- MS-5-21, Box 2, Folder 3
- File
- 1998
Part of Paul Cram fonds
15 results with digital objects Show results with digital objects
Part of Paul Cram fonds
Part of Upstream Music Association fonds
Moore, Sandy
Part of Paul Cram fonds
Part of Paul Cram fonds
Halifax calling / by Paul Cram
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
Cheap seats : C and B-flat instruments
Part of Upstream Music Association fonds
Cram, Paul
Part of Paul Cram fonds
Part of Upstream Music Association fonds
Naylor, Steve
One heart broken into song : [parts]
Part of Paul Cram fonds
Irons in the fire / by Paul Cram
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Upstream Music Association fonds
Reilly, Jeff
Part of Upstream Music Association fonds
Reilly, Jeff
Part of Paul Cram fonds
Part of Upstream Music Association fonds
Cram, Paul
Corridors of power / Paul Cram
Part of Paul Cram fonds
Part of Upstream Music Association fonds
Subseries contains the conductor’s score, instrumental, and vocal parts used for the premiere performance of Nasca Lines by Barry Guy. Nasca Lines is a one-hour, seven-part work that was commissioned by the Upstream Ensemble and premiered in collaboration with the Symphony Nova Scotia on June 3, 2001 at the Scotia Festival with conductor and composer, Barry Guy.
The composition is named after and inspired by the geoglyphs in the Nazca Desert, Peru, which include outlines of animals and various geometric shapes. Graphical representations of a selection of these geoglyphs are used in the graphic notation of this score, particularly in parts 3 and 7.
Nasca Lines is an atonal work that uses a combination of composed material, based on tone rows and pitch class sets, and guided improvisation. There are twenty instrumental parts and one vocal part.
Part of Upstream Music Association fonds
Cram, Paul
Part of Paul Cram fonds
Part of Paul Cram fonds
Drum parts from the PCO "Campin Out" tour
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
Item is an annotated score composed by Paul Cram and commissioned by the Canadian Council of Music in 2001. "Convoy HFX" was first performed by an 18-piece Upstream Orchestra in January 2002; in 2006 by the Upstream Ensemble; and in 2013 alongside "The Magic Order" and "Witch Gong Gang II/10" at the International Festival de Musique Actuel in Victoriaville, Quebec. A list of musicians includes: Jeff Reilly, Kenny MacKay, Paul Cram, Steven Naylor, David Burton, Erin Donovan, Tim Crofts, Doug Cameron, Lukas Pearse, Danny Martin, Tom Walsh, Rick Waychesko, Paul Tynan, Tena Palmer, Geordre Haley, and Scott McMillan.
The lefthand pages of the score are predominantly in graphic notation with some standard music notation. They are divided into 13 parts: 1) "Whispers"; 2) "Morse"; 3) "Nausea"; 4) "Storm"; 5) "Attack" followed by a solo; 6) "0400 Hours"; 7; 8; 9; 10; 11; 12. The righthand pages, labelled "13," are in standard notation for different instruments. The file also contains two posters advertising Convoy HFX.
Trouble in paradise / Paul Cram
Part of Paul Cram fonds
Part of Paul Cram fonds
Trouble in paradise / by Paul Cram
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
I Ain't Dead Yet — Lunenburg production
Part of Christopher Heide fonds
Echoes of time weeping : a dramatic solo for soprano and tape : [score]
Part of Upstream Music Association fonds
Moore, Sandy
Part of Upstream Music Association fonds
Reilly, Jeff
Part of Upstream Music Association fonds
Ellis, Lisle
Part of Paul Cram fonds
The magic order : [score and parts]
Part of Paul Cram fonds
Part of Paul Cram fonds
Item is an annotated score of a work first performed by Upstream Orchestra in memory of Steve Lacy on May 18, 2013 at the International Festival de Musique Actuel, which commissioned the work, in Victoriaville, Quebec. The piece was played alongside "Convoy HFX" and "Witch Gong Gang II/10." The Upstream Orchestra included Jeff Reilly, conduction; bass clarinet, Tena Palmer; voice, Rick Waychesko; trumpet, Chris Mitchell; soprano sax/flute, Paul Tynan; trumpet, Kenny MacKay; alto sax, Danny Martin; trombone, Paul Cram; tenor sax/clarinet, Tom Walsh; trombone, Dawn Hatfield; baritone sax, flute, Geordie Haley; guitar, Scott McMillan; guitar, Tim Crofts; synthesizer, Steven Naylor; piano, Lukas Pearse; contrabass-electronics, David Burton; drums, Danny Parker/contrabass, Doug Cameron; drums; and Erin Donovan, percussion.
The top of the score pages are in standard notation and provide the music for different instruments. The bottom half of each page is in graphic notation with symbols noting improvisational cues and solos for each instrument. There also parts for B, Bb, Eb, bass, and drums. There are two pages of smaller visual notations. The score was composed for voice; 2 trumpets; 2 trombones; soprano sax/flute; alto sax; tenor sax/clarinet; baritone sax; piano; synthesizer; 2 guitars; 2 basses; 2 drum sets; and percussion.
Part of Mary Vingoe fonds
Part of Mary Vingoe fonds
Nova Scotia Mass Choir : [musical scores and lyrics]
Part of Joy O'Brien fonds
File contains vocal scores and lyrics to songs performed by the Nova Scotia Mass Choir.
Titles include "By and By, Lord," "Come Unto Me," "Go Tell It On The Mountain," and others.
Part of Paul Cram fonds
Part of Donald Murray fonds
Zwicker / by Silver Donald Cameron : [script]
Part of Stephen Pedersen fonds