Item is a copy of Paul Cram's composition, "B-flat Restaurant Redux," which reuses elements from his "B-flat Restaurant" composition. The score, written for C instruments, is type-set.
Item is Paul Cram's composition, "Forming 23," a graphic score for trumpet, trombone, guitar, piano, bass, drums, and vibraphone. The score includes indications for ornamentation, rhythm, style of improvisation, tempo, and register.
File contains two annotated copies of Paul Cram's composition, "Kickers," in five parts. Each of the five parts is a short phrase. The composition was funded by SOCAN.
File contains two annotated copies of Paul Cram's composition, "Les Mouton à L'Abbatoir," an atonal composition funded by SOCAN, which consists of a monophonic melody.
File contains nine annotated copies of "Silent Movies," a composition by Paul Cram in two parts written at concert pitch. The reverse side of one of the copies includes a set list for "Talk Show," which was part of the 1997 Open Waters Festival.
File contains two annotated copies of "Strong and Free," a composition by Paul Cram written at concert pitch, which improvises on motives from "O Canada."
File contains the instrumental parts for Paul Cram's compilation of arrangements entitled "Transfigured Night." The piece includes four arrangements: "Wie Lange Noch?" by Kurt Weill for soprano, accordion, and contrabass; String Quartet Op. 28, 2nd movement by Anton Webern for string quartet; "All the Things you Are" by Jerome Kern and Oscar Hammerstein II for trumpet, alto saxophone, bass clarinet, and baritone saxophone; and a fugue by Johann Sebastian Bach for flute, oboe, clarinet, and bassoon. The piece also includes two newly-composed sections for guitar, bass, and drums, and piano and cello duet.
Item is an annotated copy of Jamieson's composition, which is in five sections. Each section has textual instructions for individual instruments with four musical parts notated at the bottom: melody, accompaniment, B-flat trumpet line, and bass line.
Item is a copy of Naylor's composition for flute, saxophone, clarinet, bass clarinet, vibraphone, electric guitar, piano, and percussion. The composition is dedicated to Earle Hagen
File contains five annotated copies of Naylor's score for 11 instrumental parts. Each part includes melodic guidance for improvisation and performers are instructed to switch between parts freely.
File contains annotated parts for Reilly's composition "Ghost Tracks," for concert, E-flat, and B-flat instruments. According to one of the annotations, the composition was performed as an octet at the Pier 21 Museum in Halifax, Nova Scotia.
File contains a copy of the B-flat and C instrumental parts for an anonymous composition entitled "Fantasy Island," handwritten in common music notation with a 4/4 time signature.
Item is a copy of the performance instructions for an improvised composition with sixteen possible sets, each defined by four words, that are performed in any order.
File contains two copies of the tenor saxophone part of a composition entitled "Muraille de Cayne." "Robert Leriche" is handwritten at the bottom of one of the parts, potentially indicating him as the composer.
Item is a copy of an anonymous score entitled "Cukeoo" for solo voice, piano, and an undefined instrumental ensemble. The score combines common music notation with graphic notation. The text is taken from an English folk song, "The Cuckoo Is A Pretty Bird"
Item is the instructions for Norman Adams' improvisational composition, "6 of one," for performance by Adams (cello); Suzanne Lemieux (oboe); Jeff Reilly (bass clarinet and clarinet); and Paul Cram (tenor saxophone and clarinet). The composition has an approximate tonality of D and textual instructions regarding rhythm, entrances, intervallic relationships of parts, dynamics, range, and timbre.
File contains parts for Bauer's improvisational composition in five sections: Sitar Drone Atmosphere; Falling - Filling the Cup; The Streets of Calcutta; Ascension - Reaching Beyond Life; and Resolution. The composition is for violin, bassoon, piano, guitar, and oboe and lacks a clear tonal centre and meter.The last section is a canon between the violin and bassoon.
Item is a copy of Steven Naylor's composition for guitars, accordion, wind instruments, and keyboard. The score is in graphic notation, using coloured symbols in blue, green, and red to indicate duration, pitch, attitude, and stops.
Item is a copy of Steven Naylor's composition for flute, violin, oboe, trumpet, viola, clarinet, accordion, cello, bassoon, electric bass, bass clarinet, contrabass, and percussion. Each instrument plays a short phrase repeatedly until the end of the piece with entries staggered between instruments.
