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Selections from Syracuse Liederkranz, 108th anniversary concert

File is a vinyl audio disc with recordings of the Syracuse Liederkranz 108th anniversary concert on May 16th, 1963.

"Featuring the Liederkranz Mens's and Women's Choruses in music from the lyric stage of Germany. Paul H. Dieke, director; Carol Ann Crumrine and David S. Bowman, accompanists. Guest artists courtesy of the Canadian Opera Co., Sheila Piercey, soprano; Thomas Clerke, tenor; Alexander Gray, baritone; member soloists: Lorraine Bluhm, soprano; Lorraine Caruso, soprano; Conrad Hess, tenor."--sleeve.

Scores for small ensembles by Paul Cram

File contains original handwritten scores for "Tango Oreo"; "One Step at a Time"';"Faster at the Alter"; "(Do the) Funky Fool"; "String Quartet #3"; "Coup d'Etat"; and "Rank and Vile."

School of octave-playing for the pianoforte : book three

File contains a piano technique book used and annotated by Ellen Ballon. It is the third book in a set of three, dedicated to Rafael Joseffy. It includes studies by composers from Ludwig van Beethoven until the book's publication.

Philipp, Isidor

Saint Cecilia concert series presents Halifax Camerata Singers

File contains two copies of a poster, newspaper clippings, and a program for a concert by the Halifax Camerata Singers as part of the Saint Cecilia concert series. The file also includes a pamphlet for the 1994-1995 concert series and a copy of "Camerata News" (Volume 3, no. 1), the Singers newsletter.

Saint Cecilia concert series : the best of Bach

File contains a program for a concert by the Halifax Camerata Singers, performed in collaboration with the Cantabile Singers of Truro, members of Symphony Nova Scotia and guest soloists (Lorraine Thompson, Susan MacKay, Nancy Chisling, Douglas Rose, Ray Grant, Sue Doran, Christopher Francis, David Loughead and Gordon Murray). The file also includes a pamphlet for the Saint Cecelia 1992-1993 concert series and a newspaper clipping of a review of the concert.

Saint Cecilia concert series : fifth anniversary gala concert

File contains a program for a concert featuring the Halifax Camerata Singers, Linda Verbier, David Murray, Pamela MacDonald, the Niagara Brass Ensemble, George Maxmann, Scott MacMillan, and Olga Milosevich. The concert included the world premiere of "The Three that Seek My Heart" by Scott MacMillan. The file also includes an account of tickets sold by the Halifax Camerata Singers for the concert and two newspaper clippings. The concert celebrated the fifth anniversary of the Saint Cecilia concert series in Halifax, Nova Scotia.

Saint Cecilia concert series : Elijah

File contains a program for the 1995-1996 Saint Cecilia concert series, which included a performance of Mendelssohn's Elijah by the Halifax Camerata Singers, Cantabile Singers of Truro, Cape Breton Chorale, and Kings Chorale, conducted by Jeff Joudrey, with Symphony Nova Scotia at the Rebecca Cohn Auditorium in Halifax, Nova Scotia. The file also includes a copy of the Nova Scotia Choral Federation's magazine Chorus, and newspaper clippings advertising the concert.

Royal hotel : [parts]

File contains two sets of parts for Paul Cram's "Royal Hotel." The first has "Words — Michael Ondaatje" printed at the top and includes parts for voice 1; tenor; trumpet; guitar; violin; baritone; bass; and drums. The second set is marked with the SOCAN copyright date 2005 and includes parts for Eb soprano; alto; bass; tenor; trumpet; guitar; violin; bass clarinet; drums; electric bass; and stereo grand. There is a single part for audio 1 that appears to be from a different printing.

Round one : [parts]

File includes concert treble, concert bass, Eb and Bb parts for Paul Cram's "Round One."

Root cause : [parts]

File contains parts for fifteen instruments: drums; trumpet (x 2); alto sax; clarinet; tenor sax (x 2); violin (x 2); viola; tuba; trumpet (x 2); accordion; guitar; vibes; percussion/congas; and bass.

Revolutions 2008 : [score and part]

File contains a score and annotated trumpet part for Paul Cram's "Revolutions 2008." The score is for violin, trumpet, alto sax, tenor sax, bass clarinet, guitar, piano, electric bass and drums.

Revolutions : [parts]

File contains an eight-page annotated guitar part and a four-page annotated tenor part for Paul Cram's "Revolutions." There is also one page of graphic notation for insertion at bar 211.

Revolutions : [parts]

File contains parts for "Revolutions," a concert work composed by Paul Cram for the Upstream Ensemble in 1992. Parts include trombone, drums, alto saxophone (reed one), tenor saxophone (reed two), bass clarinet (reed three), trumpet, cello, guitar, piano, and bass.

Research notes, newsletters, correspondence, and programs

File consists of various research materials on music collected by Anthony Pugh. The file includes the newsletter of the New Brunswick Registered Music Teachers' Association (January 1972); correspondence from the Institute for Bach Studies; list of music positions and organizations in the Fredericton area; a chronological list of music compositions; and two program notes written by Anthony Pugh.

Research notes pertaining to Berg

File contains research notes pertaining to Alban Berg, used by Anthony Pugh for the writing of program notes. The file includes photocopied pages on Berg's opera "Woyzeck", a copy of program notes by A.K. Holland and Basil Horsfield for a performance by the Royal Liverpool Philharmonic Society, and a program (with notes) for a concert by the BBC Symphony Orchestra.

Research notes and programs pertaining to Debussy's Pelléas et Mélisande

File contains research notes by Anthony Pugh and three programs for performances of Claude Debussy's opera "Pelléas et Mélisande" by the Orchestre National de France and Choeur de Radio France, the Canadian Opera Company, and at the Krannert Center for the Performing Arts (University of Illinois at Urbana-Champaign).

