Archives Catalogue

MS-5-16, Box 9, Folder 56
File
1993

Part of Upstream Music Association fonds

File contains minutes from a meeting July 13, 1993 between Laura Hoffman, Paul Cram, Michael LaLeune, Steven Naylor, Jeff Reilly, and Bob Bauer. File also contains correspondence on the Mark Duggan Project; a draft of Undercurrent Recordings' policies; and a report to the Board of Directors of the Upstream Music Association by Steven Naylor.

Minutes of Undercurrent meetings

MS-5-16, Box 9, Folder 52
File
1992-1993

Part of Upstream Music Association fonds

File also includes budgets, reports to the Board of Directors for Upstream, and a copy of the Certificate of Registration from the Province of Nova Scotia (under the Partnerships and Business Names Registration Act) for Undercurrent Recordings (dated August 6, 1992).

Minutes of the Board of Directors, correspondence, and financial statements

MS-5-16, Box 1, Folder 21
File
1993-1994

Part of Upstream Music Association fonds

File includes correspondence regarding Dr. Howard Clark's proposal to close the music and theatre departments at Dalhousie University.

Minutes of the Board of Directors, correspondence, and financial statements

MS-5-16, Box 3, Folder 10
File
1996-1998

Part of Upstream Music Association fonds

File includes copies of grant applications to the Canada Arts Council and SOCAN (Society of Composers, Authors and Music Publishers of Canada) for the 1996-1997 and 1997-1998 seasons.

Minutes of the Board of Directors and edits to the Memorandum of Association

MS-5-16, Box 2, Folder 7
File
1992-1993

Part of Upstream Music Association fonds

File also contains executive summaries of proposed projects and copies of newspaper clipping about Upstream Ensemble performances.

Minutes of the Board of Directors

MS-5-16, Box 3, Folder 5
File
1995

Part of Upstream Music Association fonds

File contains the agenda for the Board of Director's Extraordinary Meeting and Annual General Meeting (September 23, 1995) and the Board of Director's meeting (May 2, 1995).

Minutes of the Board of Directors

MS-5-16, Box 1, Folder 8
File
1991-1992, 1992 predominant

Part of Upstream Music Association fonds

File also contains letters of resignation from the Board of Directors from Bob Bauer and Jeff Reilly and member lists for the Board of Directors from 1991 and 1992.

Minutes of the Board of Directors

MS-5-16, Box 1, Folder 11
File
1991-1999

Part of Upstream Music Association fonds

File also contains some reports by the Artistic Directors to the Board of Directors.

Minutes of the Board of Directors

MS-5-16, Box 4, Folder 4
File
April 9, 2001

Part of Upstream Music Association fonds

Minutes of the Board of Directors

MS-5-16, Box 1, Folder 13
File
1992

Part of Upstream Music Association fonds

File includes the Artistic Directors' report for the 1991-1992 season.

Minutes of the Board of Directors

MS-5-16, Box 3, Folder 13
File
1997-1998

Part of Upstream Music Association fonds

File contains the minutes for the meeting on September 10, 1998 and September 20, 1997, as well as profit and loss statements for 1997 to 1998.

Minutes of the Board of Directors

MS-5-16, Box 1, Folder 5
File
1991

Part of Upstream Music Association fonds

Minutes of the Board of Directors

MS-5-16, Box 3, Folder 2
File
1994-2005

Part of Upstream Music Association fonds

Minutes of the Board of Directors

MS-5-16, Box 3, Folder 12
File
November 16, 1997

Part of Upstream Music Association fonds

Minutes of the annual general meeting of the Upstream Music Association

MS-5-16, Box 1, Folder 22
File
September 17, 1994

Part of Upstream Music Association fonds

Minutes and correspondence of the Board of Directors

MS-5-16, Box 3, Folder 7
File
1995-1999

Part of Upstream Music Association fonds

File also contains financial balance sheets.

