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File consists of two catalogues for the National Gallery of Canada exhibition 'Vincent Massey Bequest: The Canadian Paintings' presented from September 20 to October 20, 1968. The 1971 exhibition 'Massey Bequest' presented at the Dalhousie Art Gallery showed a selection of works from this collection.

The catalogues contain black and white illustrations, a catalogue list of artworks in the exhibition, a preface, a biographical feature on Vincent Massey, and biographies of artists who's works were presented.

File contains two brochures for the exhibition 'Phillip Sultz', organized and presented by the Dalhousie Art Gallery in October 1971.

Brochure contains a photograph of Sultz, biography, curriculum vitae, description of the exhibition, and catalogue of works shown.

File consists of two single-sided exhibition brochres for an exhibiton of works by William Kohn, presented by the Dalhousie Art Gallery in December 1971.

Brochures contain am image of Kohn's work, a list of artworks in the exhibition, a biography, and a description of Kohn's art practice.

File consists of two catalogues for the exhibition 'Leonardo da Vinci: Engineer' sponsored by IBM.

catalogues contain an essay, image of da Vinci's 'Self Portrait (red chalk)', and photographs and descriptions of models from the exhibition.

File consists of a catalogue for the exhibition 'Paintings by Guido Molinari', organized by Dalhousie Art Gallery for circulation through the Atlantic Provinces Art Circuit (APAC). The exhibition was presented at Dalhousie in 1972.

The catalogue contains a photograph of Molinari, a biography, a catalogue of works, and an artist statement.

File consists of catalogues for the travelling exhibition of artworks by Ron Kostyniuk titled 'kostyniuk - relief structures 1969-1972'. The exhibition was presented at Dalhousie Art Gallery in April 1973.

Catalogue contains a biography and C.V., an introduction essay by Michael Greenwood, and 16 photographs of Kostyniuk's artworks, some in colour.

File consists of a catalogue for the exhibition 'Claude Tousignant', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery in March 1974.

Catalogue contains a forward, introduction, b&w images of Tousignant's works, a list of works in the exhibition, a C.V., and a bibliography. Inner front and back covers contain colour images of two artworks.

File consists of catalogues for the exhibition 'Ron Shuebrook: Recent Works', organized by Dalhousie Art Gallery with support from the Canada Council through the 'Know Your Artist' exhibition series. The exhibition was presented from October 29 to November 17, 1974.

Catalogues contain an artist statement by Shuebrook, images of artworks, a C.V. and biographic chronology, and a bibliography.

File consists of a publication to accompany the exhibition of work by semaja, titled 'light morning of the body'. The exhibition was organized by and presented at Dalhousie Art Gallery in 1974.

Item contains poetry and prose by the artist.

File consists of a pamphlet for an exhibition of paints and drawings by Catherine Weld and Beecher Weld, presented at the Killam library by the Dalhousie Art Gallery in March 1974.

Item contains biographies for both Catherine and Beecher.

File consists of a catalogue for the exhibition 'Skeptical Art Works at the Killam : John Greer', organized and presented by the Dalhousie Art Gallery from April 17 to May 19, 1974.

Catalogue contains a list of artworks, photographs and illustrations of Greer's artwork, and text by Greer.

Item is a catalogue for an exhibition of postcards and photographs by Nicole Gravier, presented by Dalhousie Art Gallery in April 1976.

Catalogue contains text and photographs by Gravier.

Item is a catalogue for an exhibition of sculptures by Martin Graham Dube, presented at the Dalhousie Art Gallery Sculpture Court from October 8-29, 1975.

Catalogue contains photographs, an introduction by Bruce Ferguson (Director, Dalhousie Art Gallery), an artist statement, and resume.

Item is a catalogue for an exhibition of paintings by Mira Schor, organized by and presented at Dalhousie Art Gallery from December 9,1975-January 4, 1976.

Catalogue contains a resume, images of Schor's paintings, an essay by Schor, and a list of artworks.

Item is acatalogue for an exhibition of jewelry by Craig Wright organized by Dalhousie Art Gallery and presented in The Sculpture Court from January 28 to March 6, 1976.

Catalogue contains images of Wright's pieces, an artist statement, and list of works.

Item is a catalogue for a joint exhibition of artworks by John and Joice Hall, titled John Hall: Paintings, and Joice Hall: Celebration Landscapes. The exhibition was organized by and presented at Dalhousie Art Gallery from July 5-31, 1976.

Catalogue contains photographs of the Halls' artworks, biography and list of works for each artist, an artist statement for Joice Hall, and two essays: one written by Ron Moppett (curator, Alberta College of Art) about John Hall, and the second written by Carol A. Phillips (Curator of Exhibitions, Norman Mackenzie Art Gallery) and Joice Hall.

Item is a catalogue for an exhibition of artworks by Roy DeForest, Robert Hudson, and William Wiley, organized by and presented at Dalhousie Art Gallery from November 15 to December 15, 1976.

Catalogue contains biographies for each artist, photographs of select artworks, and a list of artworks in the exhibition.

Item is a catalogue for the 4th Dalhousie drawing exhibition , organized by and presented at Dalhousie Art Gallery from March 1 to April 1, 1979. The exhibition presented the works of Alex Colville, Charlotte Hammond, Graham Metson, Brian Porter, Roger Savage, and Ruth Wainwright.

catalogue contains a forward, introduction by Carol Fraser (acting curator, Dalhousie art Gallery), biographies of each artist and quotations from them on their artworks, images of select artworks, and an exhibition list.

File consists of records pertaining to exhibitions held in the Fine Arts Room between 1959-1960.