Research and program notes pertaining to Walton

File contains research notes and drafts of program notes by Anthony Pugh pertaining to the music of William Walton. The file also contains programs used in his research from the Royal Liverpool Philharmonic Society.

Research and program notes pertaining to Verdi

File contains research notes and drafts of program notes by Anthony Pugh pertaining to the music of Giuseppi Verdi. The file also contains programs used in his research from the University of Bristol, Glyndebourne Festival, and the Hippodrome in Bristol. The file also includes a newspaper clipping about the Glyndebourne Opera Company's production of "Falstaff" by Giuseppi Verdi.

Research and program notes pertaining to Vaughan Williams

File contains drafts of program notes by Anthony Pugh pertaining to the music of Ralph Vaughan Williams. The file also includes Pugh's analytical notes on the London Symphony and programs used in his research from the Liverpool Philharmonic Society, Cambridge University Musical Society, and "His Master's Voice" gramophone record. The file also includes two newspaper clippings about Vaughan Williams' performances.

Research and program notes pertaining to Tippett

File contains a draft of program notes by Anthony Pugh for String Quartet no. 2 by Michael Tippett. The file also includes a program from the Liverpool Philharmonic Society used in Pugh's research and a newspaper clipping with a profile article on Tippett.

Research and program notes pertaining to Stravinsky

File contains drafts of program notes by Anthony Pugh and research materials concerning the music of Igor Stravinsky. The file includes three programs, as part of Pugh's research material, from the BBC Symphony Orchestra, Liverpool Philharmonic Society, and Edinburgh International Festival.

Research and program notes pertaining to Strauss

File contains drafts of program notes by Anthony Pugh and research materials concerning the music of Richard Strauss. The file includes a notebook with handwritten excerpts (written by Pugh) from Strauss's Till Eulenspiegels lustige Streiche, Op.28.

Research and program notes pertaining to Sibelius

File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Jean Sibelius. The file also includes a Toronto Symphony Orchestra program that Pugh used in his research.

Research and program notes pertaining to Shostakovich

File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Dmitri Shostakovich. The file also includes two programs that Pugh used in his research from the Edinburgh International Festival and Saison Musicale de Radio France. Included in his research notes are handwritten excerpts by Pugh from various pieces by Shostakovich.

Research and program notes pertaining to Schumann

File contains drafts of program notes by Anthony Pugh pertaining to works by Robert Schumann, as well as complete programs from concerts presented by the Creative Arts Committee of the University of New Brunswick and Saint Thomas University (for which Pugh regularly wrote program notes). The file also contains a program from a concert produced by Jeanine Roze, which Pugh used for his research.

Research and program notes pertaining to Schubert

File contains drafts of program notes by Anthony Pugh pertaining to works by Franz Schubert, and programs that Pugh either contributed to or used in his research. Complete programs included in the file are from the Royal Festival Hall, London, England, and the University of New Brunswick and Saint Thomas University Creative Arts committee.

Research and program notes pertaining to Scarlatti

File contains drafts of program notes by Anthony Pugh pertaining to works by Domenico Scarlatti. The file includes Pugh's chronological analysis of Scarlatti's extant sonatas, annotated copies of the incipits for the sonatas, and correspondence with P. Joan Hymans of the British Broadcasting Corporation about the numbering of the Scarlatti sonatas.

Research and program notes pertaining to Ravel

File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Maurice Ravel, as well as a complete program from a concert at the Fredericton Playhouse (with notes by Pugh) and a program from the London Philharmonic Orchestra, which was used in Pugh's research.

Research and program notes pertaining to Mozart

File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Wolfgang Amadeus Mozart. The file includes a booklet with handwritten musical examples by Pugh of extracts from Mozart opera overtures. The file also includes two complete programs (with notes by Pugh) for the Cathedral Festival of the Arts (May 21-24, 1987) in Fredericton, New Brunswick and the Mozart Bicentennial Concerts at the University of New Brunswick., and a draft of a letter from Pugh to "Mr. Elliot" about a recent series of broadcasts on the Mozart Piano Concertos.

Research and program notes pertaining to Mozart

File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Wolfgang Amadeus Mozart. The file also contains a letter from Stanley Sadie to Pugh regarding the entry for Mozart in the New Grove Dictionary of Music and Musicians, and three programs for concerts at the University of New Brunswick, Fredericton.

Research and program notes pertaining to Mendelssohn

File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Felix Mendelssohn. The file includes a complete program with notes by Pugh for a performance by the Brunswick String Quartet and Arlene Nimmons Pach, and two programs used by Pugh in his research, from the Liverpool Philharmonic and Saison Musicale de Radio France.

Research and program notes pertaining to Liszt

File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Franz Liszt. The file also includes two, longer, handwritten papers on Liszt's Piano Concerto No. 1 in E-flat and his Piano Sonata in B minor, and a letter (dated November 2, 1964) to Pugh from the British Broadcasting Corporation regarding his potential for a contributor to "Interpretations on Record," produced by Robert Layton.

Research and program notes pertaining to Korngold

File contains drafts of, and research for, program notes by Anthony Pugh pertaining to works by Erich Wolfgang Korngold, which were featured in the New Brunswick Summer Music Festival of August 20-26, 1995. The file includes the program for the festival, Pugh's program notes, and correspondence between Robert Kortgaard from the Centre for Musical Arts, University of New Brunswick and the Erich Wolfgang Korngold Society, and Kortgaard and Cambria Master Recordings and Publishing. Kortgaard was the Director of the Music Festival.
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