Memorandum of association and by-laws of Upstream Music Association

MS-5-16, Box 1, Folder 2
File
1990-1992

Part of Upstream Music Association fonds

File also contains correspondence with the Nova Scotia Department of the Attorney General regarding the Appoint of Agent; revisions to the Associations' memorandum and by-laws; a copy of the board meeting minutes from February 12, 1992; and a copy of the 1991-1992 season brochure for the Upstream Ensemble.

Memorandum of association and by-laws of Upstream Music Association

MS-5-16, Box 4, Folder 2
File
[2000]

Part of Upstream Music Association fonds

File is a copy of the 1990 Memorandum and By-laws with edits, likely from the 2000 revisions of the document.

Memorandum of association and by-laws of Upstream Music Association

MS-5-16, Box 3, Folder 23
File
2000

Part of Upstream Music Association fonds

File includes a handwritten "Chart of Accounts"; a copy of the Non-Disclosure Agreement between Upstream and applicable organizations; and an overview of the Manager's duties and responsibilities.

Mediterranean eyes : version for small orchestra : [score]

MS-5-16, Box 8, Folder 31
Item
1996

Part of Upstream Music Association fonds

Item is a copy of Steve Tittle's "Mediterranean Eyes," originally commissioned in 1983 by the Atlantic Canada Trio (flute, piano, and double bass) and revised in 1996 for small orchestra (flute, oboe, clarinet, bassoon, horn, trumpet, trombone, percussion, piano, and strings).

Tittle, Steve

March of the Philistines : saxophone in E-flat and clarinet in B-flat

MS-5-16, Box 9, Folder 21
File
[199-?]

Part of Upstream Music Association fonds

File contains the E-flat and B-flat parts for Paul Cram's atonal composition, "March of the Philistines."

Cram, Paul

Manufacturing and distribution records of Open Waters CD

MS-5-16, Box 9, Folder 54
File
1993

Part of Upstream Music Association fonds

File includes inventory lists and correspondence.

Letter from Paul E. Vandall Jr. to the Upstream Music Association

MS-5-16, Box 3, Folder 8
File
June 29, 1996

Part of Upstream Music Association fonds

Les mouton à l'abattoir : [score]

MS-5-16, Box 9, Folder 20
File
1997

Part of Upstream Music Association fonds

File contains two annotated copies of Paul Cram's composition, "Les Mouton à L'Abbatoir," an atonal composition funded by SOCAN, which consists of a monophonic melody.

Cram, Paul

Labels for Upstream excerpts audio cassette

MS-5-16, Box 9, Folder 41
File
1991

Part of Upstream Music Association fonds

File contains labels for the "Upstream...excerpts" audio cassette. The cassette includes live recordings from Upstream's performance at St. Mary's University Art Gallery between May 13, 1990 and March 17, 1991, featuring Steve Tittle (trumpet and Flugel horn); Sandy Moore (Irish harp and synthesizers); Jeff Reilly (clarinet, bass clarinet, and alto saxophone); Don Palmer (saxophone and flute); Bob Bauer (guitar); Tom Roach (drums and percussion); Steven Naylor (keyboards); and Paul Cram (saxophone and clarinet). The pieces include: "Don't Hold Back" by Jeff Reilly; "Nocturne" by Steve Naylor; "Change is a Time for Celebration" by Sandy Moore; "Pluckstucke" by Paul Cram; "Sunrise for a Mad Afternoon" by Jeff Reilly; "Below the Surface" by Steve Naylor; "Valse Triste" by Bob Bauer; "Available Light" by Steve Tittle; "Standing in the Light" by Steve Tittle; "Entangold" by Bob Bauer; and "Immortal Coil" by Paul Cram. All compositions were funded by SOCAN.

Kickers : [score]

MS-5-16, Box 9, Folder 19
File
1997

Part of Upstream Music Association fonds

File contains two annotated copies of Paul Cram's composition, "Kickers," in five parts. Each of the five parts is a short phrase. The composition was funded by SOCAN.

