poem 'Duva og Dropen,' which begins "Det kurra ei duve / med bekken Mahala / i skuggen av palmur / og driv kvite kala", which Leslie has translated as "A dove coos so warmly / where murmurs Mahala / In shade of the palm trees / and drifts of white kalla". This item also contains notes for a sermon about avarice written on the verso.

My love she walks not with me : [manuscript]

File contains a handwritten manuscript of a song entitled "My love she walks not with me", with words and music by Kenneth Leslie, undated (but written presumably in the mid-1930s, after the collapse of his first marriage). The song is written in F-major, contains 24 bars of music in treble, and begins with the lines "The fragrance of the hawthorn and the rose after rain / Makes my misery completer". Music and words are written on only one page.

Music notebook

File contains a bound notebook used by Kenneth Leslie for the purposes of writing musical notations and scores, presumably from the 1930s. The notebook is largely blank, with only four pages used by Leslie. The first page contains an untitled melody fragment four bars long in the F-major key, written in pencil, with notations in both bass and treble. The second page contains a fragment of a song entitled "Sheep and Lambs", with music by Kenneth Leslie and words by Katharine Tynan (misspelled "Katherine"), with treble notations, in 3/4 metre and the F-major key. The third entry is a song entitled "So It Rises So It Soars", with words and music by Leslie, written in G-major key, the first two lines being "Builder of my growing soul / Found in deeply as you must". The fourth and final entry is an eight-bar fragment, in G-major, following a leaf that was torn out.

The social aspect of the idea of truth and reality : [manuscript]

File contains an undated typed manuscript entitled "The social aspect of the idea of truth and reality", presumably written in 1915, by Kenneth Leslie, when he was a student at Harvard University. File addresses Leslie's notions of perception, conception, and interpretation.
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