File contains set designs and the light plot for Neptune Theatre's production of "No Great Mischief," directed by Richard Rose and designed by Charlotte Dean (set) and Graeme Thomson (lights).
File contains the set designs for Neptune Theatre's production of "Night of the Iguana," directed by John Neville with drawings by Phillip Silver and S. LePage.
File contains the original set designs for Neptune Theatre's production of "Narnia," directed by Jennette White and designed by D'Arcy Poultney. The file also includes the light plot design by Philip Cygan.
File contains the original set designs for Neptune Theatre's production of "Much Ado about Nothing," directed by Denise Coffey with set designs by Robert Doyle.
File contains original set design drawings and a copy of the light plot design for Neptune Theatre's production of "Mesa," directed by Charlie Rhindress and designed by D'Arcy Morris-Poultney (set) and Leigh Ann Vardy (lights).
File contains set and light designs for Neptune Theatre's production of "Memories of You," directed by Linda Moore with designs by Stephen Osler (set) and Bonnie Beecher (light).
File contains set and light designs for Neptune Theatre's production of "Memoir," directed by Linda Moore and designed by Yvonne Sauriol (set) and Nigel Scott (lights). The file includes Scott's original drawing for the light design, master copies of Sauriol' set design, and annotated copies of the set designs used by stage management.
File contains annotated copies of set and light designs for Neptune Theatre's production of "Member of the Wedding," directed by Linda Moore and designed by Patrick Clark. The designs were drawn to a scale of 1/2" = 1'.
File contains original and annotated copies of set designs for Neptune Theatre's production of "Master Harold and the Boys," directed by Diana LeBlanc and designed by Art Penson. Brent Frison was the technical director. The designs are drawn to the scale of 1" = 1'.
File contains set designs for Neptune Theatre's production of "Man of La Mancha," directed by Tom Kerr and designed by Ted Roberts. File also contains copies of the costume and prop designs for this production.
File contains set designs for Neptune Theatre's production of "Les Miserables," directed by Linda Moore and designed by Brian Perchaluk. The file includes Perchaluk's original drawings and annotated copies of the first page of the set designs. The file also includes a copy of the lighting plot, drawn by Harry Frehner.
File contains set designs for Neptune Theatre's production of "Lend me a Tenor," designed by B. Lumsden. File includes a second, annotated copy of the Groundplan.
File contains a copy of a set design for the Young Neptune production of "Land of Trash and Square Eyes," directed by J. White and designed by M. Hoeschen.
File contains copies of touring set and light designs for Neptune Theatre's studio production of "La Sagouine," directed by Linda Moore and designed by Kathleen Irwin (set) and John Munro (lights).
File contains set designs and computer-generated renderings for Neptune Theatre's production of "La cage aux folles," designed by Geofrey Dinwiddie of Dinwiddie Designs, Toronto, Ontario.
File contains original and annotated copies of set, prop, and lighting designs for Neptune Theatre's production of "Kilt," directed by Scott Burke and designed by Denyse Karn. Eleanor Creelman was the technical director. The designs are drawn to the scale of 1/2" = 1'.
File contains set designs for the Neptune Theatre production of "Juno and the Paycock," directed by Tom Kerr with designs by Art Penson. The file includes Penson's original drawings and annotated copies of the originals.
File contains set designs for Neptune Theatre's production of "Joseph," directed by R. Ouzounian and designed by S.J. Degenstein. The file includes original drawings and annotated copies.
File contains annotated copies of set designs for Neptune Theatre's production of "Jesus Christ Superstar," directed by Ron Ulrich and designed by Art Penson (set) and Leigh Ann Vardy (lights).
File contains set designs for Neptune Theatre's production of "Jester's Christmas," designed by Andrew Murray. The file includes Murray's original drawings, annotated copies of the originals, and an annotated copy of the light design by P. Reinholdt.
File contains annotated copies of the set and light designs for Neptune Theatre's studio production of "Jest in Time Meet Beckett," directed by Linda Moore and designed by Brock Lumsden (set and lights).
File contains original and annotated copies of set and light designs for Neptune Theatre's production of "I Love You, You're Perfect, Now Change," directed by Ron Ulrich and designed by Art Penson. Scott Miller was the technical director for the production. The designs are drawn to a scale of 1/2" = 1'.
File contains designs for the set pieces and blocks used in Neptune Theatre's school tour productions of "How to Eat Like a Child" and "Perfect," directed by Jennette White and designed by D'Arcy Morris-Poultney.
File contains a copy of the touring set design for Neptune Theatre's productions of "How Things Happen in Threes" and "1000 Cranes," directed by Jennette White and designed by D'Arcy Morris-Poultney.
File includes the set designs for Neptune Theatre's production of "How the Other Half Loves," directed by Leslie Yeo with designs by Arthur Penson. The file includes an original drawing of the rigging plot by "T.P." and annotated copies of the set plans by Penson.
File contains annotated copies of the set designs and light plot for Neptune Theatre's production of "Hosanna," directed by Richard Donat and designed by Stephen Osler (set) and Leigh Ann Vardy (lights). The designs were drawn to the scale of 1/4" = 1'.
File contains set and light designs for Neptune Theatre's production of "Homeward Bound," directed by Mary Vingoe and designed by Art Penson. The technical director for the production was Scott Miller. The designs are drawn to the scales of 1/4" = 1' and 1/2" = 1'.
File contains annotated copies of the set and light designs for Neptune Theatre's production of "Homeward Bound," directed by Mary Vingoe and designed by Art Penson (set) and Leigh Ann Vardy (lights).