Records consist of a handwritten note to Dr. Mirko Usmiami (Chairman of the Dalhousie Art Committee) from Sandy Mowat regarding an artwork by Arthur Lismer; a letter from M. Simmons (National Gallery of Canada); two letters from Miss Marian A. Johnston (President, Recent Grads Group, University Women's Club); correspondence requesting exhibition loans from the National Gallery of Canada; and a handwritten exhibition schedule.

File consists of exhibition records for 1962-1963.

Records include an exhibition catalogue for 'Paintings by the Group of Seven'; loan agreements, exhibition lists, and schedules for exhibitions loaned from the National Gallery, including 'Paul-Emile Borduas 1905-1960', 'Photography 1840-1915', 'Drawings of Leonardo da Vinci I', and 'Early Painting in Canada'; correspondence from Dr. Usmiami requesting loans of artworks for the Group of Seven exhibition; a list of works and artist biographies for Anthony Law and Jane B. Shaw; a portrait of Paul-Emille Borduas; a description of the lecture series 'The Sculptor's Vision', and press releases.

File consists of records relating to the planned group exhibition of artworks by Sarah Jackson, Carol Fraser, and Aileen Meagher for 1964 which did not occur.

Records include price lists for artworks; and artist biographies and curriculum vitae for Jackson, Fraser, and Meagher.

File consists of records related to the exhibition ‘Non-figurative Paintings 1961-1964 by Lawren P. Harris’, held at the Dalhousie Art Gallery in January 1965.

Records consist of a list of artworks, artist biography, and correspondence between Mirko Usmiami and Lawren P. Harris.

File consists of records related to the exhibition 'Paintings and Drawings by Miller Brittain' held at the Dalhousie Art Gallery in February 1965.

Records consist of one newspaper clipping titled ‘Connoisseur [Daniel O’Keefe] Praises Works of Miller Brittain’; correspondence between Mirko Usmiami and Stuart Smith (Curator, Beaverbrook Art Gallery), Mrs. Paul (Celia) Toomik (Assistant to Mr. Brittain), Lawren Harris (Head, Department of Fine Arts, Mount Allison University), Miller Brittain, Dr. Charles Comfort (Director, National Gallery of Canada), and R. F. Wodehouse (Curator, War Collection, National Gallery of Canada); a loan agreement between Dalhousie Art Gallery and the National Gallery of Canada; an biography and artist statement of Miller G. Brittain; exhibition notes; a list of artworks; an invitation list; exhibition reviews; and draft press release and publicity texts.

File consists of records relating to the exhibition ‘Prints by David Silverberg’, held in November 1965 at the Dalhousie Art Gallery.

Records consist of an invitation, clippings, a photocopied review by Martin Kemp, an artwork price list, text for Silverberg’s lecture on printmaking, presented during the exhibition opening, a Dalhousie University newsletter, a shipment receipt, and correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery), David Silverberg (Associate-Professor, Fine Arts, Mount Allison University), and Lawren Harris (Professor, Fine Arts, Mount Allison).

File consists of records related to the exhibition 'Artistes de Montréal', organized and circulated by the National Gallery of Canada and presented at Dalhousie Art Gallery in January 1966.

Records consist of an exhibition catalogue, two Dalhousie University newsletters, newspaper clippings, an exhibition review written by Martin Kemp, a packing list and list of artworks, correspondence of Evelyn Holmes, Acting Curator, and contractual documents from the National Gallery of Canada.

File consists of records related to 'The Art of Writing', an exhibition organized and prepared by UNESCO and presented at the Dalhousie Art Gallery in March 1966.

Records consist of contractual documents between Dalhousie Art Gallery and the National Gallery of Canada, correspondence of Evelyn Holmes, a packing list and mounting instructions, and a condition report.

File consists of a records related to the exhibition 'Historic Buildings in Canada' organized by the National Gallery of Canada and presented at Dalhousie in March 1966.

Records consist of an exhibition catalogue, correspondence between Evelyn Holmes and the National Gallery of Canada, contractual documents, and a press release from the National Gallery regarding the exhibition.

File consists of records related to the travelling Retrospective Exhibition of Maxwell Bates, organized by the Confederation Centre Art Gallery and presented at the Dalhousie Art Gallery in January 1967.

Records consist of an exhibition catalogue including a biography of the artist, a newspaper clipping, correspondence, and a Dalhousie newsletter.

File consists of records related to the exhibition 'Paintings - Jack Wise' presented at Dalhousie Art Gallery in November 1967 through the Atlantic Provinces Art Circuit.

Records consist of a draft press release and correspondence between Evelyn Holmes (Acting curator, Dalhousie Art Gallery), and Peter Bell (Curator, Art Gallery, Memorial University).

File consists of records related to the exhibition 'South African Batik Tapestries by Louis Steyn' presented by The Art Gallery, Memorial University, Newfoundland and organized in collaboration with Gallery 101, Johannesburg. The exhibition was presented at the Dalhousie Art Gallery in October 1967 and again in April 1970.

Records consist of correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and Peter Bell (Curator, Memorial University), and purchasers of works in the exhibition, an excerpt of the Peter Wenger exhibition catalogue titled 'Some Notes on Batik', a photograph of an installed tapestry and gallery visitor, two draft catalogues, a copy of South African Scope containing a feature on Steyn's work on p. 6-7.

File consists of records related to the exhibition 'Paintings by Peter Bell' circulated by the Atlantic Provinces Art Circuit and shown at Dalhousie Art Gallery in February 1968.

Records consists of a draft exhibition pamphlet, correspondence from Evelyn Holmes to Peter Bell, and between Holmes, James Little (Curator, Confederation Art Gallery), and Ian James (Professor, Acadia University), and confirmation of receipt of artworks from Confederation Art Gallery.