Item, a negative, is related to material found in Thomas Head Raddall's photograph album, 1944-1961, and to MS-2-202, Box 54, Folder 5, Items 2-9 in subseries Thomas Head Raddall's loose photographs. Item is a duplicate of the print photograph MS-2-202, Box 54, Folder 5, Item 3 in subseries Thomas Head Raddall's loose photographs.
Items, negatives, are related to materials found in Thomas Head Raddall's photograph albums, 1917-1927, and 1929-1941, and MS-2-202, Box 54, Folder 1, Item 4 in subseries Thomas Head Raddall's loose photographs.
Item is a photograph of Raddall in the morning, wearing his pyjamas and dressing gown. Raddall habitually worked like this until the mid-morning. This photograph was taken by flying officer BIll Burke R.C.A.F. A duplicate copy can be found in MS-2-202, Box 55, Folder 4.
Item, a photograph, is related to MS-2-202, Box 54, Folder 1, Item 4, and is a duplicate copy to MS-2-202, Box 55, Folder 19, Item 1 in subseries Thomas Head Raddall's loose photographs.
Item is a duplicate of a photograph in Thomas Head Raddall's photograph album, 1941-1953. A second duplicate copy can be found in MS-2-202, Box 55, Folder 8. The photograph was taken while Raddall was on a local cruise from Liverpool, Nova Scotia to Port Mouton Bay during the summer of 1946. The yacht, Ripple, was owned by Reverend John ("Sailor John") Wilson of Trinity Church, Liverpool, Nova Scotia.
Item, a photograph, has a stamp marking it copyright to Canadian Bookseller on the reverse side. The autographing party took place in the book department of Simpson's in Toronto, where Raddall met the two women who were either married or working in Toronto.
Item, a photograph, is related to material found in Thomas Head Raddall's photograph album, 1944-1961 and MS-2-202, Box 54, Folder 5, Items 10-11 and MS-2-202, Box 54, Folder 6, Item 1 in subseries Thomas Head Raddall's loose photographs.
Item, a photograph, is related to material in Thomas Head Raddall's photograph album, 1944-1961. The photograph has a stamp marking it copyright to the National Film Board on the reverse side.
Collection contains both original records and reproductions of materials related to Reverend Thomas McCulloch. Items include a glass plate etching of McCulloch, microfilm copies of his books, a sample of his shorthand, a ticket to a lecture given by McCulloch, and correspondence. The collection also includes a microform copy of a thesis written by a Dalhousie student about McCulloch.
Item is a glass plate of a drawing of Rev. Thomas McCulloch, D.D. The drawing by Arthur Lismer itself is based on a painting of McCulloch by Daniel Munro. The drawing was commissioned and used for history books on Dalhousie University, like One hundred years of Dalhousie 1818-1918 (1920), and Daniel Cobb Harvey's, An introduction to the history of Dalhousie (1938).
Fonds consists of: the correspondence and comments relating to Peter B. Waite's books "The Lives of Dalhousie University, Vol. 1 & 2", includes financial information relating to the publication; the interviews, analogues and correspondence relating to Peter B. Waite's book "The Lives of Dalhousie University, Vol.2" ; the research material for Peter B. Waite's "Lives of Dalhousie University, Vol.1.", including notes from the Dalhousie Gazette, President's reports, yearbooks, President's Office and departmental files and the private manuscripts of professors and administrators; photographs relating to Peter B. Waite's books "The Lives of Dalhousie University, Vols. 1 & 2"; the manuscripts of Peter B. Waite's "Lives of Dalhousie University, Volume Two, 1925-1980" , including the table of contents, preface and introduction; Chapters 1-12; and the appendices; general correspondence of Peter B. Waite, covering the period 1949 to 1980. Includes a few clippings; academic files of Peter B. Waite, including correspondence; reports; examination questions; Dalhousie University Faculty Council meeting documents and various committee documents.; Peter B. Waite's book manuscript for "CANADA 1874-1896: ARDUOUS DISTINY"; photographs of Dalhousie University; and a personal diaries collection for the period 1925-1963, thought to be his mothers.
Fonds comprises records regarding Jessica Scott Kerrin's work as a children's author, including printed and electronic manuscripts; editorial correspondence; book reviews; style and writing guides; learning resource materials; digital photographs; and correspondence from readers, primarily school children.