Cram, Paul

Kafka's chair : row material

MS-5-16, Box 8, Folder 27
File
[199-?]

Part of Upstream Music Association fonds

File contains the manuscript and four annotated copies of the tone row for "Kafka's Chair" by Paul Cram in prime, retrograde, inversion, retrograde inversion, and transposed forms. The manuscript also includes the "Entree" from Cram's "B-flat Restaurant" at concert pitch.

Cram, Paul

Job descriptions and contracts for positions in the Upstream Music Association

MS-5-16, Box 3, Folder 22
File
1999-2000

Part of Upstream Music Association fonds

File includes Pamela Wetzel's contract for the position of General Manager and job descriptions for the positions of General Manager and Artistic Coordinator. File also includes a list of Upstream members by position (Board of Directors, Artistic Directors, General Manager, Bookkeeper, and Past members).

Japan-Canada Concert with Akikazu Nakamura and Miwa Inaba

MS-5-16, Box 6, Folder 29
File
1992-1993

Part of Upstream Music Association fonds

File contains Sandy Moore's proposal to the Board of Directors for the concert; correspondence sent to Akikazu Nakamura and Miwa Inaba; resumes for Nakamura and Inaba; budget for the concert; media release; and correspondence with the Canada Council for the Arts regarding the Japan-Canada Fund.

Japan-Canada concert and rehearsals

MS-5-16, Box 7, Folder 12
File
[1992]

Part of Upstream Music Association fonds

File includes photographs of the musicians and their instruments. The musicians were visiting artists, Akikazu Nakamura and Michiyo Yagi, and the Upstream Ensemble (Bob Bauer, Jeff Reilly, Paul Cram, Don Palmer, Steven Naylor, Sandy Moore, and Tom Roach).

Invoices from Symphony Nova Scotia

MS-5-16, Box 6, Folder 34
File
1999-2000

Part of Upstream Music Association fonds

Invoice from Sowelu Inc. for bookkeeping services

MS-5-16, Box 4, Folder 5
File
June 22, 2001

Part of Upstream Music Association fonds

Internal combustion : [score]

MS-5-16, OS Box 21, Folder 14
Item
2007

Part of Upstream Music Association fonds

Item is a coloured score for C instruments. The composition has three main sections and the third section is further subdivided into five sections, including a passacaglia. No performance instructions are included. The composition was funded by a SOCAN grant.

Reilly, Jeff

Information sheets on the Upstream Music Association and Upstream Music Ensemble

MS-5-16, Box 6, Folder 21
File
1993-1994

Part of Upstream Music Association fonds

Incoming and outgoing correspondence with the Upstream Music Association

MS-5-16, Box 1, Folder 10
File
1991-1993

Part of Upstream Music Association fonds

File contains correspondence regarding the Upstream CD, "Open Waters"; fundraising and marketing efforts; concert tickets; donations and sponsorship agreements; and concert venues.

Income statements and charts of accounts for Upstream Music Association

MS-5-16, Box 1, Folder 7
File
1991-1992

Part of Upstream Music Association fonds

Income statements and budgets of the Upstream Music Association

MS-5-16, Box 1, Folder 3
File
1990-1993

Part of Upstream Music Association fonds

Immortal coil and Fragments : [sound recordings by the Upstream Ensemble]

MS-5-16, Reel 2
File
1992

Part of Upstream Music Association fonds

File contains the studio mastering tape for Paul Cram's composition "Immortal coil" and Don Palmer's composition "Fragments," completed at Solar Audio Recording studio in Halifax, Nova Scotia. The recordings are on Upstream's CD, "Open Water" (track 7, 8 min., 20 sec., and track 5, 5 min., 38 sec., respectively). Audio reel box includes a track sheet.

I'm out about you : [score]

MS-5-16, Box 8, Folder 26
Item
[199-?]