File contains two annotated copies of the score for Jeff Reilly's "Ghost Tracks," one in concert pitch and one in B-flat. The concert pitch score was used by Susan (Sue) Sayles, a violist with the Upstream Ensemble. The score is in three large sections, each of which have various musical phrases notated in common music notation. The pitch material for the composition is derived from seven notes: F-sharp, G, G-sharp, B, C-sharp, D, and E (at concert pitch).
Item is a coloured score for C instruments. The composition has three main sections and the third section is further subdivided into five sections, including a passacaglia. No performance instructions are included. The composition was funded by a SOCAN grant.
Item is the first seven measures of the score for Fred Frith's composition "Neither Fire nor Place" for flute, English horn, clarinet, bass clarinet, bassoon, alto saxophone, baritone saxophone, trumpet, piano, percussion, guitar, violin, viola, cello, and double bass.
Item is the first eight measures of the score for Fred Frith's composition "Traffic Continues: Shadow of a Tree on Sand" for flute, oboe, clarinet, bassoon, soprano saxophone, alto saxophone, trumpet, baritone saxophone, piano, percussion, violin, guitar, and double bass.
File contains two copies of the score for Sandy Moore's composition "Broken Chains" for flute, alto flute, alto saxophone, percussion, harp, piano, and hand clapping.
File contains three annotated copies of the score for Sandy Moore's composition "Clustrix" for piano, electric guitar, harp, bass clarinet, horns, and cymbal.
Item is a poster advertising a concert at Saint Mary's University Art Gallery sponsored by Canada Council Explorations Program and Nova Scotia Department of Tourism and Culture, featuring Paul Cram, saxophone; Sandy Moore, Irish harp and synthesizer; Bob Bauer, guitar; Steve Tittle, trumpet and flugel horn; Tom Roach, percussion; Don Palmer, saxophone and flute; Steven Naylor, keyboards; and Jeff Reilly, clarinet and bass clarinet.
Item is a poster for an Upstream concert at Sir James Dunn Theatre on Sunday, October 23, 1994, featuring the Upstream Ensemble, members of Symphony Nova Scotia, and special guests Jamie Gatti and Jim Faraday.
Item is a poster advertising a concert featuring Upstream Ensemble held at Denton Hall, Acadia University on December 1, 2001 and again at Saint Mary's University Art Gallery on December 2, 2001.
Item is an undated poster for a JazzEast all-ages concert featuring the Pierre Labbe Ensemble, Upstream Orchestra with the Pierre Labbe Ensemble, and The Guerilla Orchestra with Harris Eisenstadt.
![Saint Mary's University Arts Gallery presents : Upstream : [poster]](/uploads/r/dalhousie-university-archives/1/c/3/1c3ad5629a1b058d8ac277431fbc991347ec3ba944d086f6c16e167c00acf7d0/a64ee64e-f522-4b0d-9860-3b5afb0a7e78-MS-5-16_OS25_019_142.jpg)
![Upstream : [poster]](/uploads/r/dalhousie-university-archives/e/1/4/e1414207ea3dd2c4aaf67a12bf2e249c9e9de662c3e3df435bb76b3461d5304c/42d81d47-23e5-4304-85dc-82f4d2f4196f-MS-5-16_OS25_020_142.jpg)
![Upstream : October Summit : [poster]](/uploads/r/dalhousie-university-archives/8/b/8/8b86db34d7cc7ad8aa21507dd8af091fc4a3d3fc2e7c4dad7ca04eb86c9d39dd/ba58de6d-d96a-4393-b8e0-e6c4f5e61fe7-MS-5-16_OS25_001_142.jpg)
![Upstream Music Association presents : Tightening the traces : [poster]](/uploads/r/dalhousie-university-archives/e/2/f/e2ffcd0e7f8d7736fbaddba56e7811cd7c546100f4feb09481d2a0cb5daa12ca/9f7f4d18-155f-489b-883e-ecd41c530114-MS-5-16_OS25_004_142.jpg)
![Upstream Music presents spring fever weekend : [poster]](/uploads/r/dalhousie-university-archives/4/9/d/49dab74f479570805f9ae67eb53a51a5c294c07818c8c7414025a574c42036c9/47d312e4-1802-43cd-87d0-d50dd02e1834-MS-5-16_OS25_005_142.jpg)