Part of Upstream Music Association fonds

Item is the first two lines of Paul Cram's non-metric composition.

Cram, Paul

Hum over the horizon : [score]

MS-5-16, Box 9, Folder 18
File
[199-?]

Part of Upstream Music Association fonds

File contains two annotated copies of Paul Cram's composition, "Hum over the Horizon," for piano and solo instrument.

Cram, Paul

Homeland suite : [score]

MS-5-16, OS Box 21, Folder 4
Item
2007

Part of Upstream Music Association fonds

Item is a graphic score for Lisle (L.S.) Ellis' "Homeland Suite" for voice, flute, clarinet, bass clarinet, oboe, bassoon, soprano saxophone, alto saxophone, tenor saxophone, baritone saxophone, trumpet, violin, guitar, piano, bass, and percussion.

Ellis, Lisle

Heavier than air : concert score

MS-5-16, OS Box 21, Folder 12
Item
1994

Part of Upstream Music Association fonds

Item is a copy of Steven Naylor's composition for flute, violin, oboe, trumpet, viola, clarinet, accordion, cello, bassoon, electric bass, bass clarinet, contrabass, and percussion. Each instrument plays a short phrase repeatedly until the end of the piece with entries staggered between instruments.

Naylor, Steve

Ghost tracks : [score]

MS-5-16, OS Box 21, Folder 13
File
2000

Part of Upstream Music Association fonds

File contains two annotated copies of the score for Jeff Reilly's "Ghost Tracks," one in concert pitch and one in B-flat. The concert pitch score was used by Susan (Sue) Sayles, a violist with the Upstream Ensemble. The score is in three large sections, each of which have various musical phrases notated in common music notation. The pitch material for the composition is derived from seven notes: F-sharp, G, G-sharp, B, C-sharp, D, and E (at concert pitch).

Reilly, Jeff

Ghost tracks : [parts]

MS-5-16, Box 9, Folder 36
File
2000

Part of Upstream Music Association fonds

File contains annotated parts for Reilly's composition "Ghost Tracks," for concert, E-flat, and B-flat instruments. According to one of the annotations, the composition was performed as an octet at the Pier 21 Museum in Halifax, Nova Scotia.

Reilly, Jeff

Funding for the Open Waters Festival

MS-5-16, Box 6, Folder 39
File
1999

Part of Upstream Music Association fonds

File includes a copy of Upstream's application to the Canada Council for the Arts Music Touring, Presenting and Management Program to fund the 1999 Open Waters Festival.

Funding for the Open Waters Festival

MS-5-16, Box 6, Folder 38
File
1998

Part of Upstream Music Association fonds

File includes copies of Upstream's grant applications for the Canada Council for the Arts Music Touring, Presenting and Management Program, and the Nova Scotia Arts Council Grants to Organizations and Small Groups.

Forms for inclusion in the Music Directory Canada 6th Edition

MS-5-16, Box 6, Folder 20
File
1993

Part of Upstream Music Association fonds

Forming 23 : [score]

MS-5-16, Box 9, Folder 17
Item
1998

Part of Upstream Music Association fonds

Item is Paul Cram's composition, "Forming 23," a graphic score for trumpet, trombone, guitar, piano, bass, drums, and vibraphone. The score includes indications for ornamentation, rhythm, style of improvisation, tempo, and register.

Cram, Paul

Forests : [sound recording by the Upstream Ensemble]

MS-5-16, Reel 7
File
[1992]

Part of Upstream Music Association fonds

File contains the studio mastering tape for Steven Naylor's composition, "Forests," completed at Solar Audio Recording studio in Halifax, Nova Scotia. Audio reel box includes track sheets.

Flux latitude : [parts]

MS-5-16, Box 9, Folder 31
File
[199-?]

Part of Upstream Music Association fonds

File contains the bass clarinet, bassoon, oboe, cello, and piano parts for "Flux Latitude" by Dimoff, written in pencil.

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